Promising young racing car driver Joe Joe Quillico leaves the stock car racing scene in the United States in order to pursue Grand Prix racing in Europe. After limited success he manages to... See full summary »
The Nazis imprison an Italian general who was planning to switch sides and turn over his army to the Allied side. Allied headquarters sends a small, somewhat misfit group of soldiers to ... See full summary »
A former race-car driver-turned-writer decides to expose a ruthless, womanizing Grand Prix race driver in a book. However, his scheme explodes when his life is saved by this man, who is actually sensitive and misunderstood.
Max Flatow is a precocious, social miscreant who has a way with home-made explosives. When he tires of these, he runs away from home only to emerge seven years later as Max Frost, the ... See full summary »
The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped... See full summary »
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ... See full summary »
Susan Anspach stars in this comedy as a news reporter who investigates a story about stolen milk causing milk and gas prices to rise. During the course of her investigation, other people ... See full summary »
The title comes from a statement by an U.S. Army officer during the Vietnam War who defended the destruction of a Vietnamese village by saying they had to "destroy the village in order to save it." See more »
After breaking a road barrier, the car of the main character has 3 out 4 headlights broken, later they are intact, while it does not seem probable they would be repaired. See more »
This is none of your business.
I'm the rapee, I should have something to say.
You're next, and then you. Come on, honey.
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This is the film that Roger Corman says was his final straw with AIP. After mildly editing WILD ANGELS and THE TRIP, their virtual elimination of "God" and the obliteration of the original ending led him to form New World Pictures.
Seeing this film at the American Cinemateque in a striking new print shows both its virtues as a one-of-a-kind (well, at least for anybody BUT Corman!) oddity as well as a failed attempt at counter-culture comedy. It's hard to see how even the original Director's Cut (if it exists at all) would really be that much of an improvement. What is on the screen is still probably about 90% of what Corman shot, and it's a scattershot affair. The Cinematography and Music stand out, as well as bits of the acting, particularly by Elaine Giftos.
Roger Corman spoke after the Cinemateque screening.
Corman said that he hadn't seen the movie since its release in 1970. It was edited before its theatrical release by AIP. Most significantly was the almost complete elimination of the voice of "God". Corman speculated that since AIP had gone public (stock market) around that time, that they were concerned that the "Jewish comic"-type voice would be considered sacriligious! Then, AIP cut the most elaborate shot in the entire film. The original ending! Elaine Giftos and Robert Corff were to "walk off into the sunset in the most cliched ending possible." This was shot in a big panaroma shot "with marching bands and the whole cast included." Corman said that it STILL bothers him that as released, the film "has no ending."
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