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Julius Caesar (1970)

 -  Drama | History | War  -  3 February 1971 (USA)
6.1
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All star cast heads up this 1970 remake of the William Shakespeare classic tale of the betrayal of the the Roman senate against their emperor, the plotting and scheming that led up to the ... See full summary »

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Cast

Cast overview, first billed only:
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Jill Bennett ...
Derek Godfrey ...
David Dodimead ...
Marcus Lepidus
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David Neal ...
Cinna the Conspirator
Preston Lockwood ...
John Moffatt ...
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Storyline

All star cast heads up this 1970 remake of the William Shakespeare classic tale of the betrayal of the the Roman senate against their emperor, the plotting and scheming that led up to the assassination of the title charecter, and all of Romes' fickleness towards the events. Written by Humberto Amador

Plot Summary | Plot Synopsis

Taglines:

No grander Caesar... No greater cast!

Genres:

Drama | History | War

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 February 1971 (USA)  »

Also Known As:

Júlio César  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

First feature of Christopher Cazenove. See more »

Goofs

During the murder in the Senate, the blood on Gaio Giulio Cesare's face shifts position, color, and at times entirely disappears between shots. See more »

Connections

Version of Julius Caesar (1911) See more »

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User Reviews

 
Modest Production in Some Ways Superior to the Brando Version.
26 February 2009 | by (Queens, NY) – See all my reviews

By now in his late forties and sporting an obvious, bright red hairpiece, Charlton Heston seemed an odd Antony when first seen. But Heston remained fit all through his long career. While he does not as much look the part, his Marc Antony provides a sturdy center for this second filming of the Shakespeare tragedy. Also, Charlton Heston had a scholarly side unusual for a Hollywood actor. He clearly gave much thought to this portrayal which on the whole is better than the misplaced Method emoting of Marlon Brando's Antony, some seventeen years earlier.

Featuring a mixed cast of British and American actors, the result is mainly predictable but some surprises and disappointments also feature. One disappointment is Gielgud as Caesar. Sir John was a veteran Shakespearian by 1970 with a fine voice and tons of dignity. Yet at sixty-six he was a touch too old for the part. More to the point, the effete Gielgud lacked the masculine force to play this virile ex-general whose battlefield victories were said to be matched only by his conquests in the bedroom.

One surprise is the subtle portrayal of the conspirator Casca by American Robert Vaughan. "Sour" Casca, the cynical observer, is a minor character but sharply drawn and Vaughan makes him come alive during his few minutes on stage. Jill Bennet is sympathetic as the prophetic wife of Caesar but in the role of Brutus' wife the well-born Portia, Diana Rigg at age thirty-two looks luscious and is simply superb--Shakespeare in the finest style. Another veteran Shakespearian, Richard Johnson, is nearly as good as the jealous, manipulative Cassius.

Jason Robards plays Brutus like a wooden Indian for the first two acts. In the third act however--that is, after Brutus and Cassius have fled Rome--he seems to grow in the part and his acting gains conviction.

The importance of the plebeians to the play was understood by this director, who cast the roles carefully.


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