Dodes'ka-den
(1970)
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Dodes'ka-den
(1970)
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| Cast overview, first billed only: | |||
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Yoshitaka Zushi | ... | |
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Kin Sugai | ... |
Okuni
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Toshiyuki Tonomura | ... |
Taro Sawagami
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Shinsuke Minami | ... |
Ryotaro Sawagami
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Yûko Kusunoki | ... |
Misao Sawagami
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Junzaburô Ban | ... |
Yukichi Shima
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Kiyoko Tange | ... |
Mrs. Shima
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Michio Hino | ... |
Mr. Ikawa
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Keiji Furuyama | ... |
Mr. Matsui
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Tappei Shimokawa | ... |
Mr. Nomoto
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Kunie Tanaka | ... |
Hatsutaro Kawaguchi
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Jitsuko Yoshimura | ... |
Yoshie Kawaguchi
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Hisashi Igawa | ... |
Masuo Masuda
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Hideko Okiyama | ... |
Tatsu Masuda
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Tatsuo Matsumura | ... |
Kyota Watanaka
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Episodes from the lives of a group of Tokyo slum-dwellers: Rokkuchan, a retarded boy who brings meaning and routine to his life by driving an imaginary streetcar; children who support their parents by scrounging or by tedious and ill-paying endeavours; schemers who plot or dream of escaping the shackles of poverty. Written by Jim Beaver <jumblejim@prodigy.net>
Its definitely not for everyone; a great artist, when he is experimenting, often alienates a large percentage of the public. For my money, its one of the more amazing films of all time, and contains numerous scenes which I can recall vividly; the now-over-the-edge of sanity father exclaiming "the house is finished!"; the stuttering husband defending his rude wife to his guests; the monk offering all of his possessions to a thief; and most of all the incredible closing scene, as the camera pans across walls covered with amazing color drawings of trolley-cars. The compassion Kurosawa shows for humanity is deep and profound; there is nothing else in the annals of film quite like the Buddhist-influenced post-WW2 works of the Japanese directors. There are many many millions of people on the planet today who do not live as well as this little community in the middle of their garbage-dump.