Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ...
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A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the first brain transplantation ever. Written by
Veronica Carlson would work with three future Star Wars character actors each in a different Hammer Horror film: Christopher Lee (Count Dooku) in 'Dracula Has Risen From The Grave' (1968); this one with Peter Cushing (Grand Moff Tarkin); and David Prowse (Darth Vader) in 'Horror Of Frankenstein' (1970) See more »
When Professor Richter/the Creature pushes Karl out of the way and picks up the baron, Karl is laying unconscious on the front walk. The Creature then carries the baron into the burning house, and in the following widescreen shot, the front walk is now empty, Karl has disappeared. See more »
because in the temporary absence of his fiancée he could
This is one of the most vigorous of the Hammer productions and features Peter Cushing being uncharacteristically nasty. Even though some of his transplant theories have a certain logic he remains mean and unpleasant throughout with the (again uncharacteristic) rape scene adding icing to the already surprisingly (and ironically) nihilist cake. All the rest of Cushing's violence is aimed at 'getting the job done' but the rape, preceded by it's sexy build is a seeming sideswipe justified simply because in the temporary absence of his fiancée he could. Well dressed, surprisingly well paced and eventful. Not your ponderous Hammer production at all, rather as if its some impostor. Well worth catching.
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