Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ...
See full summary »
A dead and frozen Baron Frankenstein is re-animated by his colleague Dr. Hertz proving to him that the soul does not leave the body on the instant of death. His lab assistant, young Hans, ... See full summary »
Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. ... See full summary »
Last of the Hammer Frankenstein films, this one deals with the Baron hiding out in an insane asylum, so that he may continue his experiments with reanimating the dead, along with inmate Dr.... See full summary »
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
The brilliant but misunderstood scientist Frankenstein builds a man made up of a collection of spare body parts. The monster becomes alive but he has mental capabilities much below par. The... See full summary »
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the first brain transplantation ever. Written by
This film marks the return of director Terence Fisher after an extended absence from Hammer productions, as his films were considered too slow and emotional by this point. Fisher has mentioned in multiple interviews (and by his daughter's admittance), that this film was his personal favourite to make, along with the original Dracula (1958). After directing this film and The Devil Rides Out, Fisher would once again be out of the picture for a while due to several car accidents. His last hurrah at Hammer was to be another Frankenstein film: Frankenstein and the Monster from Hell (1974). See more »
A crew member is visible just after the water-pipe bursts, about one hour into the movie. As Frankenstein enters the house and walks down the hallway, the camera pans across to the left, and as it does so, someone is seen disappearing quickly behind the doorway to get out of shot. See more »
I have become the victim of everything that Frankenstein and I ever advocated. My brain is in someone else's body.
See more »
For me the only two that are superior are Curse of Frankenstein and Revenge of Frankenstein(with the weakest being The Evil of Frankenstein). Frankenstein Must Be Destroyed is Peter Cushing's penultimate outing as Frankenstein and it's a very strong one.
I do have to agree with those saying that the rape scene wasn't all that necessary- it is clear that Frankenstein is depraved but the film did go a bit too far adding that in- and did seem in bad taste. The climax is very exciting and suspenseful but ends a little too hastily, and parts of the second half are a little padded. Frankenstein Must Be Destroyed as with most Hammer horrors is visually accomplished, love the sumptuous Gothic quality of the costume and set design, it's a very colourful film to look at and the film is photographed beautifully and atmospherically. Frankenstein Must Be Destroyed is hauntingly scored, with the music really complimenting the atmosphere well and even enhances it while also not over-powering.
The script is witty, nuanced and tense with no signs of irrelevant froth or juvenile misplaced humour, while the story has never a dull moment(even with the odd bit of padding in the second half and is always compelling, giving off a really suspenseful, creepy and occasionally violent atmosphere. Two scenes really stood out, the buried body bursting out of the earth is unsettlingly scary and there is a scene between Freddie Jones's character and his wife that genuinely brought tears to the eye. Terence Fisher's direction is taut and unflinching. The acting is very fine all round, with top honours going to a chillingly incisive Peter Cushing as a more evil Frankenstein this time round, an alluring and heartfelt Veronica Carlson(the gowns she wears here suited her) and especially a hauntingly powerful Freddie Jones. All in all, a very strong penultimate Hammer Frankenstein outing for Cushing and the third best of the series after Curse and Revenge. 8/10 Bethany Cox
8 of 8 people found this review helpful.
Was this review helpful to you?