This documentary was made three years after Jimi Hendrix's untimely death. At the time it was an example of how a visual biography should be done, but some of the information in it needs ... See full summary »
A pregnant teenager flees her abusive mother in search of her father, only to be rejected by her stepmother and forced to survive on the streets until a compassionate stranger offers a hopeful alternative.
Originally filmed in December 1968, "The Rock and Roll Circus" was originally intended to be released as a television special. The special was filmed over two nights and featured not only ... See full summary »
A documentary on the Rolling Stones' 1969 US tour and the tragic events that concluded it. We see footage of their concerts and of them making the Sticky Fingers album in Muscle Shoals, Alabama. However, the main focus of the film is on one concert - Altamont Speedway, outside San Francisco, 6 December 1969. A free concert, it is the Stones' idea and it was meant to be the Woodstock of the West (Woodstock having occurred four months earlier). Other bands performing included Jefferson Airplane, The Flying Burrito Brothers, Ike and Tina Turner, Crosby Stills Nash and Young and Santana. However, it is far from being the peace and love of Woodstock. Part of the problem is that the Stones hired the Hells Angels as security. The other problem was that a large portion of the crowd were high on drugs. Friction ensues. During the Stones' set, Meredith Hunter, high on methamphetamine and armed with a gun, makes a lunge for the stage and is stabbed to death by the Hells Angels. The peace and ... Written by
In addition to " Brown Sugar", " You Got to Move" and "Wild Horses", the Stones also featured the song "Love In Vain" at Muscle Shoals spliced with the live footage of said song at the Madison Square Garden show. See more »
They started messin' over our bikes - they started it. I don't know if you think we pay $50 for them things or steal 'em or pay a lot for 'em or what. Ain't nobody gonna kick my motorcycle! And they might think that because they're in a crowd of 300,000 people, that they can do it and get away with it. But, when you're standing there, lookin' at something that's your life and everything you've got is invested in that thing and you love that thing better than you love anything in the world, and ...
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When you see this movie you really understand how sanitised, safe and corporate the music scene is today.
The Stones were possibly the biggest band in the world at the time, so by today's standards it seems unbelievable they'd put on a free concert where the venue was changed at the last minute, the set was still being constructed as the 300,000 very fried looking hippies turned up, and there was no security for their satanic majesties except for the San Francisco Hell's Angels who were paid in beer and brought along pool cues with lead weights at the end for added security - as well as the standard knives and baseball bats. And they weren't afraid to use them, even on the bands, especially Jefferson Airplane's Marty Balin.
Throw in some of the original Satanic rock band's finest sinister creations and you get the real deal, not some pantomime metal/goth horror facsimile. At the time many people really did believe that they could change the world and looked to bands like the Stones as leaders of the counterculture, and you really get the impression things like this mattered a hell of a lot more, but after Altamont, well...
Nevertheless, the version of Under My Thumb that Jagger delivers as he's watching the terrible action unfold in front of him is, for whatever reason, devastatingly understated and desperate, compared to all the OTT cavorting earlier in the set. But it's the genuine craziness of the 'fans' that makes this film seem like it was shot on another planet. Gimme Shelter is the most rock'n'roll film ever made, for all the right and wrong reasons.
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