| Page 1 of 2: | [1] [2] |
| Index | 11 reviews in total |
11 out of 13 people found the following review useful:
Peter Falk was superb, 3 August 2002
Author:
Tarasicodissa from Pennsylvania
Peter Falk's performance as a ruthless gangster was the best part of this
movie.
What undermines this movie is McCain's stupidity. Even when he knows that
the Mob is looking for him he goes to his friends and ex-wife for help.
Doesn't he know they are the first places the Mob would look ? Didn't he
have a plan for how to disappear with the money ?
7 out of 8 people found the following review useful:
A masterpiece of the Italian-made crime movie genre, 15 July 2008
![]()
Author:
roegcamel from United States
I have always admired the work of John Cassavetes, Peter Falk and Gena
Rowlands, who are all brilliant in MACHINE GUN McCAIN, but I must say
that even if they had been replaced by lousy actors, the film would
still be one of the best pulp gangster movies ever made. As it is, with
those actors in it, it's like a dream for fans of the genre.
Cassavetes plays McCain, a hot-headed career criminal who acts first
and worries about the consequences later. He's full of heart, but it's
a cold one. Falk is a bully-ish gangster who thinks he can muscle heavy
hitters in order to get what he wants. Rowlands plays McCain's old
moll; together they used to be known as The Machine Gun Lovers. Other
famous faces appear throughout, including Florinda Bolkan and Britt
Ekland. Fans of Italian cinema - particularly poliziotteschi - will
grin repeatedly at the amount of familiar mugs on display throughout.
It's a gorgeous production, and it demands to be seen in widescreen
format. I recently acquired a letterboxed DVD from France that looks
and sounds amazing. Having seen it previously in a lousy pan & scan
form (on TV), it was a grand treat to see it remastered. I highly
encourage anyone interested in this movie to spring for a multi region
DVD player that can handle the PAL format (you can get one these days
for less than $50) and buy this DVD. It's a masterpiece, filled with
tough dialogue, great photography, amazing performances, a neat plot
and some unexpected humor. It really is one of the most impressive of
the Italian-made crime film lot, and it's a must-see for Cassavetes
fans.
Now if only Paramount would release the long-missing BANDITS IN ROME,
another Italian-made gangster movie starring Mr. Cassavetes...
7 out of 8 people found the following review useful:
dynamite casino robbery film, 19 June 2008
![]()
Author:
RanchoTuVu from Tijuana, Baja California, Mexico
An ex-con with explosives experience gets back into the swing of things when he lines up a job to rob a Mafia run casino in Las Vegas. With John Cassavetes in the lead one would think this film would be more available than merely catching it by luck on TCM on their midnight Underground Cinema showcase. Though the production is more or less lower budget and the spoken words don't exactly line up with the movement of the lips, it's nonetheless vintage 60's crime with Cassavetes as great as ever, and Peter Falk playing the casino manager and lower level Mafiosi. There are some neat scenes of the San Francisco night life, and the action shifts to the Las Vegas strip with Cassavetes and his new bride Arlene (Britt Eklund) and the ruthless revenge of the Mafia as the movie becomes a pretty dark chase film through LA with Gena Rowlands getting a tough little part as the vise tightens.
5 out of 5 people found the following review useful:
MACHINE GUN McCAIN (Giuliano Montaldo, 1968) ***, 2 September 2006
![]()
Author:
MARIO GAUCI (marrod@melita.com) from Naxxar, Malta
This is a stylish, complex and exciting gangster melodrama (which
Leonard Maltin in "Movies & Video Guide" calls "junk" and awards a mere
**!) bolstered by an infectious Ennio Morricone score (especially the
title ballad). Amazingly, it was shown on Italian TV at the time of the
Cannes Film Festival as part of a series of past nominees;
unfortunately, however, the print was of the choppy 94-minute U.S.
version (bearing the Columbia logo upfront) and panned-and-scanned to
boot (making the Techniscope compositions pretty claustrophobic)!! I've
been unable to determine the film's original length, but I've seen
running-times as long as 119 minutes!
