A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
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An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing ... See full summary »
Inspector Tellini investigates serial crimes where victims are paralyzed while having their bellies ripped open with a sharp knife, much in the same way tarantulas are killed by the black ... See full summary »
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Franco Arno is a blind man that lives with his young niece and makes a living writing crossword puzzles. One night, while walking on the street, he overhears a weird conversation between two man sitting in a car parked in front of a medical institute where genetic experiments are performed. The same night someone breaks in the institute and knocks out a guard. Arno decides to investigate with the help of reporter Carlo Giordani. Written by
Giancarlo Cairella <email@example.com>
Although it's one of his most successful films, this is the least favorite of Dario Argento among his pictures. See more »
Early in the graveyard scene, as they are walking, the position of the actors changes between shots. In the side angle Malden has his left arm raised with his hand on Franciscus' right shoulder, in the angle showing them from the front, Malden has his arm down and Franciscus is gripping his shoulder. See more »
I expected the worst from 'The Cat O'Nine Tales' because of its generally poor critical standing, but was pleasantly surprised by this intriguing and effective murder mystery. I must point out that I watched the uncut, undubbed original Italian version. I think this might be a factor in my reaction to it. I'm assuming that the American version is botched and that is the version most people have seen.
This movie isn't as flamboyant and eccentric as most of Argento's later work. The plot, though convoluted at times, actually makes sense, and there is a bit more character development that you normally expect. As much as I enjoy Argento's later surrealism he sometimes just goes too far e.g. the messy and downright silly 'Phenomena'. This movie is more controlled and conventional but still features some spectacular murders and has enough Argento touches to make it an above average giallo thriller. A very good, suspenseful mystery that holds the interest until the last (very memorable) sequence. Argento fans shouldn't overlook this one!
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