| Sophia Loren | ... | Giovanna | |
| Marcello Mastroianni | ... | Antonio | |
| Lyudmila Saveleva | ... | Mascia (as Ljudmila Saveljeva) | |
| Galina Andreyeva | ... | Valentina, Soviet official (as Galina Andreeva) | |
| Anna Carena | ... | Madre Antonio | |
| Nadya Serednichenko | ... | Contadina russa (as Nadja Cerednicenko) | |
| Germano Longo | ... | Ettore | |
| Glauco Onorato | ... | Il reduce | |
| Silvano Tranquilli | ... | L'operaio italiano | |
| Marisa Traversi | ... | Donna stazione | |
| Gunars Cilinskis | ... | Funzionario russo (as Gunnar Zilinskij) | |
| Giorgio Basso | |||
| Gianni Bortolotti | |||
| Umberto Di Grazia | |||
| Giuliano Girardi | |||
| Dino Peretti | |||
| Pippo Starnazza | ... | Man of Enquiry Office | |
| rest of cast listed alphabetically: | |||
| Oleg Fyodorov | ... | Young Russian worker (uncredited) | |
| Carlo Ponti Jr. | ... | Giovanna's Baby (uncredited) | |
Directed by | |||
| Vittorio De Sica | |||
Writing credits | ||
| Tonino Guerra | (story and screenplay) (as Antonio Guerra) and | |
| Cesare Zavattini | (story and screenplay) | |
| Giorgi Mdivani | (in collaboration with) (as Gheorghij Mdivani) | |
Produced by | |||
| Arthur Cohn | .... | producer | |
| Joseph E. Levine | .... | executive producer | |
| Carlo Ponti | .... | producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Giuseppe Rotunno | (director of photography) | ||
Film Editing by | |||
| Adriana Novelli | |||
Production Design by | |||
| Piero Poletto | |||
Set Decoration by | |||
| Giantito Burchiellaro | |||
Costume Design by | |||
| Enrico Sabbatini | |||
Makeup Department | |||
| Giuseppe Annunziata | .... | makeup artist: Miss Loren | |
| Maria-Luisa Fraticelli | .... | hair stylist: Mr. Mastroianni (as M. Luisa Fraticelli) | |
| Ada Palombi | .... | hair stylist: Misss Loren | |
| Mario Van Riel | .... | makeup artist: Mr. Mastroianni | |
Production Management | |||
| Bruno Altissimi | .... | production supervisor | |
| Gianni Cecchin | .... | production manager | |
| Ettore Manni | .... | production supervisor | |
| Stefano Pegoraro | .... | production supervisor | |
| Jone Tuzi | .... | general organizer | |
Second Unit Director or Assistant Director | |||
| Luigia Allesandra | .... | assistant director | |
| Paolo Serbandini | .... | assistant director | |
| Andrey Konchalovskiy | .... | second unit director (uncredited) | |
Art Department | |||
| David Vinitsky | .... | set designer: URSS (as David Vinitskij) | |
Sound Department | |||
| Renato Cadueri | .... | sound mixer | |
| Alvaro Orsini | .... | sound | |
| Carlo Palmieri | .... | sound | |
Camera and Electrical Department | |||
| Rodolfo Bramucci | .... | gaffer | |
| Massimo Di Venanzo | .... | assistant camera | |
| Giancarlo Ferrando | .... | camera operator | |
| Giuliano Grasselli | .... | assistant camera | |
| Giuseppe Maccari | .... | camera operator | |
| Mazzini Salvatore | .... | head grip (as Mazzini Salvatori) | |
| Piero Servo | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Berta Betti | .... | dress maker | |
| Giuseppina Delli Carpini | .... | dress maker | |
| Adriana Masseroni | .... | dress maker (as Anda Masseroni) | |
| Nadia Vitali | .... | costume assistant | |
Editorial Department | |||
| Marisa Letti | .... | assistant editor | |
| Carla Zamponi | .... | assistant editor | |
Music Department | |||
| Henry Mancini | .... | conductor | |
Other crew | |||
| M. Teresa Bartolelli | .... | production secretary | |
| Francesco de Mauro | .... | production secretary (as Francesco Di Mauro) | |
| Franca Invernizzi | .... | script girl (as Franca Santi) | |
| Enzo Nigro | .... | production secretary | |
| Vincenzo Raimondi | .... | accountant | |
| Aldo Santarelli | .... | production secretary | |
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| The Man Who Cried | Gone with the Wind | Three Brothers | The Notebook | Atonement |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
meeting between two great actors and an impressive director. images from Italy and picture of Russia in the air of Cold War.a basic story about a couple, a war and a choice. a travel and the form of truth. beautiful music and force of unspoken words. that is all. or only gentle performance of Ludmila Savelieva. a great film. not for cast or dramatic slices, for the force of emotions or for the sunflower as vegetable testimonies about a tragedy. but only for its virtue to be a seed. a seed of questions and answers. an exercise of empathy. a sad love story in which love is more than feeling. a poem but just a very special poem. mixture of pure joy, shadows of war, a miracle and a search, it is homage to a sacrifice generation and reflection of deep need of sense in a chaotic world. nothing pink, nothing cold. only picture of a man, a young Russian woman who speaks Italian, a charming Sophia Loren and same Mastroianni. but the essence is possession of public.