| Eleonora Rossi Drago | ... | Lucille | |
| Pier Angeli | ... | Falesse / Ester (as Anna Maria Pierangeli) | |
| Fernando Sancho | ... | Pascal Gorriot | |
| Alfredo Mayo | (as Alfredo Majo) | ||
| Emilio Gutiérrez Caba | |||
| María Rosa Sclauzero | |||
| Víctor Alcázar | |||
| Giancarlo Sisti | |||
| Gaetano Imbró | |||
| Luciano Catenacci | (as Luciano Lorcas) | ||
| Bruno Ciangola |
Directed by | |||
| Sergio Bergonzelli | |||
Writing credits(in alphabetical order) | ||
| Sergio Bergonzelli | screenplay | |
| Mario Caiano | idea (as Mario Cajano) | |
| Fabio De Agostini | idea | |
| Fabio De Agostini | screenplay | |
Produced by | |||
| Sergio Bergonzelli | .... | producer | |
Original Music by | |||
| Jesús Villa Rojo | |||
Cinematography by | |||
| Mario Pacheco | |||
Film Editing by | |||
| Donatella Baglivo | |||
Art Direction by | |||
| Eduardo Torre de la Fuente | |||
Costume Design by | |||
| Giuseppe Cesare Monello | (as Cesare Monello) | ||
Makeup Department | |||
| Fernanda De Rossi | .... | makeup artist | |
| Alfredo Tiberi | .... | assistant makeup artist | |
| Luciano Vito | .... | hair stylist | |
Production Management | |||
| Luciano Catenacci | .... | production manager | |
| José Antonio Pérez Giner | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ferdinando Merighi | .... | assistant director | |
| Juan Ignacio Galvar Viches | .... | assistant director | |
Art Department | |||
| Giuseppe Aldrovandi | .... | assistant art director | |
| Horacio Rodríguez | .... | assistant art director | |
Sound Department | |||
| Pietro Ortolani | .... | sound | |
Camera and Electrical Department | |||
| Ettore Corso | .... | assistant camera | |
| Antonio Maccoppi | .... | camera operator | |
Editorial Department | |||
| Antonio Fusco | .... | assistant editor | |
Other crew | |||
| Rosanna Brasile | .... | continuity | |
| Fabio Ceccarelli | .... | production coordinator | |
| Félix Moreno | .... | production coordinator | |
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| Pensione paura | Downfall | Blade of the Ripper | Blood and Black Lace | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
This movie is completely over the top! Why and how it escaped getting played around the world, on the midnight circuit, is beyond me. It's like someone made a soup out of a Spanish Soap Opera, a Giallo, Gothic Thriller, and a Film Noir... It's loaded with ridiculous double crosses, kinky incest (is it incest?), countless decapitations, pet vultures, plot twists that make little to no sense, random Freudian Psychology, and extraneous WWII Concentration Camp flashbacks! The score is over-dramatic, as is the acting, and just about everything else. It certainly can't be taken seriously, but that's what's so appealing. Don't be fooled though, if it's the Classic Bava, Martino or Argento-esque formula you're looking for, that's not what you'll get. Despite that it is often listed and cited as a Giallo. This movie came out in 1970, when the genre was just beginning to take root, so while it's certainly got all of the necessary elements to be classified as 'Gialli', the elements are scattered, appearing in different places in the plot than is common to the traditional Giallo formula. That said, it could be of interest to hardcore fans in that respect. That's how I came upon it, and I'm not upset. Think something along the lines of Luciano Ercoli's "Forbidden Photos of a Lady Above Suspicion" or even Lucio Fulci's "Perversion Story," only much more ridiculous! Wonderfully ridiculous, psychedelic and melodramatic. Wow.