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The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
In August 1970 600,000 fans flocked to the Isle of Wight to witness the third and final festival to be held on the island. Besides the music, they also got a look at the greed, cynicism and... See full summary »
A feature-length documentary chronicling early 80's punk rock band the Minutemen, from their beginnings in San Pedro, California, to their demise after the death of singer D. Boon in 1985.
In December of 1969, four months after Woodstock, the Rolling Stones and Jefferson Airplane gave a free concert in Northern California, east of Oakland at Altamont Speedway. About 300,000 people came, and the organizers put Hell's Angels in charge of security around the stage. Armed with pool cues and knifes, Angels spent the concert beating up spectators, killing at least one. The film intercuts performances, violence, Grace Slick and Mick Jagger's attempts to cool things down, close-ups of young listeners (dancing, drugged, or suffering Angel shock), and a look at the Stones later as they watch concert footage and reflect on what happened. Written by
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The opening scenes of the movie with the donkey are the photo shoot for what would be come the cover of "Get Yer Ya-Yas Out". Several earlier concert scenes filmed at Madison Square Garden made it onto that album. Albert Maysles and David Maysles filmed the Madison Square Garden shows; they form part of this movie. See more »
Quotes
Mick Jagger:
[watching Tina Turner performing the opening of the concert]
It's nice to have a chick occasionally.
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I've never seen a concert documentary that concerned itself more with building a feeling of dread and suspense than showing the hits. Even if you don't know the events surrounding Altamont, you get a sense that the end of this concert won't be a rousing finale, but death. I've never seen a stranger concert film, but ultimately it is an unforgettable experience, with an absolutely horrifying capture of a murder in front of the stage.
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I've never seen a concert documentary that concerned itself more with building a feeling of dread and suspense than showing the hits. Even if you don't know the events surrounding Altamont, you get a sense that the end of this concert won't be a rousing finale, but death. I've never seen a stranger concert film, but ultimately it is an unforgettable experience, with an absolutely horrifying capture of a murder in front of the stage.