The film is well-served by a great cast: an intense and fearless John
Cassavetes as the title character, a delectable Britt Ekland as a girl
he meets and marries on being sprung from jail (who becomes an
accomplice in his criminal schemes without batting an eyelid, at least
in this version!), Peter Falk as a bad-tempered small-time hood whose
ambitions see him clash with his ruthless superiors, Florinda Bolkan as
his even more avaricious wife, Gabriele Ferzetti as the crossed Don who
goes to teach Falk a lesson (and who seems to be having an affair with
Bolkan!), Luigi Pistilli (rather under-used as Falk's right-hand man),
Salvo Randone (as the No. 1 Mafia Boss who keeps track of the situation
from his New York office), Tony Kendall (as the hit-man dispatched to
eliminate both Falk and Cassavetes) and "Special Guest Star" Gena
Rowlands (as McCain's tough old flame - together they were a legendary
criminal double-act, and the real-life couple demonstrate undeniable
chemistry in their one scene together! - who, still having feelings for
him, aids in his escape from the Mob and suffers the consequences for
her actions). It's an interesting mix of 'styles': the Italians give it
authenticity, the women a touch of class and the two male stars (who,
regrettably, don't share any screen-time but were eventually re-teamed
in a gangland milieu in MIKEY AND NICKY [1976] - which I recently
watched - and where they were practically inseparable!) an aura of
intelligence. Some sources credit The Doors' frontman Jim Morrison in
the role of a lackey, but it certainly didn't seem like him to me!
The best sequence is the ingenious heist from a Las Vegas casino
(indeed, the glitzy and often sleazy locations are a definite asset)
and, in the cynical fashion of cinema in the late 60s, the film ends -
rather abruptly - with a downbeat 'curtain'. Montaldo didn't make that
many films but from the three I've watched - the others being the
enjoyable light-hearted caper GRAND SLAM (1967) and the excellent IL
GIOCATTOLO (1979), a Death Wish-type drama with a remarkable leading
performance from Nino Manfredi - he certainly knew his business.
3 out of 3 people found the following review useful:
A terrific thriller, 30 May 2009
![]()
Author:
JasparLamarCrabb from Boston, MA
*** This review may contain spoilers ***
It's not a masterpiece by any mean, but Giuliano Montaldo's crime thriller is still terrific. John Cassavetes is sprung from jail by his son (working for mafioso Peter Falk) to rob a Las Vegas casino. When the job is canceled, everyone complies but Cassavetes. Mayhem ensues. Cassavetes is great and Falk is too (though they have no scenes together). Britt Ekland plays a waif recruited by Cassavetes and she's stunning. A great score by Ennio Morricone helps and the supporting cast, including Gabrielle Ferzetti, Tony Kendall and bitchy Florinda Balkin, is very colorful. Gena Rowlands, in an extended cameo, plays a tough as nails Cassavetes crony.
5 out of 7 people found the following review useful:
A Great 70s Gangster Flick, 1 November 2006
![]()
Author:
Willy Thatcher from Canada
I just recently got Drive-in Classics channel and it was the best
decision of my life. Why? Because I get to see rare movies from the
genres and eras long forgotten by most. This was one of those movies.
Peter Falk stands out most in this movie just like he does in any of
his movies. He's a mobster, a ruthless one at that and takes the cake
for number one on my list of bad asses. If you ever get a chance to
pick this up in a store or see it on TV then watch it and enjoy it.
You'll never regret that decision.
For style, Ennio Morricone's great score and Peter Falk. I give this
movie 10/10.
6 out of 9 people found the following review useful:
Did we see the same movie?, 17 June 2008
![]()
Author:
tarmcgator from United States
*** This review may contain spoilers ***
I caught this on TCM the other morning. I had seen it years ago, and it
was about as bad as I remembered. Cassavetes was a wonderful actor but
he appeared in a lot of lousy pictures to earn the dough that financed
FACES, A WOMAN UNDER THE INFLUENCE, GLORIA, and his other directorial
efforts.
Perhaps GLI INTOCCABILI suffers in translation to MACHINE GUN McCAIN.
Some of the English dialogue seemed shoehorned into the original
Italian, out of place and nonsensical as English. But it was the
relationships among the characters that seemed most outlandish here --
particularly between McCain and his "son" (Pierluigi Apra?) and, later,
with Irene (Britt Eklund). There's no chemistry among these actors, yet
we're supposed to believe that their character relationships are
significant. Too bad the scriptwriter didn't bring Gena Rowlands into
the film in the first ten minutes -- she would have been even more
credible as McCain's longtime accomplice and lover. And it would have
been nice if there had been some opportunities for interaction between
McCain and Joey Adamo (Peter Falk, who also was wasting his talent
here).
The Vegas heist is the one part of the film that works, but it takes a
lot of dull exposition to get there, and -- as another poster here
points out -- how can a career criminal as wily as McCain not have had
an escape plan worked out before the heist? If the ending of a story is
as inevitable as the fates, then it had better be a damned good story.
MACHINE GUN McCAIN is tedious, predictable, and in the end, just plain
shipshod storytelling. (However, I do hope some bright political
satirist picks up on the closing ballad in the film and applies it to a
montage of John S. McCain's campaign photos after he loses the
presidential election in November.) By the way, McCain's submachine gun
is a Sten, not a Thompson.
