Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
When the champ's promoter, Rev. Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The ... See full summary »
Samuel L. Jackson,
1933: An ocean liner belonging to a second-rate German company is making a twenty-six day voyage from Veracruz, Mexico to Bremerhaven, Germany. Along the way it will stop in Cuba to pick up... See full summary »
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and ... See full summary »
Boxer Jack Jefferson (James Earl Jones) is the world's reigning heavyweight boxing champion. There's just one problem, he is also the first black heavyweight champion, and that bothers a lot of people. Jack's celebration is cut short, as Jack is framed for crossing a state line with Eleanor, his white fiancé (Jane Alexander in her first film role), a violation of the Mann Act. Facing a prison sentence, Jack escapes to Europe, with Eleanor in tow, encountering problems in England, and then France, and eventually landing in Cuba. In Havana, Jack agrees to enter the boxing ring for what might be the bout of his life. Both Jones and Alexander were nominated for Oscars. Written by
Redd Foxx, who knew former heavyweight champ Jack Johnson, whose career and struggle against racism inspired the original play, turned down a role in the film as he believed it was not a true picture of his old friend. See more »
In the first scene in which we see Jefferson practicing, the sweat on his shirt changes from shot to shot in a way that wouldn't be predicted by evaporation. See more »
Hey, man. What's my winning gonna do for you?
Give him self respect.
Yeah, I be proud to be colored tomorrow.
Country boy, if you ain't there already, all the boxing and all the nigger-praying in the world ain't gonna get you there.
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Screenplay by Howard Sackler Based on his play See more »
The title is no misnomer:although the movie tells the story of a black champion,"they " get out of their way to thwart this living "threat " for the white race;as users noticed it ,do not watch it if you expect "rocky": it's its exact contrary ,a failure story.
James Earl Jones portrays this fighter with a great dignity till the last pictures:he is bullied ,humiliated,persecuted;the best scene is for me that ridiculous performance of "Uncle Tom's cabin" on stage,with Jones and Alexander wearing wigs ,and playing the slave and Evangeline .
If Jones is not Rocky,Jane Alexander is not Adrian either;first of all ,she is white and well meaning were not prepared to accept it at the time (we are far from "guess who's coming to dine" in which a white bubble head girl is to marry a black future Nobel Prize).Alexander's transformation is extraordinary: a shy elegant lady in the first sequence,then a defiant woman during her "questioning",a partner who accompanies the champion in all his sufferings and humiliations -she is sublime as Eva ,the part of a little girl- and finally a broken human being,living in poverty,beaten by the man she loves in spite of all.
This is a movie for people with a strong heart ,and Martin Ritt always was an activist director ;I'd tone it a bit : he had always thought that France was the country where there was no racism (see also "Paris blues ,1961):it's wishful thinking.
That said ,you should not miss this courageous work.
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