IMDb > Husbands (1970)
Husbands
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Husbands (1970) More at IMDbPro »

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Overview

User Rating:
7.6/10   2,845 votes »
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Up 6% in popularity this week. See why on IMDbPro.
Director:
Writer:
John Cassavetes (written by)
Contact:
View company contact information for Husbands on IMDbPro.
Release Date:
8 December 1970 (USA) See more »
Genre:
Tagline:
A comedy about life, death and freedom
Plot:
A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together... See more » | Full synopsis »
Plot Keywords:
Awards:
Nominated for Golden Globe. See more »
NewsDesk:
(74 articles)
Listen Up Philip | Review
 (From ioncinema. 13 October 2014, 8:35 AM, PDT)

New on Video: ‘Love Streams’
 (From SoundOnSight. 13 August 2014, 6:11 PM, PDT)

John Fasano Dead: Writer, Director, Producer Dies at 52
 (From Variety - Film News. 21 July 2014, 6:25 PM, PDT)

User Reviews:
Cassavetes, Falk, Gazzara in Film Breakthrough See more (26 total) »

Cast

  (in credits order) (verified as complete)

Ben Gazzara ... Harry

Peter Falk ... Archie Black

John Cassavetes ... Gus Demetri
Jenny Runacre ... Mary Tynan
Jenny Lee Wright ... Pearl Billingham
Noelle Kao ... Julie
John Kullers ... Red
Meta Shaw Stevens ... Annie (as Meta Shaw)
Leola Harlow ... Leola
Delores Delmar ... The Countess
Eleanor Zee ... Mrs. Hines
Claire Malis ... Stuart's Wife
Peggy Lashbrook ... Diana Mallabee
Eleanor Cody Gould ... 'Normandy' Singer
Sarah Felcher ... Sarah
Bill Britten
Arthur Clark
Gwen Van Dam ... Gwen - "Jeanie" Singer
John Armstrong ... "Happy Birthday" Singer
Charles Gaines (as Chas. Gaines)
Antoinette Kray ... "Jesus Loves Me" Singer
Lorraine MacMartin ... Annie's Mother (as Lorraine Macmartin)
Carinthia West ... Susanna
Edgar Franken ... Ed Weintraub
Joseph Boley ... Minister (as Joe Boley)
Judith Lowry ... Stuart's Grandmother
Joseph Hardy ... Shanghai Lil (as Joe Hardy)
Fred Draper
David Rowlands ... Stuart Jackson
rest of cast listed alphabetically:

Nick Cassavetes ... Nick (uncredited)

Xan Cassavetes ... Xan (uncredited)
Marilyn Clark ... (uncredited)
Robert Dahdah ... Crowd (uncredited)
Harry Fielder ... Hippy at Roundhouse (uncredited)

Rick Lester ... Man on train (uncredited)
Anne O'Donnell ... Nurse (uncredited)
Rhonda Parker ... Margaret (uncredited)
Ellen Stretton ... (uncredited)
K.C. Townsend ... Barmaid (uncredited)
Gena Wheeler ... Nurse (uncredited)

Directed by
John Cassavetes 
 
Writing credits
John Cassavetes (written by)

Produced by
Al Ruban .... producer
Sam Shaw .... associate producer
 
Cinematography by
Victor J. Kemper (director of photography) (as Victor Kemper)
 
Film Editing by
John Cassavetes (uncredited)
 
Makeup Department
Robert Laden .... makeup artist: New York (as Robt. Laden)
Tommie Manderson .... makeup artist: London (as Tommy Manderson)
 
Production Management
Fred C. Caruso .... production supervisor (as Fred Caruso)
Robert Greenhut .... production manager: New York
 
Second Unit Director or Assistant Director
Simon Hinkly .... assistant director: London (as Simon Hinkley)
Alan Hopkins .... assistant director: New York
Philip Mead .... assistant director: London
 
Art Department
Rene D'Auriac .... art director: New York
Robert Hamlin .... scenic artist: New York (as Robt. Hamlin)
Henry Newman .... props
Thomas Saccio .... props: New York (as Tom Saccio)
Edie Shaw .... graphic artist
 
Sound Department
Barry Copland .... sound: London (as Barrie Copeland)
Dennis Maitland .... sound: New York
James Perdue .... sound recordist (uncredited)
James Perdue .... sound (uncredited)
 
Camera and Electrical Department
Michael Chapman .... camera operator: New York (as Mike Chapman)
Len Crowe .... gaffer: London (as L. Crow)
Geoff Glover .... camera operator: London
Edward Gold .... assistant camera: New York (as Eddie Gold)
Dick Mingalone .... camera operator: New York (as Rich Mingalone)
Richard Quinlan .... gaffer: New York (as Rich Quinlan)
Teddy Tucker .... key grip: London (as T. Tucker)
Joseph Williams .... key grip: New York
 
