Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ...
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A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the first brain transplantation ever. Written by
Veronica Carlson would work with three future Star Wars character actors each in a different Hammer Horror film: Christopher Lee (Count Dooku) in 'Dracula Has Risen From The Grave' (1968); this one with Peter Cushing (Grand Moff Tarkin); and David Prowse (Darth Vader) in 'Horror Of Frankenstein' (1970) See more »
Between Anna being stabbed and her fiancé finding her, the position of the scalpel changes. See more »
I have become the victim of everything that Frankenstein and I ever advocated. My brain is in someone else's body.
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This is easily my favorite Frankenstein film, and one of my favorite Hammer films. The acting, lead by Peter Cushing, can't be any better; Simon Ward, Maxine Audley, and Freddie Jones deserve special comment in this regard. (There is little point in praising Cushing as Frankenstein; he plays it with such depth and understanding that the role is his and always will be! I can't use any superlatives here that haven't already been used for Cushing's Baron.) And for once, a Frankenstein movie really gets to the key point Mary Shelley is making - by leaving the monster out entirely! Terence Fisher's direction doesn't miss a cue; with the conventionalization of the monster gone, Fisher can take the movie in new, unexpected directions, and does so with the steady hand of a master director. An unqualified success for all involved!
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