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Storyline
After a catatonic episode on a railway station platform, Jacob Horner is taken to "The Farm", a bizarre insane asylum run by Doctor D. After being cured, Jacob takes a job as an English lecturer and begins a disastrous affair with Rennie, the wife of a colleague. Written by
Gary Couzens <gjcouzens@btinternet.com>
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Are you ready for "End Of The Road"?
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Did You Know?
Trivia
The train station shown in the movie is the Villanova University stop on Amtrak's Paoli Local line. Other scenes are shot in the area also.
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Crazy Credits
The closing credits play over footage of the moonshot, and end with the sound of Jacob Horner moaning.
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Connections
Featured in
The Man Who Fell to Earth (1976)
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Soundtracks
"Don't Worry 'Bout Me"
Written by
Ted Koehler &
Rube Bloom
Performed by
Billie Holiday See more »
Man, it is hard to digest some of the bile and acrid animosity of many of the comments here. I saw this when it first came out right as I was about to graduate high school in 1970, and I loved it. I had not read John Barth's novel, so I had no prejudice about the approach. I have watched the film a couple of times since on video (though it is virtually impossible to find) and must testify it more than holds up. Stacey Keach really gives a great, subtly nuanced performance (perhaps the best of his career when he was still getting 'serious' roles) as the guy plagued by occasional catatonia, and James Earl Jones is also fantastic as a brilliant, maverick innovator of psychiatry (think Wilhelm Reich by way of Malcolm X) who, at the end, may be a bit too godlike for his own good. I personally think Terry Southern is a wonderful writer, and I love all of the films from his work from the more favorably acknowledged, like DR. STRANGELOVE and MAGIC Christian, to the less so (CANDY, which is probably my favorite). There are some crazy juxtapositions here as well as absurd humor (that would do the 1920s-30s surrealists proud), but the humor is not stupid by any means. Director Aram Avakian and Terry Southern were a good pairing. It's too bad that they never did another film together. I can only guess that this dark, dark comedy that is about America in the sixties and about human vulnerability, hubris and arrogance touched many raw nerves with not only some of the IMDb commentators, but the few people who saw it on its initial release. A totally uncompromising picture with the courage of it's twisted convictions. The intention of director, screenwriter and cast was to rattle complacent, uptight people's cages -and, judging from the invective here, I'd say they succeeded in spades. I will echo: whomever owns the rights to END OF THE ROAD, put it out on DVD - NOW!