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The Great White Hope (1970)

 -  Drama | Romance | Sport  -  16 October 1970 (USA)
7.0
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Ratings: 7.0/10 from 1,658 users  
Reviews: 26 user | 13 critic

A black champion boxer and his white female companion struggle to survive while the white boxing establishment looks for ways to knock him down.

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Nominated for 2 Oscars. Another 2 wins & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Eleanor
Lou Gilbert ...
Goldie
Joel Fluellen ...
Tick
...
...
Dixon
Marlene Warfield ...
Clara
...
Cap'n Dan
...
Cameron
...
Mama Tiny
...
Scipio
Lloyd Gough ...
Smitty
George Ebeling ...
Fred
...
Brady
Roy Glenn ...
Pastor (as Roy E. Glenn Sr.)
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Storyline

Boxer Jack Jefferson (James Earl Jones) is the world's reigning heavyweight boxing champion. There's just one problem, he is also the first black heavyweight champion, and that bothers a lot of people. Jack's celebration is cut short, as Jack is framed for crossing a state line with Eleanor, his white fiancé (Jane Alexander in her first film role), a violation of the Mann Act. Facing a prison sentence, Jack escapes to Europe, with Eleanor in tow, encountering problems in England, and then France, and eventually landing in Cuba. In Havana, Jack agrees to enter the boxing ring for what might be the bout of his life. Both Jones and Alexander were nominated for Oscars. Written by trivwhiz

Plot Summary | Add Synopsis

Plot Keywords:

champion | boxer | boxing | havana | europe | See All (72) »

Taglines:

The Great White Hope...So Great! See more »

Genres:

Drama | Romance | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, and for language including racist dialogue | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

16 October 1970 (USA)  »

Also Known As:

L'insurgé  »

Filming Locations:

 »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The original Broadway production of "The Great White Hope" by Howard Sackler opened at the Alvin Theater in New York on October 3, 1968, ran for 546 performances and won the 1969 Tony Award for the Best Play. James Earl Jones won the 1969 Tony Award for Best Actor in Play and recreated his stage role in the movie version. Jane Alexander won the 1969 Tony Award for Best Featured Actress in a Play and recreated her stage role in the movie version. The play author also wrote the screenplay for the movie version. See more »

Goofs

In the first scene in which we see Jefferson practicing, the sweat on his shirt changes from shot to shot in a way that wouldn't be predicted by evaporation. See more »

Quotes

Reporter: Now you're the first black man in the history of the ring who's ever had a crack at the heavyweight title. Now white folks, of course, are behind Brady. He's the redeemer of the race and so on. But you, Jack Jefferson, are you the black hope?
Jack Jefferson: Well, I'm black and I'm hopin'.
Goldie: Answer him straight, Jack.
Jack Jefferson: Hey, look, man, I ain't fighting for no race, I ain't redeeming nobody. My mama told me *Mr. Lincoln* done that. Ain't that why you shot him?
See more »

Crazy Credits

Screenplay by Howard Sackler Based on his play See more »

Connections

Referenced in Chicago Hope: Great White Hope (1995) See more »

Soundtracks

Let Me Hold You In My Arms Tonight
Written and Performed by Jesse Fuller
See more »

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User Reviews

 
James Earl Jones in his first starring role
13 January 2005 | by (Washington, D.C.) – See all my reviews

I first saw the play at least 35 years ago when it debuted at the Arena Stage in Washington, D.C., with James Earl Jones and Jane Alexander in the lead roles. Recently, Arena revived the play, and I thought it was dated and a dud. But the film, which has just appeared on PBS, reminded me of the power, not so much of the play which has elements of caricature, but of the acting. Jones and Alexander were both outstanding in the movie, Jones as the black heavyweight champion (Jack Johnson in thin disguise)and Alexander as his white lover. The two of them deserved the stardom that came with these roles when the play moved from the Arena Stage to Broadway. It may not even be the best movie about boxing, but it's worth seeing because of Jones and Alexander. Moreover, the virulent racism directed at Jack Jefferson (Jones's character) and the role of the Federal government in prosecuting him under the Mann act are useful reminders of the way our country was at the beginning of the 20th Century. long ago.


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