A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be ... See full summary »
Nick is desperate, holed up in a cheap hotel, suffering from an ulcer and convinced that a local mobster wants him killed. He calls Mikey, his friend since childhood, but when Mikey arrives... See full summary »
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Marvin, a heavy-drinking widower who has seen better days and now ekes out a living at odd jobs, meets Tige, an 11-year-old black boy about to kill himself because his mother has just died.... See full summary »
Billy Dee Williams,
A professional holdup man with scruples has a young ambitious partner who covets his wife and his life. When the holdup man goes to prison, the partner cuts loose, leaving a trail of deaths behind him.
Alberto De Martino
A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be short-lived. Written by
John Cassavetes' original cut was well-received with studio executives at Columbia Pictures but Cassavetes went off and re-edited the film with future cuts not well-liked by the execs. See more »
Well, I'd be a professional athlete because they really put out. And they got no excuses, and they feel good, and they get sweaty. You know, you have a beer, and you're with guys you like.
I was gonna be a basketball player. I had all the moves. I was quick enough. Too short.
I love baseball. I love golf. I love pool. I love track. I love Ping-Pong. I love volleyball. I love badminton. What else is there?
Lacrosse! Now there's a hell of a game!
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There are no closing credits and no "THE END" title card. The screen just goes black. In the opening credits, everyone involved in the film (even the "little people") are credited on two "tell all" title cards, right on down from the actors to the grips, a total of 82 credits. See more »
John Cassavetes' 1970 masterpiece "Husbands" is by far one of my favourite films of all time! I'm aware that this film divides a lot of fans of John Cassavetes. Some love it, and some loathe it. And to be honest, I can understand both sides. But I find it extremely dramatic, funny, touching, brutal, and thought provoking. Some have complained that it is too long, misogynistic, contrived, pretentious, and badly acted. You're intitled to your opinion, but I don't share it. John Cassavetes' cinema was never to appeal to mass aproval or for enjoyment. It's meant to slap you in the face silly, wrench emotions out, throw you into uneasy laughter, put you ill at ease with an uncomfortable situation, drag out scenarios pass the point of tediousness, get into your skin, get into your brain, and have you walking out of the theatre feeling like you just got off a rollercoaster. If you haven't felt this by the end, then I'm afraid you should ask your designer to input an emotion chip in the android brain of yours. Lots of film directors make great, fun, entertaining, and dramatic films. But few take on the emotional coach role. Cassavetes has you running around nerve ends exposed, doing laps around your own personal plights, guilts, and loves. Maybe I've painted an over the top description of his films, but when I think back on his films, this is what comes to mind. I have a very hard time criticizing his films, because his films abandon typical cinema interpetation. He does not follow cinema rules, therefore I cannot follow typical rules of criticisim. Cassavetes had inserted a heart into celluloid, that burns before the eyes on the cinema screen. The film "Husbands" begins with three middle age males attending the funeral of a fourth friend. We have John Cassavetes (Gus), Peter Falk (Archie), and Ben Gazzara (Harry) returning to the man-child role, as they escape from middle age suburbia on a European bender. The bender includes scenes of drunkeness, singing, basketball, gambling, picking up girls, picking on people, and often making complete asses of themselves. This film is just too thick on topics to have a simple review give it any justice. But I urge everyone to experience his cinema with an open mind, and commitment. John Cassavetes has given us this commitment in making it. He is truly a genius of independent films, and is obviously (in my book) up there with Orson Wells, Francois Truffaut, and Alfred Hitchcock as one of the greatest directors in cinema history. Be prepared to not like everything you see, because I don't think he wanted you to. He wanted an emotional reaction that sticks on your brain. I've read that he said "We only have 2 hours to change someones life", and for me...he did! May John Cassavetes live on forever! I give this movie a 10!
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