The Garden of the Finzi-Continis
(1970)
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The Garden of the Finzi-Continis
(1970)
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| Cast overview, first billed only: | |||
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Lino Capolicchio | ... |
Giorgio
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| Dominique Sanda | ... |
Micòl Finzi Contini
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| Fabio Testi | ... |
Bruno Malnate
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Romolo Valli | ... |
Giorgio's Father
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| Helmut Berger | ... |
Alberto
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Camillo Cesarei | ... |
Micol's Father
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Inna Alexeievna | ... |
Micol's Grandmother
(as Inna Alexeieff)
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Katina Morisani | ... |
Micol's Mother
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| Barbara Pilavin | ... |
Giorgio's Mother
(as Barbara Leonard Pilavin)
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Michael Berger |
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Ettore Geri |
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Raffaele Curi | ... |
Ernesto
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Gianpaolo Duregon |
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Marcella Gentile |
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Cinzia Bruno | ... |
Young Micol
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In the late 1930s, in Ferrara, Italy, the Finzi-Contini are one of the leading families, wealthy, aristocratic, urbane; they are also Jewish. Their adult children, Micol and Alberto, gather a circle of friends for constant rounds of tennis and parties at their villa with its lovely grounds, keeping the rest of the world at bay. Into the circle steps Giorgio, a Jew from the middle class who falls in love with Micol. She seems to toy with him, and even makes love to one of his friends while she knows Giorgio is watching. While his love cannot seem to break through to her to draw her out of her garden idyll, the forces of politics close in. Written by <jhailey@hotmail.com>
I first heard a radio adaptation from the Garden of the Finzi Contini and afer that read the book. I thought it would be difficult to make an adaptation to cinema. Indeed, the book is above all psychological (or romantic in the literary meaning of the 19th century)i.e the narrator describing his inner world and his sufferings...
However, Vittorio de Sica succeeded in expressing this without using monologue, without making a too slow picture... The music is very good too... the images are wonderful...
I must correct some commentaries Malnate, Micol's lover is not a fascist but a communist... There is also a difference with the book : in the book we do not know for sure that Micol and Malnate were lovers, it is an assumption whereas it is an evidence in the film...
In spite of this differences, this picture deserves a 10 out of 10!