A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
After witnessing the murder of a famous psychic, a musician teams up with a feisty reporter to find the killer while evading attempts on their lives by the unseen assailant bent on keeping a dark secret buried.
A young man tries to help a teenage European girl whom escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
Franco Arno is a blind man that lives with his young niece and makes a living writing crossword puzzles. One night, while walking on the street, he overhears a weird conversation between two man sitting in a car parked in front of a medical institute where genetic experiments are performed. The same night someone breaks in the institute and knocks out a guard. Arno decides to investigate with the help of reporter Carlo Giordani. Written by
Giancarlo Cairella <firstname.lastname@example.org>
The scene where Giordani meets Anna Terzi at her father's house is a reference to the scene in the novel The Big Sleep by Raymond Chandler where Marlowe first meets Vivian Regan at her father's house. Portions of the dialogue are verbatim. See more »
Early in the graveyard scene, as they are walking, the position of the actors changes between shots. In the side angle Malden has his left arm raised with his hand on Franciscus' right shoulder, in the angle showing them from the front, Malden has his arm down and Franciscus is gripping his shoulder. See more »
Okay, most critics even Argento lovers give this film poor reviews. I admit this is not his best work, but it's not a bad mystery Giallo film and I enjoyed it a lot. From the intricate plotting, to the impressive Argento style camera-work, and those trendy (circa 1971) sets this film is a winner. I saw this at the theater when it was released, as a teenager coming off seeing Bird W/ The Crystal Plumage 2 years before so I expected at least another stylish horror film. I got it black patent leather gloves and all. Argento himself said this is his most disappointing film. I disagree it delivered the goods in a well made, suspenseful, well plotted, never boring and good looking package. His worst film by far is the atrocious Phantom of The Opera (1998). Avoid that one. Although Cat O' Nine tails is no Suspiria or Deep Red, it still is a worthy addition to any Argento or Giallo horror film collection. I give it 8/10.
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