4.9/10
109
1 user 4 critic

I Love My Wife (1970)

A young surgeon becomes bored with his wife and family, he has a very successful career, but even with having so much in life, he feels empty and goes through a series of brief and meaningless relations with attractive women.

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Nominated for 1 Golden Globe. See more awards »
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Cast

Cast overview, first billed only:
...
Dr. Richard Burrows
...
Jody Burrows
...
Helene Donnelly
...
Frank Donnelly
...
Dr. Neilson
Joan Tompkins ...
Grandma Dennison
...
Mrs. Burrows
...
Dr. Korngold
Al Checco ...
Dr. Meyerberg
...
Nurse Sharon
...
The Stewardess
...
Leslie
...
John Bosley
Gloria Manon ...
Prostitute
Frederic Downs ...
Minister
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Storyline

A young surgeon becomes bored with his wife and family, he has a very successful career, but even with having so much in life, he feels empty and goes through a series of brief and meaningless relations with attractive women.

Plot Summary | Add Synopsis

Plot Keywords:

female nudity | See All (1) »

Taglines:

Behind every 'successful' man is an understanding woman... or two... or three!

Genres:

Comedy

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

7 January 1971 (Netherlands)  »

Also Known As:

Amo a mi esposa  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Elliott Gould turned down " Mccabe And Mrs Miller " to make this. See more »

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User Reviews

 
Gross-humored revue sketches interspersed with sharp-fanged marital truths...some funny scenes
31 May 2009 | by (las vegas, nv) – See all my reviews

Average-looking and living medical student--newly married, horny, and happy with his choices--finds his marriage and sex-life suddenly going south after his wife delivers their first child. Realistic marital blahs and hang-ups in the suburbs has funny, acerbic observations to make, and yet much of the picture feels half-baked, unfinished. Director Mel Stuart's rude, pointed sense of satire surfaces on occasion (such as a wonderful scene depicting a difference of opinion in front of the ice-cream man), yet often Stuart doesn't quite connect with writer Robert Kaufman's more outlandish ideas. The general concept is jumbled and, with Elliott Gould faintly distracted in the lead, the picture keeps slipping back into first gear. Wife Brenda Vaccaro loses all interest in intimacy, tells her husband to go get a prostitute if he wants sex, and then calls out, "Where are you going?" as he walks out the door. It's amusing and familiar and likable. However, Kaufman's sketch-like approach plays out like a depressed cartoon. Moments of the movie make you laugh, but there's always a faintly bitter taste afterwards. ** from ****


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