| Photos (See all 11 | slideshow) | Videos |
| Lino Capolicchio | ... | Giorgio | |
| Dominique Sanda | ... | Micòl Finzi Contini | |
| Fabio Testi | ... | Bruno Malnate | |
| Romolo Valli | ... | Giorgio's Father | |
| Helmut Berger | ... | Alberto | |
| Camillo Cesarei | ... | Micol's Father | |
| Inna Alexeievna | ... | Micol's Grandmother (as Inna Alexeieff) | |
| Katina Morisani | ... | Micol's Mother | |
| Barbara Pilavin | ... | Giorgio's Mother (as Barbara Leonard Pilavin) | |
| Michael Berger | |||
| Ettore Geri | |||
| Raffaele Curi | ... | Ernesto | |
| Gianpaolo Duregon | |||
| Marcella Gentile | |||
| Cinzia Bruno | ... | Young Micol | |
| Alessandro D'Alatri | ... | Young Giorgio | |
| rest of cast listed alphabetically: | |||
| Camillo Angelini-Rota | ... | Prof. Ermanno Finzi-Contini | |
| Enzo Nigro | ... | Agente OVRA | |
| Eugene Pomeroy | |||
| Joshua Sinclair | (as Gianni Loffredo) | ||
| Katina Viglietti | ... | Olga Finzi-Contini | |
| Martin Bormann | ... | Himself - Behind Hitler on Balcony (archive footage) (unconfirmed) (uncredited) | |
| Rudolf Hess | ... | Himself - Hitler Is Germany Speech (archive footage) (uncredited) | |
| Adolf Hitler | ... | Himself - Acknowledges Hess (archive footage) (uncredited) | |
| Benito Mussolini | ... | Himself - Watches Parade (archive footage) (uncredited) | |
| Julius Streicher | ... | Himself - Sits Beside Hitler, Partially Visible (archive footage) (uncredited) | |
Directed by | |||
| Vittorio De Sica | |||
Writing credits | ||
| Giorgio Bassani | (novel) | |
| Vittorio Bonicelli | & | |
| Ugo Pirro | ||
| Franco Brusati | uncredited | |
| Vittorio De Sica | uncredited | |
| Alain Katz | uncredited | |
| Tullio Pinelli | uncredited | |
| Cesare Zavattini | uncredited | |
| Valerio Zurlini | uncredited | |
Produced by | |||
| Artur Brauner | .... | producer (as CCC FIlmkunst - Berlino) | |
| Arthur Cohn | .... | producer: Documento Film | |
| Gianni Hecht Lucari | .... | producer | |
| Fausto Saraceni | .... | executive producer | |
Original Music by | |||
| Manuel De Sica | |||
Cinematography by | |||
| Ennio Guarnieri | (director of photography) | ||
Film Editing by | |||
| Adriana Novelli | |||
Casting by | |||
| Jose Villaverde | |||
Production Design by | |||
| Giancarlo Bartolini Salimbeni | |||
Set Decoration by | |||
| Roberto Granieri | |||
Costume Design by | |||
| Giancarlo Bartolini Salimbeni | |||
Makeup Department | |||
| Anna Cristofani | .... | hair stylist | |
| Giulio Natalucci | .... | makeup artist | |
Production Management | |||
| Romano Dandi | .... | production manager | |
| Enzo Nigro | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Giorgio Treves | .... | assistant director | |
Art Department | |||
| Franco D'Andria | .... | set dresser | |
Sound Department | |||
| Franco Bassi | .... | sound mixer | |
| Stefano Di Fiore | .... | restored version | |
| Max Galinsky | .... | sound | |
| Massimo Loffredi | .... | sound | |
Special Effects by | |||
| Enrico Catalucci | .... | special effects: S. P. E. S. (as E. Catalucci) | |
Camera and Electrical Department | |||
| Giancarlo Ferrando | .... | camera operator | |
| Michele Picciaredda | .... | assistant camera | |
| Giorgio Urbinelli | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Antonio Randaccio | .... | costumer | |
Editorial Department | |||
| Eli Haviv | .... | editor: english version | |
| Marisa Letti | .... | assistant editor | |
| Carla Zamponi | .... | assistant editor | |
Music Department | |||
| Carlo Savina | .... | conductor | |
Other crew | |||
| Luisa Alessandri | .... | assistant to director | |
| Noelle Gillmor | .... | subtitler: English | |
| Franca Invernizzi | .... | production secretary (as Franca Santi) | |
| Mario Milani | .... | script editor | |
| Claudio Saraceni | .... | production accountant | |
| Roberto Del Giudice | .... | voice dubbing: Helmut Berger (uncredited) | |
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| The Best of Youth | Christ Stopped at Eboli | Sunshine | David | Downfall |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
While undeniably not for the shallow or those who expect their movies to lay every detail out for them amid plenty of "action," THE GARDEN OF THE FINZI-CONTINIS (a parable on a latter day "Eden" of doomed innocence?) remains after more than a quarter century one of the most perfect reflections of the gradual process by which the Holocaust could have happened in a Europe which believed itself civilized.
The tragic love story allows us into the garden. Only our own action - or blind ignorance - can allow us out.
Not a lot need be added to the perceptive comments already examining the details of this beautiful and moving film - but Americans, especially those of my fellow Republicans who are able to objectively look at their own country and leaders, should seriously examine the politicians who use fear and nebulous "enemies" to gain and hold power in the light of this film. The realization is inescapable that the world of the Finzi-Continis is not that far removed from our own. A question of degree not of kind.
The garden is still seductively attractive, the country around it still relatively free, but will we follow the course the Finzi-Continis took or will we come actively out of our garden while there is time?