When the champ's promoter, Rev. Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The ... See full summary »
Samuel L. Jackson,
The son of a powerful Mafia don comes home from his army service in Vietnam and wants to lead his own life, but family tradition, intrigues and powerplays involving his older brother ... See full summary »
Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
An intimate look at life in the ghetto: Johnny Williams is a house painter who moonlights as a poet, struggling to financially and emotionally support his cancer-ridden wife Mattie. But ... See full summary »
James Earl Jones,
Louis Gossett Jr.
Yugoslav partisans grimly crop the hair of a village quintet of women believed to have consorted with the occupational Nazis. Four, for various reasons, have indeed - and their seducer is a... See full summary »
After mobsters murder her husband, Rose Bianco works long hours making artificial flowers, to support herself and her son. Some suspect that Rose's demand for a lavish lifestyle pushed her ... See full summary »
Peter Mark Richman
Loosely based on the William Faulkner novel, this movie follows the lives and passions of the Compsons: a once-proud Southern family now just barely scraping by both financially and ... See full summary »
Boxer Jack Jefferson (James Earl Jones) is the world's reigning heavyweight boxing champion. There's just one problem, he is also the first black heavyweight champion, and that bothers a lot of people. Jack's celebration is cut short, as Jack is framed for crossing a state line with Eleanor, his white fiancé (Jane Alexander in her first film role), a violation of the Mann Act. Facing a prison sentence, Jack escapes to Europe, with Eleanor in tow, encountering problems in England, and then France, and eventually landing in Cuba. In Havana, Jack agrees to enter the boxing ring for what might be the bout of his life. Both Jones and Alexander were nominated for Oscars. Written by
The play "The Great White Hope" won the Pulitzer Prize in Drama in 1969. See more »
In the first scene in which we see Jefferson practicing, the sweat on his shirt changes from shot to shot in a way that wouldn't be predicted by evaporation. See more »
Makes you feel kind of old, doesn't it? Seeing Brady refereeing.
Ah, who the hell cares? He's the man who lost that belt, Pop, and this whole rotten world's gonna watch him at the finish now, lifting it right up high and passing it on, like the Kid'll pass it on, and the next one'll pass it on. *This* time, we'll keep it in the family.
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Screenplay by Howard Sackler Based on his play See more »
The Great White Hope is a fine way to end my Black History Month series of reviews
Concluding reviewing African-Americans in film in chronological order for Black History Month, we're at the near end of 1970 when James Earl Jones reprises his Tony-winning role as boxer Jack Jefferson in film version of The Great White Hope which got him an Oscar nomination. Since this takes place in the early part of the 20th century, he's not very much liked by the majority white public of America at the time certainly whenever he's seen with his Caucasian female partner Eleanor Backman (Jane Alexander, also Academy nominated). His former girlfriend Clara (Marlene Warfield) certainly resents Eleanor for usurping her power over Jack who has no use for her. Good thing he has his manager Goldie (Lou Gilbert) as well as his trainer Tick (Joel Fluellen) on his side so they all go to Europe where they don't have to worry about jail time. I'll just stop there and just say that the staginess is quite evident in many scenes. Still, both Jones and Ms. Alexander are effective whenever they're together whether intimate or arguing. And Fluellen has his biggest role here and makes the most of it. In addition, it was such a treat, after playing husband-and-wife in Guess Who's Coming to Dinner, to see Beah Richards-as Jack's mother-and Roy Glenn-as a pastor at her house-in the same scene again. And seeing Bill Walker-so memorable as Reverend Sykes in To Kill a Mockingbird-playing a deacon in an early scene was also pleasurable to me. One more thing, Hal Holbrook has a memorable turn as an attorney interviewing Ms. Alexander. So on that note, The Great White Hope is highly recommended. Oh, and while this is the official last entry for BHM, there are a few movies I wanted to review in the time alloted that I'm viewing in the next few days (or weeks, depending on my mood) so if you are reading this under my username, watch this space for those reviews...
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