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Husbands (1970)

 -  Comedy | Drama  -  8 December 1970 (USA)
7.6
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Ratings: 7.6/10 from 2,828 users  
Reviews: 26 user | 40 critic

A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be ... See full summary »

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Title: Husbands (1970)

Husbands (1970) on IMDb 7.6/10

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Nominated for 1 Golden Globe. See more awards »

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Cast

Cast overview, first billed only:
...
Harry
...
Archie Black
...
Gus Demetri
Jenny Runacre ...
Mary Tynan
Jenny Lee Wright ...
Pearl Billingham
Noelle Kao ...
Julie
John Kullers ...
Red
Meta Shaw Stevens ...
Annie (as Meta Shaw)
Leola Harlow ...
Leola
Delores Delmar ...
The Countess
Eleanor Zee ...
Mrs. Hines
Claire Malis ...
Stuart's Wife
Peggy Lashbrook ...
Diana Mallabee
Eleanor Cody Gould ...
'Normandy' Singer
Sarah Felcher ...
Sarah
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Storyline

A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be short-lived. Written by Fabrizio Sabidussi

Plot Summary | Plot Synopsis

Taglines:

A comedy about life, death and freedom

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements including sexual situations, language, drunkenness, and brief domestic violence | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

8 December 1970 (USA)  »

Also Known As:

Husbands: A Comedy About Life, Death and Freedom  »

Filming Locations:

 »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(original release) | (TV) | | (dubbed)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Funding for the picture fell through early on in production and the film had to be re-financed. See more »

Quotes

Gus Demetri: [Waiting while Harry is at home taking a shower] That's the difference between him and us.
Archie Black: If my wife opens her mouth to me about anything, I finish that fast. I walk in there...
Gus Demetri: You're right.
Archie Black: I know I'm right. And I spell it out. And that's what you have to do.
Gus Demetri: Right. That's what you have to do.
Archie Black: I'm not going to shower for her. If I want to stink, I'll stink. That's my privilege, and I'm not showering for him.
[pointing at Harry's home]
Gus Demetri: Right.
Archie Black: I wouldn't shower for you.
Gus Demetri: Don't.
[...]
See more »

Crazy Credits

There are no closing credits and no "THE END" title card. The screen just goes black. In the opening credits, everyone involved in the film (even the "little people") are credited on two "tell all" title cards, right on down from the actors to the grips, a total of 82 credits. See more »

Connections

Referenced in Crossing Criminal Cultures (2007) See more »

Soundtracks

Pack Up Your Troubles in Your Old Kit Bag and Smile, Smile, Smile!
(1915) (uncredited)
Music by Felix Powell
Lyrics by George Asaf
Sung a cappella by an unidentified woman
See more »

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User Reviews

Cassavetes, Falk, Gazzara in Film Breakthrough
6 May 2000 | by See all my reviews

HUSBANDS is full of unexpected events.

Some of John Cassavetes' films can be hard to watch. OPENING NIGHT is an interesting experiment, top-heavy with subplots. GLORIA was an aborted attempt at a more commercial film. Although Gena Rowlands would kick Sharon Stone's butt if both of their films were compared, the pace to Cassavetes' GLORIA is languid. Not what you'd expect from an action film.

This is, however, one of the Cassavetes' traits: the element of surprise.

There are alot of surprises in HUSBANDS. The film begins with a funeral, as Falk, Gazzara, and Cassavetes put their friend to rest. This event depresses these men, and they go on a drinking binge that seems to last the rest of the movie. There is drinking, carousing, horseplay, sex with female strangers, and a conspicuous tendancy to ignore the wives. These are married men, but until their conscious returns to them, they seem to forget that.

HUSBANDS is what I would term as a humble classic. The main reason why I consider myself a Cassavetes fan is because his films are humble. They are always ambitious, mind you, but I love the choices that Cassavetes makes in his editing, and his casting. Cassavetes allows the actors to explore the characters as they are acting on camera, and sometimes this leaves the rough edges of improvisation showing. He knows how to draw out un-self-conscious performances, and there is sometimes gold mined from this method.

Along with WOMAN UNDER THE INFLUENCE, this is my favorite of the films in Cassavetes catalogue. While HUSBANDS is Cassavetes "man" film, I suppose...INFLUENCE could be seen as his "woman" film. But, to be fair, Cassavetes made films about both sexes, and usually quite successfully. If you have heard of Cassavetes and are not familiar with his work, this is a good place to start.

HUSBANDS, in its climaxes and anti-climaxes, ends up feeling more and more like reality as you watch it. There are strange moments, and as I said before many surprises. But these are some of the kinds of moments that make up life: When a friend goes from laughter to tears in moments, when a joke is no longer funny, and becomes more serious than a heart attack. HUSBANDS is about common people, and how uncommon they can sometimes be. There is darkness, and there is light. Watch HUSBANDS to know what I'm talking about.


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