When the champ's promoter, Rev. Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The ... See full summary »
Samuel L. Jackson,
The son of a powerful Mafia don comes home from his army service in Vietnam and wants to lead his own life, but family tradition, intrigues and powerplays involving his older brother ... See full summary »
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
After mobsters murder her husband, Rose Bianco works long hours making artificial flowers, to support herself and her son. Some suspect that Rose's demand for a lavish lifestyle pushed her ... See full summary »
Peter Mark Richman
Boxer Jack Jefferson (James Earl Jones) is the world's reigning heavyweight boxing champion. There's just one problem, he is also the first black heavyweight champion, and that bothers a lot of people. Jack's celebration is cut short, as Jack is framed for crossing a state line with Eleanor, his white fiancé (Jane Alexander in her first film role), a violation of the Mann Act. Facing a prison sentence, Jack escapes to Europe, with Eleanor in tow, encountering problems in England, and then France, and eventually landing in Cuba. In Havana, Jack agrees to enter the boxing ring for what might be the bout of his life. Both Jones and Alexander were nominated for Oscars. Written by
In the early 20th century, boxer James Earl Jones (as Jack Jefferson) fights his main battles outside of the ring. He becomes the first "black" heavyweight champion of the world, but Mr. Jones finds the going gets tough after shacking up with "white" woman Jane Alexander (as Eleanor Backman). Back then, most people did not cotton to race mixing. Eventually, the battle infects Jones' relationship with Ms. Alexander. This film doesn't do justice to Howard Sackler's award-winning play, but it is worthwhile in several respects. Highlights include Irene Sharaff's crisp costumes, the later locations and several notable performances - especially Jones' charismatic and powerful lead.
******* The Great White Hope (10/11/70) Martin Ritt ~ James Earl Jones, Jane Alexander, Chester Morris, Hal Holbrook
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