2 out of 3 people found the following review useful:
Charlie! We have another death in the family., 3 June 2009
![]()
Author:
sol from Brooklyn NY USA
*** This review may contain spoilers ***
(There are Spoilers) Fast pace and hard hitting robbery caper involving
the newly opened Royal Hotel & Casino in Las Vegas.
With the West Coast mob boss Charlie Adamo, Peter Falk, determined to
get a piece of the action at the hotel that the manager Abe Silverman
Steffen Zacharias, cut him out of he has, by paying off the right
people, convicted armed robber Hank McCain, John Cassavetes, sprung
from San Quentin. All this after McCain served just twelve years of his
25 to life sentence. Unknown to McCain Adamo has his foolish and
bumbling 20 year old son Jack,Pierlugi Apa, masterminding the robbery
of the Royal with his two equally incompetent partners Barcly & Cudo,
Cludio Biava & James Morrison.
It just happens that the Royal is secretly owned by the New York crime
syndicate whom Boss Adamo is working for! By the time Adamo finds that
out he, in order to save his hide, calls off the robbery. McCain
feeling that he's out of the loop, in the planing of the robbery, and
unknown to New York Mafia boss Don Savaltore and his #1 man Don
DeMarco, Salvo Randone & Gabriele Ferzetti, decides to pull it off
anyway together with his new found love and gun moll Irene Tucker,
Britt Ekland. It's Irene whom the sex-staved-after 12 years without a
women's company- McCain picked up, and later married, at a San
Francisco nightclub.
The action is hot and heavy with McCain going on his own, after Jack
together with his two henchmen were rubbed out, to rob the Royal Hotel
of it's weekly take of some two million dollars. The robbery goes
according to plan with McCain taking off with the cash together with
Irene. The mob finds out who McCain is by beating it out of Adamo's
right-hand man Duke Mazzanga, Luigi Pistilli. This has both McCain and
Irene, with their photo's made available to the public, on the run for
their lives before the mob can get a hold of them.
In the end McCain gets a bit nostalgic by tracking down his wife
Rosemary Scott, Gena Rowland, who was convicted together with him for
armed robbery some 12 years ago. This sets off fireworks between
Rosemary and Irene, who's younger and more attractive, over their man
handsome but a bit unstable Hank McCain. This also leads, by Irene
later getting captured by the mob, to the mob to not only find Rosemary
but McCain himself.
***SPOILERS***Great acting by John Cassavetes Peter Falk & Co. makes
the film a lot better then it really is. The ending has just the right
touch in showing what happens when one tries to stiff the mob and
thinks he, or she, is going to get away with it. McCain who should have
know better learned that fact the hard way and in the end he ended up
paying for it with his life!
7 out of 13 people found the following review useful:
Not the lizard king, but not too bad, 5 April 2000
Author:
Sean84
The movie is pretty good to see in that Peter Falk, of Columbo fame, gives
an unexpectedly good performance as a ruthless gangster. I saw the movie on
A and E, so I probably missed some details. The gist is that Cassavettes
tries to win one more score from Ganster Falk(sort of like Superfly)and
attempts to do so with the help of his "Little Friend", a Thompson
Automatic. For a film of the late sixties, it is pretty violent. However,
Cassavettes created his own style of directing, and this film showcases it.
It was hard to follow at parts, but again this may have been due to the
commercial interruptions and editing.
It's about a 7.5 out of 10.
Cassavettes was awesome., 1 March 2012
![]()
Author:
Leonard Smalls: The Lone Biker of the Apocalypse from Arizona
Let me start out by saying I think the main star in this flick, John
Cassavettes is one of the most underrated actors of his time. I was
expecting this movie to blow me out of the water. I'm a huge fan of
euro action and gangster flicks. Maybe I've seen too many...or maybe
"Machine Gun McCain" just wasn't trashy enough for me.
The plot is simple and straightforward. John is great as the
quintessential old school tough guy. His son represents everything he
isn't. I liked that part of the story- the relationship between Hank
and his son.
This movie lacked the overall trashiness that I like to see in these
Italian crime flicks. I prefer stuff like "Street Law" or Fulci's
"Contraband," and recently I saw Deodato's "Live Like A Cop Die Like A
Man" which is way more along the lines of the stuff I like (more
violence, more shock, more trash)...I rented this movie and I doubt
I'll purchase it for my collection.
However, I'd recommend it for fans of John Cassavettes. As I said, he
really makes the movie. Look for a young Florinda Bolkan as Josie.
6 out of 10, kids.
| Page 1 of 2: | [1] [2] |
| Plot summary | Ratings | Awards |
| External reviews | Plot keywords | Main details |
| Your user reviews | Your vote history |