A former race-car driver-turned-writer decides to expose a ruthless, womanizing Grand Prix race driver in a book. However, his scheme explodes when his life is saved by this man, who is actually sensitive and misunderstood.
The ultimate weapon, which was meant to be safe for humankind, produces global side-effects, including time slides and disappearances. The scientist behind the project and his car are ... See full summary »
Hounded by the police on charges of inflammatory writing, the once handsome Marquis De Sade seeks refuge in an abandoned family mansion. This colorful movie depicts DeSade's life from ... See full summary »
A psychological gangster film based on fact. Machine gun totin' Ma Barker lead her family gang (her sons) on a crime spree in the Depression era. Her loyal brood have every perversion ... See full summary »
The Warrior football team in the movie is the actual name of the Socorro High School team, in Socorro, New Mexico, where part of this movie was filmed, and the real Warrior's colors really are blue and white. See more »
After breaking a road barrier, the car of the main character has 3 out 4 headlights broken, later they are intact, while it does not seem probable they would be repaired. See more »
This is none of your business.
I'm the rapee, I should have something to say.
You're next, and then you. Come on, honey.
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This is the film that Roger Corman says was his final straw with AIP. After mildly editing WILD ANGELS and THE TRIP, their virtual elimination of "God" and the obliteration of the original ending led him to form New World Pictures.
Seeing this film at the American Cinemateque in a striking new print shows both its virtues as a one-of-a-kind (well, at least for anybody BUT Corman!) oddity as well as a failed attempt at counter-culture comedy. It's hard to see how even the original Director's Cut (if it exists at all) would really be that much of an improvement. What is on the screen is still probably about 90% of what Corman shot, and it's a scattershot affair. The Cinematography and Music stand out, as well as bits of the acting, particularly by Elaine Giftos.
Roger Corman spoke after the Cinemateque screening.
Corman said that he hadn't seen the movie since its release in 1970. It was edited before its theatrical release by AIP. Most significantly was the almost complete elimination of the voice of "God". Corman speculated that since AIP had gone public (stock market) around that time, that they were concerned that the "Jewish comic"-type voice would be considered sacriligious! Then, AIP cut the most elaborate shot in the entire film. The original ending! Elaine Giftos and Robert Corff were to "walk off into the sunset in the most cliched ending possible." This was shot in a big panaroma shot "with marching bands and the whole cast included." Corman said that it STILL bothers him that as released, the film "has no ending."
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