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The House That Dripped Blood
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The House That Dripped Blood (1971) More at IMDbPro »

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The House That Dripped Blood -- Scotland's Yard's search for a missing film star leads them to a haunted house, which serves as the framework for four tales of the macabre starring horror icons Peter Cushing, Christopher Lee and Ingrid Pitt. They include a writer's murderous creation coming to life, a wax figure causing a fatal argument, a young girl developing an intense interest in witchcraft and an actor finding a cape that helps immerse him in his role as a vampire.


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Robert Bloch (written by)
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Release Date:
2 April 1971 (USA) See more »
Vampires! Voodoo! Vixens! Victims! See more »
An anthology of four horror stories revolving around a mysterious rental house in the UK. Full summary » | Full synopsis »
Plot Keywords:
(43 articles)
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User Reviews:
One of the greatest Horror anthologies! See more (66 total) »


  (in credits order)

Christopher Lee ... John Reid (segment 3 "Sweets to the Sweet")

Peter Cushing ... Philip Grayson (segment 2 "Waxworks")
Nyree Dawn Porter ... Ann Norton (segment 3 "Sweets to the Sweet")

Denholm Elliott ... Charles Hillyer (segment 1 "Method for Murder")

Jon Pertwee ... Paul Henderson (segment 4 "The Cloak")
Joanna Dunham ... Alice Hillyer (segment 1 "Method for Murder")

Joss Ackland ... Neville Rogers (segment 2 "Waxworks")
John Bennett ... Detective Inspector Holloway
Geoffrey Bayldon ... Theo Von Hartmann (segment 4 "The Clock")
John Bryans ... A.J. Stoker
Hugh Manning ... Mark (segment 3 "Sweets to the Sweet")
Robert Lang ... Psychiatrist - Andrews (segment 1 "Method for Murder")
Richard Coe ... Mr. Talmadge (segment 4 "The Cloak")
Wolfe Morris ... Waxworks Proprietor (segment 2 "Waxworks")

Jonathan Lynn ... Mr. Petrich (segment 4 "The Cloak")
John Malcolm ... Police Sergeant Martin
Winifred Sabine ... Rita (segment 4 "The Cloak")
Carleton Hobbs ... Dr. Bailey (segment 3 "Sweets to the Sweet")
Bernard Hopkins ... Assistant Director (segment 4 "The Cloak")
Chloe Franks ... Jane Reid (segment 3 "Sweets to the Sweet")
Tom Adams ... Dominick / Richard (segment 1 "Method for Murder")

Ingrid Pitt ... Carla Lind (segment 4 "The Cloak")
rest of cast listed alphabetically:
Roy Evans ... Hunchback (segment 4 "The Cloak") (uncredited)

Joanna Lumley ... Film Crew Girl (segment 4 "The Cloak") (uncredited)

Directed by
Peter Duffell 
Writing credits
Robert Bloch (written by)

Russ Jones  segment "Waxworks" (uncredited)

Produced by
Paul Ellsworth .... executive producer
Max Rosenberg .... producer (as Max J. Rosenberg)
Milton Subotsky .... producer
Gordon Wescourt .... executive producer
Original Music by
Michael Dress 
Cinematography by
Ray Parslow (director of photography)
Film Editing by
Peter Tanner 
Casting by
Ronnie Curtis (uncredited)
Art Direction by
Tony Curtis 
Makeup Department
Harry Frampton .... makeup artist
Joyce James .... hair stylist
Production Management
Teresa Bolland .... production manager
Second Unit Director or Assistant Director
Peter Beale .... first assistant director
Mike Higgins .... second assistant director (uncredited)
Adrian Hughes .... second assistant director (uncredited)
Art Department
Fred Carter .... set dresser
Thomas Goswell .... draughtsman (uncredited)
David Minty .... draughtsman (uncredited)
Peter Wood .... scenic artist (uncredited)
Sound Department
Michael P. Redbourn .... dubbing editor (as Michael Redbourn)
Ken Ritchie .... sound mixer
Nolan Roberts .... dubbing mixer
Paddy Cunningham .... assistant dubbing mixer (uncredited)
Camera and Electrical Department
Gerry Anstiss .... camera operator
Peter Ewens .... focus puller (uncredited)
Costume and Wardrobe Department
Laurel Staffell .... wardrobe (as Laurel Staffel)
Music Department
Michael Dress .... conductor
Other crew
Phyllis Townshend .... continuity (as Phyllis Townsend)
Crew believed to be complete

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Blood Zone" - Japan (English title) (imdb display title)
See more »
Rated PG for scary images (re-rating) (2002)
102 min
Color (Eastmancolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (RCA Sound System)
Australia:M | Canada:AA (Ontario) (original rating) | Canada:PG (Manitoba) (2003) | Canada:PG (Ontario) (re-rating) (2003) | Finland:K-18 (2004) (self applied) | Iceland:16 | Italy:T | Norway:16 | UK:X (original rating) | UK:12 (video rating) (2003) | USA:GP (certificate #22676) (original rating) | USA:PG (re-rating) (2002) | West Germany:16

Did You Know?

Among the photographs in the frame of Paul Henderson's mirror is one of Jon Pertwee driving "Bessie," the car he drove as the Doctor in "Doctor Who" (1963). When Pertwee made this film, he was still playing the Doctor.See more »
Revealing mistakes: As the inspector walks down into the cellar he's holding the candles to his right, yet we can see his shadow on his right as well.See more »
Paul Henderson:That's what's wrong with the present day horrorfilms. There's no realism. Not like the old ones, the great ones. Frankenstein. Phantom of the Opera. Dracula - the one with Bela Lugosi of course, not this new fellow.See more »


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16 out of 23 people found the following review useful.
One of the greatest Horror anthologies!, 13 February 2004
Author: Snake-666 from England

Four tales of terror regarding the events at a creepy old mansion are recounted to sceptical Scotland Yard investigator Holloway (John Bennett) as he investigates the whereabouts of the latest occupant of the house that dripped blood.

