Dodesukaden (1970)

User Rating:

7.6/10   

Director:

Akira Kurosawa

Writers:

Shinobu Hashimoto (writer)
Akira Kurosawa (writer)

Release Date:

9 June 1971 (USA)

Genre:

Drama | Fantasy

Plot:

Episodes from the lives of a group of Tokyo slum-dwellers: Rokkuchan, a retarded boy who brings meaning...

Plot Keywords:

Poverty | Artificial Flower | Garbage Dump | Alcohol | Ghetto

Awards:

Nominated for Oscar. Another 2 wins

Cast

Yoshitaka Zushi	...	Rokkuchan
Kin Sugai	...	Okuni, Rokkuchan's Mother
Toshiyuki Tonomura	...	Taro Sawagami
Shinsuke Minami	...	Ryotaro Sawagami
Yûko Kusunoki	...	Misao Sawagami
Junzaburo Ban	...	Yukichi Shima
Kiyoko Tange	...	Mrs. Shima
Michio Hino	...	Mr. Ikawa
Keiji Furuyama	...	Mr. Matsui
Tappei Shimokawa	...	Mr. Nomoto
Kunie Tanaka	...	Hatsutaro Kawaguchi
Jitsuko Yoshimura	...	Yoshie Kawaguchi
Hisashi Igawa	...	Masuo Masuda
Hideko Okiyama	...	Tatsu Masuda
Tatsuo Matsumura	...	Kyota Watanaka

Also Known As:

Clickety-Clack (literal English title)
Dô desu ka den (Japan) (alternative transliteration)
Dodes'ka-den (Japan) (alternative transliteration)

Runtime:

140 min

Country:

Japan

Language:

Japanese

Color:

Color (Eastmancolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Finland:K-15 | Sweden:15 | UK:A

Filming Locations:

Horie-cho, Edogawa-ku, Tokyo, Japan

Company:

Toho Company

Trivia:

Akira Kurosawa's first color film and last film with a final fullscreen 1.33:1 aspect ratio.

Movie Connections:

Featured in Music for the Movies: Tôru Takemitsu (1994)

Genius at work

Another demonstration of Kurosawa's genius, his first colour film is a darkly surreal look into the tragic lives of Tokyo slum dwellers, essentially a series of interweaving vignettes depicting several groups of people eking out a perilous existence in a harsh and uncaring post-war shanty town. Swinging from comedy to tragedy and back, this film shows how people deal with the worst kind of life each in their own way, mostly retreating into themselves and living in the fantasy worlds of their own heads, withdrawing emotionally from those around them or drowning themselves in alcohol. Mixing kitchen-sink realism with Kabuki-esque theatrics, Kurosawa toys expertly with the emotions of his audience, drawing tears and laughter with equal deftness. A wonderful, draining experience.