New inmate Marie arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos and ... See full summary »
A gorgeous girl named Katie inherits her deceased uncle's business and decides that she too can be a businesswoman and hire two hot girlfriends. Katie doesn't like the brothel part so she ... See full summary »
This biographical film, based on the life of French artist Paul Gauguin (Donald Sutherland), follows the painter as he returns to Paris after a long stay in Tahiti and must confront his ... See full summary »
Max von Sydow,
A rich playboy has a large house in the countryside. One weekend he invites a fashion model. On his way to the house, he drives past a gang of crazy young men. They find out where he lives,... See full summary »
Albert has the enviable job of being employed by a plush hotel to cater to the female visitors. His duty is to satisfy them in any and every way possible. All is not well for Albert though ... See full summary »
Margaret Rose Keil,
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his ... See full summary »
A faux-documentary about wife swapping clubs in the L.A. area. A reporter interviews the vice cop. The first 40 minutes is a semi-sex orgy. The guys do not take off their pants as they make... See full summary »
Dated but solidly entertaining German "sexploitation"
I sometimes have a hard time explaining to people why I love old style "sexploitation" movies, but hate porno movies. It's really very simple though: while porno movies are wall-to-wall sex with pretty much nothing else of interest in between, "sexploitation" movies were more limited in their sexual content due to censorship and/or the audience tastes of the day and so had to come up with something else to fill in their running time--and the best of them actually took advantage of their "captive audience" of lonely men in raincoats to do things even much bigger-budgeted mainstream movies would never dare try. Of course, this movie does not compare with the best of the genre (i.e. the works Jean Rollin, Jose Larraz, and Alain Robbe-Grillet in Europe; or Joe Sarno and Russ Meyer in America), but it is solidly entertaining.
This movie focuses on a small German town full of old men with young, sexy wives that seems to owe its unusually high birthrate to the "foehn", a wind that blows periodically and supposedly confers virility on the males who breathe it. But what is actually responsible for the fertility phenomenon is the studly young blacksmith who takes advantage of the fact that the town men are all out taking their constitutional in the "foehn" in order to get together with all of their luscious wives. The problem comes when a young, virginal daughter returns to the village (from school, I guess) because virgins and the "foehn" don't mix (and she by herself turns out to be more than the young blacksmith can handle). Thrown into the mix are two visiting nude artist models, a childless couple hoping for some of the "foehn's" magic, and a "population" bureaucrat and his sexy micro-mini-skirted secretary.
This movie isn't outrageously funny, but I found it interestingly exotic with its references to German folklore. I saw it as part of a collection of "Bavarian sex comedies" and it was really the only one of the bunch that seemed distinctly German. And the girls are all very pretty and clearly all-natural when presented in the au natural (which they frequently are). Of course, if you prefer modern-day shot-on-video porno flicks with tattooed skanks who are more silicone than woman having hardcore sex in someone's townhouse in the San Fernando Valley, you probably won't care for something like this, but I enjoyed it.
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