One can only struggle to find the words to describe the true brilliance that is ‘The House That Dripped Blood'. This Seventies horror anthology is quite remarkable in the way that such a visually innocent movie is capable of inducing horror in even the most discerning of viewers. Incredibly, the number of depictions of violence on-screen can be counted on one hand but the film is still able to portray brutality and succeeds in conjuring up the most horrific images in the viewers own imagination, all the while refraining from taking the obvious route of graphic violence. In a rare feature of early Seventies horror the technicalities of the movie are virtually flawless, from the faultless performances of the star-studded cast (featuring the legendary Peter Cushing, Christopher Lee and Ingrid Pitt) all the way to the superb direction and story telling courtesy of Peter Duffell and master of the macabre writer Robert Bloch (the author of the novel ‘Psycho'). The only real complaints that one may have with ‘The House That Dripped Blood' are the somewhat asinine plot-twists at the end of the first two segments and the predictable ending of the picture, but even these minor details fail to detract from the overall viewing enjoyment.

The first segment, entitled ‘Method for Murder', tells the story of Charles Hillyer (Denholm Elliott), a horror author who rents the creepy house while he works on his latest novel. While working on the novel, Hillyer continues to start seeing the murderous character from his story in and around the house and soon begins to question the difference between fiction and reality. Elliott's performance in this piece is truly exceptional and his character is given a surprising air of believability. The key to this segment, as with the others, is the mystery surrounding the events that take place. The viewer is made to question whether the sight of the murderous character of Dominic is merely a hallucination, a schizophrenic disorder or whether the character is actually there. Duffell's direction succeeds in creating an unsettling atmosphere coupled with a slow, methodical approach to engendering the tension and suspense required to make the segment greatly enthralling.

The following segment features Peter Cushing as the new occupant of the sinister house. During a trip into town he comes across a wax museum of horrors and decides to venture in. While there, he discovers a wax model of a beautiful woman that seems all too familiar to him. Cushing's character (Philip) is then joined by his friend Neville (Joss Ackland) who also wishes to visit the museum, much to the dismay of Philip. In this segment the viewer is given no more than very subtle clues as to the mystery of the wax woman but in general the viewer is left in the dark. There is far less tension to this particular story yet the segment still succeeds in maintaining its air of mystery through a particularly harrowing dream sequence and the general ambiguity of the story. Duffell's direction is once again exceptional and while this is quite possibly the weakest of the four stories, there is no denying that through some creative direction and credible acting ‘Waxworks' is still a delightful entry into the film.

‘Waxworks' is followed by what is, in my opinion, the greatest of the four segments – ‘Sweets to the Sweet'. Christopher Lee stars as John Reid, the father to a young girl who to begin with has an inexplicable fear of fire which is soon remedied by caring nanny Ann Norton (Nyree Dawn Porter). However, John appears to be harbouring a dark secret about the family. ‘Sweets to the Sweet' is easily the most sober and intricate of the four stories and that is why the segment is undeniably compelling to the viewer. Throughout the segment small and subtle clues are released about the truth behind the family, but it is not until the immensely horrific final scene that everything slots neatly into place. This is the best example of how Duffell used dramatic tension and suspense to create the foreboding atmosphere that made the entire film great. Accompanied by a wonderfully arranged soundtrack, ‘Sweets to the Sweet' is an exercise in sustained fear that grabs the viewer by the throat and refuses to let go until the agonising screams that end this piece finally cease. Personally, I believe that this short segment would have made an entertaining and haunting feature length movie and I would give this segment a rare 10/10.

The film is ended with the story surrounding the missing performer that the investigator was originally interested in. Jon Pertwee and Ingrid Pitt star as two performers who are currently working on a horror movie. Pertwee's character is disgusted with the amateurish production and props of the film and so he purchases his own vampire cloak from a strange shop of mysteries. However, strange things begin to happen when he wears the cloak and soon he begins to fear the worst. This segment, which places the inspector amongst the events, is a nice way to wrap up a wonderful anthology. Although there is an irrefutable air of camp to the segment this is, in a way, what makes the story so enjoyable. Unfortunately, there is little in this segment that could be classed as frightening in any sense and the predictable ending could have been executed better but nonetheless the segment has its redeeming features. Horror buffs should definitely look out for Pertwee's brief comment on Bela Lugosi's and Christopher Lee's portrayal of Dracula. This slightly comical and light-hearted approach to the final segment is in essence an adequate and almost natural way of ending the picture even if it lets down the film when compared to the earlier examples of suspense-driven horror.

To sum up, ‘The House That Dripped Blood' is one of the greatest horror anthologies that features an incredible cast, great stories and above par direction. There are certainly worse ways to spend one hundred minutes of your life and while blood and guts fans will be highly disappointed, fans of more tense horror efforts should enjoy this film immensely. My rating for ‘The House That Dripped Blood' – 8/10.

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Who is in the photo? elongmire
Is This appropriate for children? poefan
Which was your favourite story? greenheart
chamber music used in 'Waxworks' warren_houghton
The ending...? the lioness
Jane in 'Sweets To The Sweet' *SPOILERS* scarlaohorror
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