At the end of World War II, Giovanna, a war bride living near Milan refuses to accept that her husband, Antonio, missing on the Russian front, is dead. There's a flashback to their brief courtship near her hometown of Naples, his 12-day leave to marry her, ruses to keep from deployment, and the ultimate farewell. Some years after the war, still with no word from Antonio, Giovanna goes to Russia to find him, starting in the town near the winter battle when he disappeared. Armed with his photograph, what will she find? Written by
This movie is considered to be the first occidental (i.e. western) film to be shot in the Russia. See more »
Mascia tells Giovanna that when she found Antonio, he was hurt so badly that he had forgotten everything, including his own name. If that's true, then how did Mascia know his name was Antonio? See more »
meeting between two great actors and an impressive director. images from Italy and picture of Russia in the air of Cold War.a basic story about a couple, a war and a choice. a travel and the form of truth. beautiful music and force of unspoken words. that is all. or only gentle performance of Ludmila Savelieva. a great film. not for cast or dramatic slices, for the force of emotions or for the sunflower as vegetable testimonies about a tragedy. but only for its virtue to be a seed. a seed of questions and answers. an exercise of empathy. a sad love story in which love is more than feeling. a poem but just a very special poem. mixture of pure joy, shadows of war, a miracle and a search, it is homage to a sacrifice generation and reflection of deep need of sense in a chaotic world. nothing pink, nothing cold. only picture of a man, a young Russian woman who speaks Italian, a charming Sophia Loren and same Mastroianni. but the essence is possession of public.
1 of 1 people found this review helpful.
Was this review helpful to you?