Almost a week after the fact, we, like everyone that loves film, are still mourning the passing of the great American master Sidney Lumet, one of the true titans of cinema.
Lumet was never fancy. He never needed to be, as a master of blocking, economic camera movements and framing that empowered the emotion and or exact punctuation of a particular scene. First and foremost, as you’ve likely heard ad nauseum -- but hell, it’s true -- Lumet was a storyteller, and one that preferred his beloved New York to soundstages (though let's not romanticize it too much, he did his fair share of work on studio film sets too as most TV journeyman and early studio filmmakers did).
His directing career stretched well over 50 years,