Casting Department
Tom Busby .... casting: London
 
Costume and Wardrobe Department
Ed Brennan .... wardrobe: New York (as Edward Brennan)
Lewis Brown .... costume designer: New York (as L. Brown)
Shura Cohen .... wardrobe: London
Joseph W. Dehn .... wardrobe: New York (as Joe Dehn)
Dennis Frun .... wardrobe: London
 
Editorial Department
Tom Cornwell .... assistant editor (as Tom Cornwal)
Robert Heffernan .... post-production editor (as Robt. Heffernan)
Peter Tanner .... supervising editor
Jack Woods .... post-production editor
 
Music Department
Jack Ackerman .... musical director: London
Ray Brown .... composer: additional music, London
Stanley Wilson .... musical director: London
 
Other crew
Fred Draper .... dialogue supervisor: New York
James Joyce .... coordinator
Peggy Lashbrook .... continuity: London
Joe Lustig .... publicist
Henry Newman .... effects
Nancy Norman .... continuity: New York
Kevin O'Driscoll .... accountant
Al Ruban .... presenter
Bert Schneiderman .... controller
Sam Shaw .... presenter
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Husbands: A Comedy About Life, Death and Freedom" - USA (complete title)
See more »
MPAA:
Rated PG-13 for mature thematic elements including sexual situations, language, drunkenness, and brief domestic violence (re-rating)
Runtime:
Japan:131 min | USA:138 min (original release) | USA:131 min (TV version: Sony Pictures Television print) | 154 min (San Francisco Film Festival) | West Germany:142 min (dubbed version: TV)
Country:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Australia:M | Finland:K-16 | Sweden:15 | USA:GP (original rating) | USA:PG-13 (re-rating)
Filming Locations:

Did You Know?

Trivia:
John Cassavetes' original cut was well-received with studio executives at Columbia Pictures but Cassavetes went off and re-edited the film with future cuts not well-liked by the execs.See more »
Quotes:
Archie Black:[Arriving at the funeral] I suppose this is proper, all these big cars and chauffeurs. Black shiny cars. Seems dopey for a guy like that. Well, I guess that's what they do. People get symbolic over death. They get very formal, and it's really ridiculous. Because it's probably the most humiliating thing in the world. But I feel very relaxed. People die of tensions. That's all they die of, Gus. That's the truth. Did you know that? I know it, and it's something I'm never gonna forget.
Gus Demetri:Don't believe truth. Just don't believe truth. Archie, I'm telling you, don't believe truth.
[...]
See more »
Movie Connections:
Referenced in Crossing Criminal Cultures (2007) (V)See more »
Soundtrack:
Pack Up Your Troubles in Your Old Kit Bag and Smile, Smile, Smile!See more »

FAQ

This FAQ is empty. Add the first question.
16 out of 19 people found the following review useful.
Cassavetes, Falk, Gazzara in Film Breakthrough, 6 May 2000
Author: silentgpaleo

HUSBANDS is full of unexpected events.

Some of John Cassavetes' films can be hard to watch. OPENING NIGHT is an interesting experiment, top-heavy with subplots. GLORIA was an aborted attempt at a more commercial film. Although Gena Rowlands would kick Sharon Stone's butt if both of their films were compared, the pace to Cassavetes' GLORIA is languid. Not what you'd expect from an action film.

This is, however, one of the Cassavetes' traits: the element of surprise.

There are alot of surprises in HUSBANDS. The film begins with a funeral, as Falk, Gazzara, and Cassavetes put their friend to rest. This event depresses these men, and they go on a drinking binge that seems to last the rest of the movie. There is drinking, carousing, horseplay, sex with female strangers, and a conspicuous tendancy to ignore the wives. These are married men, but until their conscious returns to them, they seem to forget that.

HUSBANDS is what I would term as a humble classic. The main reason why I consider myself a Cassavetes fan is because his films are humble. They are always ambitious, mind you, but I love the choices that Cassavetes makes in his editing, and his casting. Cassavetes allows the actors to explore the characters as they are acting on camera, and sometimes this leaves the rough edges of improvisation showing. He knows how to draw out un-self-conscious performances, and there is sometimes gold mined from this method.

Along with WOMAN UNDER THE INFLUENCE, this is my favorite of the films in Cassavetes catalogue. While HUSBANDS is Cassavetes "man" film, I suppose...INFLUENCE could be seen as his "woman" film. But, to be fair, Cassavetes made films about both sexes, and usually quite successfully. If you have heard of Cassavetes and are not familiar with his work, this is a good place to start.

HUSBANDS, in its climaxes and anti-climaxes, ends up feeling more and more like reality as you watch it. There are strange moments, and as I said before many surprises. But these are some of the kinds of moments that make up life: When a friend goes from laughter to tears in moments, when a joke is no longer funny, and becomes more serious than a heart attack. HUSBANDS is about common people, and how uncommon they can sometimes be. There is darkness, and there is light. Watch HUSBANDS to know what I'm talking about.

Was the above review useful to you?
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