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Samuel L. Jackson,
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Boxer Jack Jefferson (James Earl Jones) is the world's reigning heavyweight boxing champion. There's just one problem, he is also the first black heavyweight champion, and that bothers a lot of people. Jack's celebration is cut short, as Jack is framed for crossing a state line with Eleanor, his white fiancé (Jane Alexander in her first film role), a violation of the Mann Act. Facing a prison sentence, Jack escapes to Europe, with Eleanor in tow, encountering problems in England, and then France, and eventually landing in Cuba. In Havana, Jack agrees to enter the boxing ring for what might be the bout of his life. Both Jones and Alexander were nominated for Oscars. Written by
Inspired by the story of the black boxer Jack Johnson, who was heavyweight champion from 1908 to 1915. See more »
In the first scene in which we see Jefferson practicing, the sweat on his shirt changes from shot to shot in a way that wouldn't be predicted by evaporation. See more »
Makes you feel kind of old, doesn't it? Seeing Brady refereeing.
Ah, who the hell cares? He's the man who lost that belt, Pop, and this whole rotten world's gonna watch him at the finish now, lifting it right up high and passing it on, like the Kid'll pass it on, and the next one'll pass it on. *This* time, we'll keep it in the family.
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Screenplay by Howard Sackler Based on his play See more »
As an 18-yr old, I vividly remember when this movie came out and the swirling controversies that accompanied it. Whites were cautious because it openly dealt with not only an interracial love affair but because of the depiction of an unrelenting, proud, but very angry black man. Interestingly enough, with the advent of Black Power/the Revolution and the emergence of the Black Panthers, most black audiences were equally cautious as well and for exactly the same reasons. Also keep in mind I was living in the South then too. Even in 1970, few southern towns would actually show the film.
This is a variation on the real-life troubles of Jack Johnson, one of boxing's earliest contenders.
Hands down the most compelling performances are those of James Earl Jones and Jane Alexander that leave an indelible imprint on the viewer. Because of the racial fabric of the time, Jack knew he was asking for trouble by openly defying white authority and then compounding that by becoming involved with a white woman. Both undoubtedly knew full well what they would be up against. While they may have deeply loved each other in the beginning, they soon discovered that simply love does not conquer all.
The movie is also filled with treasures of African-American performances by the likes of Beah Richards, Moses Gunn, Roy Glenn Sr. and Virginia Capers. This alone is worth the price of admission.
In many instances it is most difficult to watch. Two mesmerizing and thoroughly wrenching scenes were Jane's suicide and when Jack and company were reduced to performing "Uncle Tom's Cabin" in Europe to survive.
The film is most certainly uncompromising which was a MAJOR achievement given the social fabric at the time. James Earl Jones and Jane Alexander both deserved Oscars for their performances but that would have been like condoning their whole situation and god KNOWS Hollywood would NEVER have done that.....(sigh) Another example of not being able to see the forest for the trees.
Nonetheless, this is an eeeeeeeeeexcellent film and most worthy of your movie collection
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