I Never Sang for My Father
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Padre Padrone | Taviani Retrospective Review

2 February 2016 10:00 AM, PST | ioncinema | See recent ioncinema news »

I Never Sang for My Father: The Taviani Brothers and the Prison of Patriarchy

For many, Italian directing duo Paolo and Vittorio Taviani are best remembered for their output from the late 70s to late 80s, coming to prominence on the international circuit and unveiling a string of notable titles before falling out of critical favor by the mid-1990s. In 2012, the brothers made a resurgence winning the Golden Bear at the Berlin Film Festival, which resulted in bringing their old classics back to new, contemporary audiences. A retrospective featuring new restorations of three important titles begins with one of their most lauded films, 1977’s Padre Padrone, which took home the Palme d’Or at the Cannes Film Festival (notably, Roberto Rossellini was the jury president, whose 1946 film Paisan inspired the brothers as filmmakers). Based on a memoir (Gavino Ledda’s The One That Got Away) and originally intended for television, »

- Nicholas Bell

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