| Bibi Andersson | ... | Erika Kosnov | |
| Richard Boone | ... | Ward | |
| Nigel Green | ... | The Whore | |
| Dean Jagger | ... | Highwayman | |
| Lila Kedrova | ... | Madam Sophie | |
| Micheál MacLiammóir | ... | Sweet Alice | |
| Patrick O'Neal | ... | Charles Rone | |
| Barbara Parkins | ... | B.A. | |
| Ronald Radd | ... | Captain Potkin | |
| George Sanders | ... | Warlock | |
| Raf Vallone | ... | Puppet Maker | |
| Max von Sydow | ... | Colonel Kosnov | |
| Orson Welles | ... | Bresnavitch | |
| Sandor Elès | ... | Lt. Grodin (as Sandor Eles) | |
| Niall MacGinnis | ... | Erector Set | |
| Anthony Chinn | ... | Kitai | |
| Guy Deghy | ... | Professor | |
| John Huston | ... | Admiral | |
| Fulvia Ketoff | ... | Sonia Potkin | |
| Vonetta McGee | ... | The Negress | |
| Marc Lawrence | ... | The Priest | |
| Cyril Shaps | ... | Police Doctor | |
| Christopher Sandford | ... | Rudolph | |
| Hana Maria Pravda | ... | Mrs. Kazar (as Hana-Maria Pravda) | |
| George Pravda | ... | Kazar | |
| Ludmilla Dudarova | ... | Mrs. Potkin | |
| Dimitri Tamarov | ... | Ilya | |
| Pehr-Olof Sirén | ... | Receptionist | |
| Daniel Smid | ... | Waiter | |
| Victor Beaumont | ... | The Dentist | |
| Steve Zacharias | ... | Dittomachine | |
| Laura Forin | ... | Elena Potkin | |
| Saara Ranin | ... | Mikail's Mother (as Saara Rannin) | |
| Sacha Carafa | ... | Mrs. Grodin | |
| rest of cast listed alphabetically: | |||
| Brandon Brady | ... | Clocker Dan (uncredited) | |
| Larry Cross | ... | Member of Tillnger Foundation (uncredited) | |
| Roger Nikkanen | ... | Extra in Finland (uncredited) | |
| Rune Sandlund | ... | Mikhail (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Noel Behn | (novel "The Kremlin Letter") | |
| John Huston | (screenplay) and | |
| Gladys Hill | (screenplay) | |
Produced by | |||
| Carter DeHaven | .... | producer | |
| Sam Wiesenthal | .... | producer | |
| John Huston | .... | producer (uncredited) | |
Original Music by | |||
| Robert Drasnin | |||
Cinematography by | |||
| Edward Scaife | (director of photography) (as Ted Scaife) | ||
Film Editing by | |||
| Russell Lloyd | |||
Casting by | |||
| Robert Lennard | (as Bob Lennard) | ||
Production Design by | |||
| Ted Haworth | |||
Art Direction by | |||
| Elven Webb | |||
Set Decoration by | |||
| Dario Simoni | |||
Costume Design by | |||
| John Furniss | |||
Makeup Department | |||
| George Frost | .... | makeup supervisor | |
Production Management | |||
| David C. Anderson | .... | production manager (as David Anderson) | |
| Tony LaMarca | .... | unit production manager: NYC/USA | |
Second Unit Director or Assistant Director | |||
| Gus Agosti | .... | first assistant director | |
| Carlo Cotti | .... | second assistant director | |
| Åke Lindman | .... | assistant director: Finland (uncredited) | |
| Nigel Wooll | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Giovanni Natalucci | .... | set designer (uncredited) | |
Sound Department | |||
| Renato Cadueri | .... | sound | |
| Basil Fenton-Smith | .... | sound | |
| Leslie Hodgson | .... | sound editor | |
Camera and Electrical Department | |||
| Dudley Lovell | .... | camera operator (uncredited) | |
| Laurie Shane | .... | gaffer (uncredited) | |
Music Department | |||
| Robert Drasnin | .... | conductor | |
Other crew | |||
| Ernest Anderson | .... | unit publicist (as Ernie Anderson) | |
| Lucie Lichtig | .... | script supervisor (as Lucy Lichtig) | |
| Michael Maslansky | .... | unit publicist | |
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| Topaz | Munich | Spy Game | Salt | Flawless |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
I saw the original release (uncut) and was not disturbed by George Sanders in drag. It seems to me that this one point raised by almost all of the movie anthologies indicates that none have seen the film but only copied one person's comment. The story is clever espionage, keeps you guessing, and keeps your interest. I do not want to say anything else about the story for it will spoil it for those who have not seen it. The performances are all strong and the graphic portrayal may have been too much for the critics. If you want to sense the power and fear of espionage, this is the film to see. There is no holding back. Even the great one, "The Spy Who Came in From the Cold", does not push the cruelty of the spy game as far as this one does. I wish we could get some interest going so that this film will be released on video. I would like to revisit this unique spy film.