A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
Franco Arno is a blind man that lives with his young niece and makes a living writing crossword puzzles. One night, while walking on the street, he overhears a weird conversation between two man sitting in a car parked in front of a medical institute where genetic experiments are performed. The same night someone breaks in the institute and knocks out a guard. Arno decides to investigate with the help of reporter Carlo Giordani. Written by
Giancarlo Cairella <email@example.com>
Although it's one of his most successful films, this is the least favorite of Dario Argento among his pictures. See more »
Early in the graveyard scene, as they are walking, the position of the actors changes between shots. In the side angle Malden has his left arm raised with his hand on Franciscus' right shoulder, in the angle showing them from the front, Malden has his arm down and Franciscus is gripping his shoulder. See more »
The only problem with this movie is that it's a Dario Argento film
When fans of Dario Argento watch his films, they expect to see certain things: violence, amazing camera-work, violence, crazy story-lines, violence towards women, etc. And that's the main problem with CAT O' NINE TAILS: it doesn't deliver those things fans of Argento expect to see. If you take Argento's name off of this film's credit, I'm sure a lot of people would consider it great but because it's sorta thrifty when it comes to the usual Argento ingredients, too many have dismissed it as being average. Most of the on-screen killings are strangulations. I'm sure many fans of Argento were disappointed with this. And most of the people killed are men, which probably also disappointed fateful Argento fans, accustomed to seeing the director murdering women in spectacular ways.
Compared to other non-Argento Gialli, CAT O' NINE TAILS is excellent. For example, it is much better than DELERIUM, SOLANGE, TORSO, THE CASE OF THE BLOODY IRIS and slew of other average or mediocre gialli out there. It's a shame this movie is a Dario Argento film because it is completely overlooked as a great giallo.
With that said, the film still has some weaknesses. It's all over the place. One minute, it's a mystery. The next, it's a racing movie. Then it suddenly becomes a romance story, etc. The lack of focus in the direction and the script is evident throughout the movie. In comparison, THE BIRD WITH THE CRYSTAL PLUMAGE was much more focused that this second movie in Dario's animal trilogy. The characters' motivations are also murky and muddled. The relationship between handsome Franciscus and not-so handsome Malden is fun if not really convincing. There's simply very little background information about those two characters, certainly James Franciscus' character, who is as one dimensional as humanly possible. But the acting is better than most Argento films and what's lacking in details in the characters is compensated by the excellent cast. The little girl was really good. The comedic bits, like the barber shop scene or when Franciscus decides to wear a raincoat after making love (?!?!) fell flat with a big thud. But the film's story-line IS interesting, if implausible. The feel and look of the film is dream-like and the music is excellent. Even if CAT O' NINE TAILS doesn't have as many signature Argento scenes as his other famous films, there are a couple of stand-out moments or shots peppered throughout which makes this worthwhile viewing. And there's actually an ending to this Dario Argento film.
All in all, I think CAT O' NINE TAILS is totally memorable. It is much better than the crap Argento has been making these days. And like I've said above, it is much better than most non-Argento gialli made in those days. So, the only thing wrong with this great film is that it's a Dario Argento film.
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