| Photos (See all 15 | slideshow) | Videos (see all 2) |
| The Rolling Stones | ... | Themselves | |
| Mick Jagger | ... | Himself | |
| Charlie Watts | ... | Himself | |
| Keith Richards | ... | Himself (as Keith Richard) | |
| Mick Taylor | ... | Himself | |
| Bill Wyman | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Marty Balin | ... | Himself (as Jefferson Airplane) | |
| Sonny Barger | ... | Himself | |
| Melvin Belli | ... | Himself | |
| Dick Carter | ... | Himself | |
| Jack Casady | ... | Himself (as Jefferson Airplane) | |
| Mike Clarke | ... | Himself (as The Flying Burrito Brothers) | |
| Sam Cutler | ... | Himself | |
| Spencer Dryden | ... | Himself (as Jefferson Airplane) | |
| Chris Hillman | ... | Himself (as The Flying Burrito Brothers) | |
| John Jaymes | ... | Himself | |
| Paul Kantner | ... | Himself (as Jefferson Airplane) | |
| Jorma Kaukonen | ... | Himself (as Jefferson Airplane) | |
| Pete Kleinow | ... | Himself (as The Flying Burrito Brothers) | |
| Bernie Leadon | ... | Himself (as The Flying Burrito Brothers) | |
| Gram Parsons | ... | Himself (as The Flying Burrito Brothers) | |
| Ronald Schneider | ... | Himself | |
| Rock Scully | ... | Himself | |
| Grace Slick | ... | Herself (as Jefferson Airplane) | |
| Frank Terry | ... | Himself - KFRC Anchor | |
| Ike Turner | ... | Himself | |
| Tina Turner | ... | Herself | |
| Jerry Garcia | ... | Himself (uncredited) | |
| Meredith Hunter | ... | Himself - Black Youth Stabbed by Hell's Angel (uncredited) | |
| Michael Lang | ... | Himself - Concert Organizer (uncredited) | |
| Phil Lesh | ... | Himself (uncredited) | |
| Albert Maysles | ... | Himself (uncredited) | |
| David Maysles | ... | Himself (uncredited) | |
| Alan Passaro | ... | Himself - Hell's Angel Who Stabs Meredith Hunter (uncredited) | |
| Michael Shrieve | ... | Himself (uncredited) | |
| Ian Stewart | ... | Himself (uncredited) | |
| Bob Weir | ... | Himself (uncredited) | |
Directed by | |||
| Albert Maysles | |||
| David Maysles | |||
| Charlotte Zwerin | |||
Produced by | |||
| Porter Bibb | .... | associate producer | |
| Ronald Schneider | .... | executive producer: The Rolling Stones | |
Cinematography by | |||
| Albert Maysles | (filmed by) (as The Maysles Brothers) | ||
| David Maysles | (filmed by) (as The Maysles Brothers) | ||
| Gary Weis | |||
Film Editing by | |||
| Joanne Burke | |||
| Robert Farren | |||
| Ellen Giffard | |||
| Kent McKinney | |||
Sound Department | |||
| Michael Becker | .... | sound | |
| Bill Blachly | .... | sound mixer: National Film Center | |
| John Brumbaugh | .... | sound | |
| Howard Chesley | .... | sound | |
| Pepper Crawford | .... | sound | |
| Stanley Cronquist | .... | sound | |
| Paul Deason | .... | sound | |
| Tom Goodwin | .... | sound | |
| Tony Jackson | .... | sound | |
| Glyn Johns | .... | sound recordist: 16-track, Madison Square Gardens | |
| Orly Lindgren | .... | sound | |
| Walter Murch | .... | sound | |
| Peter Pilafian | .... | sound (as Peter Pilafin) | |
| Art Rochester | .... | sound | |
| Maurice Schell | .... | sound assistant | |
| Nelson Stoll | .... | production sound mixer | |
| David Thompson | .... | sound | |
| Susumu Tokunow | .... | sound (as Alvin Tokunow) | |
Camera and Electrical Department | |||
| Peter Adair | .... | camera operator | |
| Baird Bryant | .... | camera operator | |
| Joan Churchill | .... | camera operator | |
| Ron Dorfman | .... | camera operator | |
| Robert Elfstrom | .... | camera operator | |
| Elliott Erwitt | .... | camera operator | |
| Bob Fiore | .... | camera operator (as Bob Fiori) | |
| Adam Giffard | .... | camera operator | |
| William B. Kaplan | .... | camera operator (as William Kaplan) | |
| Kevin Keating | .... | camera operator | |
| Stephen Lighthill | .... | camera operator | |
| George Lucas | .... | camera operator | |
| Chip Monck | .... | lighting: tour production, The Rolling Stones (as Chipmonck) | |
| Jim Moody | .... | camera operator | |
| Jack Newman | .... | camera operator | |
| Pekke Niemela | .... | camera operator | |
| Robert Primes | .... | camera operator | |
| Paul Ryan | .... | camera operator | |
| Eric Saarinen | .... | camera operator | |
| Peter Smokler | .... | camera operator | |
| Coulter Watt | .... | camera operator | |
| Gary Weiss | .... | camera operator | |
| Bill Yarrus | .... | camera operator | |
Editorial Department | |||
| Mirra Bank | .... | assistant editor | |
| Janet Lauretano | .... | assistant editor | |
| Adrian Mosser | .... | color negative: Cineservice Inc. | |
| Susan Steinberg | .... | assistant editor | |
Other crew | |||
| Stanley Goldstein | .... | special help | |
| Chip Monck | .... | tour manager: The Rolling Stones (as Chipmonck) | |
Thanks | |||
| Pamela Adams | .... | thanks | |
| Robert Albert | .... | thanks | |
| Alan Bomser | .... | thanks | |
| Tom Bywaters | .... | thanks | |
| Donald Cammell | .... | thanks | |
| Dick Carter | .... | thanks: Altamont Speedway | |
| Barbara Jarvis | .... | thanks | |
| John Jaymes | .... | thanks: Young American Enterprises | |
| Tony Kline | .... | thanks | |
| Stephen Mellor | .... | thanks: Allan King Associates | |
| Stefan Ponek | .... | thanks: KSAN Radio | |
| Steve Schmidt | .... | thanks | |
| Haskell Wexler | .... | thanks | |
| Van Wolff | .... | thanks (as Van Wolf) | |
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| Cocksucker Blues | The Hellacopters: Goodnight Cleveland | Lot 63, Grave C | Message to Love: The Isle of Wight Festival | Festival Express |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Certainly not a filmed concert, this important documentary describes, in a very sensitive and powerful way, the incredible human bestiary that rushed towards the 1969 free Rolling Stones show located on Altamont speedway, California. Complete disorganization, brutal security staff, drug abuse will turn this rock party to an awful black celebration that will lead to more than a human sacrifice : the destruction of a new kind of innocence. Often shocking and disturbing, sometimes dreadful, "Gimme shelter" brings to us not only the pictures of a riot. It makes us think about the difficulty for men to live as social animals when they're unable to repress their predator instincts. Let's finally mention the great musical first part of the film, and the quality of the direction.