A grandmother seeks a governess for her 16 year old granddaughter, Laurel, who manages to drive away each and every one so far by exposing their past, with a record of three in one week! ... See full summary »
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
A commander receives a citation for an attack on Rommel's headquarters, which is actually undeserved as the commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
A criminal known as Thunderbolt is imprisoned and facing execution. Into the next cell is placed Bob Moran, an innocent man who has been framed and who is in love with Thunderbolt's girl. ... See full summary »
The Illustrated Man is classic Bradbury, a collection of eighteen startling visions of humankind's destiny, unfolding across a canvas of decorated skin, visions as keen as the tattooist's ... See full summary »
The battle of the sexes and relationships among the elite of Britian's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of ... See full summary »
Boxer Jack Jefferson (James Earl Jones) is the world's reigning heavyweight boxing champion. There's just one problem, he is also the first black heavyweight champion, and that bothers a lot of people. Jack's celebration is cut short, as Jack is framed for crossing a state line with Eleanor, his white fiancé (Jane Alexander in her first film role), a violation of the Mann Act. Facing a prison sentence, Jack escapes to Europe, with Eleanor in tow, encountering problems in England, and then France, and eventually landing in Cuba. In Havana, Jack agrees to enter the boxing ring for what might be the bout of his life. Both Jones and Alexander were nominated for Oscars. Written by
The film was promoted and billed as "The most honored play in the history of Broadway...becomes an electrifying motion picture!" See more »
In the first scene in which we see Jefferson practicing, the sweat on his shirt changes from shot to shot in a way that wouldn't be predicted by evaporation. See more »
So, what do you say? If that's no white hope, I'm Queen Pocahontas.
He's the right stuff, Dan. Maybe a little raw yet.
*Fresh*. Fresh is what he is. Big, clean, strong. A real farm boy. They're waiting on their knees for someone like him.
I'm ready to promote it, Dan. What do you think?
I think he's a full-grown polar bear, myself. He's the best of the bunch, I won't argue that. But say we send him over, bang! It's 10-to-1 the black boy does it again. Then where are we?
We won't ever have it on...
[...] See more »
Screenplay by Howard Sackler Based on his play See more »
Here is a very special film. While not a biography, it is biographical, while essentially about a fighter, it is not a fight film.
I think the world first saw multiple award winner James Earle Jones as the impoverished father of a baby girl who is bitten by a rat while living in a run down tenement block. This was in the now rare, Emmy award winning TV series "East Side West Side". The series ran one season and also gave us a glimpse of the powerful talents of George C. Scott as the central character.
The outstanding episode that Jones guest stared in was titled "Who Do You Kill" It was essentially here, in 1963, we were first introduced to the raw potential of this dynamic Afro-American actor. A few years later, Scott and Jones would appear on theatre screens together.
"The Great White Hope" would have to be one of the best (if not 'the best') film to show the extent of racial intolerance that existed in 1900 American society and particularly in sporting circles. For many, this film will be exhausting to watch, both for the strong situations it examines and the astounding performances of the two main leads.
It's easy to see why both these performers won Tonys for their roles in the stage play, and Oscar nominations for their film portrayals of the same characters. Matin Ritt, a survivor of the House of Un-American Activities witch-hunt, is absolutely the right Director ('Edge of the City', 'Hud', etc). Just as Burnett Guffey ('Here to Eternity', 'All The Kings Men" etc) is the right Director of Photography. They have created a film that sparkles in all departments. While you don't want it to end ~ you are relieved when it does.
I'm sure the transfer of the 1969 Pulitzer Prize winning play to motion picture (both penned by Howard Sackler) must have brought with it greater personal connection for the audience. It's also interesting to note that one of the integral supporting characters (Pop) played by veteran actor Chester Morris - in his last film (befor suiciding while dying of cancer at age 69) also guest stared in an episode of "East Side West Side" shortly after the James Earle Jones Ep. His episode: "The Name of The Game" aired in 1964.
If you like great drama with a background set in historical fact, be sure you see "The Great White Hope"....Ken Roche.
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