Following the Civil War, Confederate Captain Justice Cain has retired to a quiet life with his young son and black wife. However, the men of his old outfit, known as Cain's Cutthroats, have... See full summary »
The janitor at a local high school is actually the scout for a coven of Satanists on the lookout for a virgin to sacrifice. One day he kidnaps the cheerleading squad to use for their ... See full summary »
Yvonne De Carlo,
In a small, US costal town with many Spanish speakers, a motorcycle gang arrives on holiday. Also in town to try to reconnect with his pregnant girlfriend, Karen, is businessman Paul ... See full summary »
Amir, the benevolent ruler of Kalid, is dying, but there is hope. Freshly deceased, he is flown to the United States where Dr. Trenton transplants his brain into the body of a simpleton in ... See full summary »
After a string of bad times with men, Sandy tries to kill herself. Co-waitress Libby saves her and takes her to meet some female friends of hers who live on a ranch in the desert. Grace, ... See full summary »
John 'Bud' Cardos
Lon Chaney Jr.,
A group of sadistic outlaw bikers rumble into Las Vegas for kicks and to raise hell and chaos. But they soon get more then they bargained for when they run up against a neo-Nazi group, as well as casino Mafia wise-guys, and a wannabe vampire. Written by
The bulk of this film was shot in mid-1967 (shooting title "Operation M"), including all footage with Broderick Crawford, Scott Brady, Kent Taylor and John Carradine. Production finally wrapped in 1969 with biker footage featuring Robert Dix, whose name is only listed in the opening credits. Apparently, the addition of the cyclists was the only way the producers could get their picture released. This was one of seven completed features awaiting distribution when Al Adamson and Samuel M. Sherman formed their company, Independent-International Pictures Corp., beginning operations in 1969. See more »
At approximately one hour and thirteen minutes (1:13) into the movie, while a leather case is being removed from the trunk of a Ford Mustang, a boom microphone enters the scene from the top of the screen. Perhaps half the length of the microphone enters the frame and is visible for three or more seconds in time. See more »
One of Al Adamson's rarer features and the print I saw was worn out with Portuguese subtitles. I got it for Greydon Clark's appearance but he's in it for all of about five minutes and with two different hair styles. That's because, just as with Adamson's MEAN MOTHER, this film appears to have been started and never finished and then scenes were added years later to make some sort of assemblage of a plot. The problem is, it is hard to gather what is going on. Characters appear out of nowhere, the aforementioned change in hair styles sometimes makes them unrecognizable, Hell's Bloody Devils - the biker gang - serve less purpose in plot structure than the Russ Tamblyn led crew did in DRACULA VS. FRANKENSTEIN, and the print was so choppy that whole bits of dialogue were missing. Nevertheless, it's still quite enjoyable to watch, with John Gabriel as a FBI agent posing as a member of the syndicate who gets involved with counterfeit money and in the end comes to blows with a surviving member of Hitler's inner circle as well as a flirtation with the high ranking Nazi's daughter. Broderick Crawford and John Carradine appear in small roles and the music is even catchier than Harley Hatcher's score for SATAN'S SADISTS. The camera work and direction seem more than competent and one can only imagine how solid the film would have been had it not ended up as a salvage job. Well worth checking out for the Al Adamson/Greydon Clark completist or if you are interested in movies with Colonel Sanders cameos (he has less screen time here than in THE BLAST-OFF GIRLS though).
8 of 9 people found this review helpful.
Was this review helpful to you?