When the champ's promoter, Rev. Sultan, decides something new is needed to boost the marketability of the boxing matches, he searches and finds the only man to ever beat the champ. The ... See full summary »
Samuel L. Jackson,
The son of a powerful Mafia don comes home from his army service in Vietnam and wants to lead his own life, but family tradition, intrigues and powerplays involving his older brother ... See full summary »
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Life is rough in the coal mines of 1876 Pennsylvania. A secret group of Irish immigrant miners, known as the Molly Maguires, fights against the cruelty of the mining company with sabotage ... See full summary »
An intimate look at life in the ghetto: Johnny Williams is a house painter who moonlights as a poet, struggling to financially and emotionally support his cancer-ridden wife Mattie. But ... See full summary »
James Earl Jones,
Louis Gossett Jr.
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White Pat Conroy was born and raised in Beaufort, South Carolina. In March, 1969 under the Beaufort School District, he starts a job teaching at a small poor school located on Daufuskie ... See full summary »
Boxer Jack Jefferson (James Earl Jones) is the world's reigning heavyweight boxing champion. There's just one problem, he is also the first black heavyweight champion, and that bothers a lot of people. Jack's celebration is cut short, as Jack is framed for crossing a state line with Eleanor, his white fiancé (Jane Alexander in her first film role), a violation of the Mann Act. Facing a prison sentence, Jack escapes to Europe, with Eleanor in tow, encountering problems in England, and then France, and eventually landing in Cuba. In Havana, Jack agrees to enter the boxing ring for what might be the bout of his life. Both Jones and Alexander were nominated for Oscars. Written by
The original Broadway production of "The Great White Hope" by Howard Sackler opened at the Alvin Theater in New York on October 3, 1968, ran for 546 performances and won the 1969 Tony Award for the Best Play. James Earl Jones won the 1969 Tony Award for Best Actor in Play and recreated his stage role in the movie version. Jane Alexander won the 1969 Tony Award for Best Featured Actress in a Play and recreated her stage role in the movie version. The play author also wrote the screenplay for the movie version. See more »
In the first scene in which we see Jefferson practicing, the sweat on his shirt changes from shot to shot in a way that wouldn't be predicted by evaporation. See more »
Now you're the first black man in the history of the ring who's ever had a crack at the heavyweight title. Now white folks, of course, are behind Brady. He's the redeemer of the race and so on. But you, Jack Jefferson, are you the black hope?
Well, I'm black and I'm hopin'.
Answer him straight, Jack.
Hey, look, man, I ain't fighting for no race, I ain't redeeming nobody. My mama told me *Mr. Lincoln* done that. Ain't that why you shot him?
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Screenplay by Howard Sackler Based on his play See more »
I first saw the play at least 35 years ago when it debuted at the Arena Stage in Washington, D.C., with James Earl Jones and Jane Alexander in the lead roles. Recently, Arena revived the play, and I thought it was dated and a dud. But the film, which has just appeared on PBS, reminded me of the power, not so much of the play which has elements of caricature, but of the acting. Jones and Alexander were both outstanding in the movie, Jones as the black heavyweight champion (Jack Johnson in thin disguise)and Alexander as his white lover. The two of them deserved the stardom that came with these roles when the play moved from the Arena Stage to Broadway. It may not even be the best movie about boxing, but it's worth seeing because of Jones and Alexander. Moreover, the virulent racism directed at Jack Jefferson (Jones's character) and the role of the Federal government in prosecuting him under the Mann act are useful reminders of the way our country was at the beginning of the 20th Century. long ago.
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