Following World War II, a retired professor approaching his autumn years finds his quality of life drastically reduced in war-torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
Ine Onoda, the eldest daughter of a poor family of farmers, raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold... See full summary »
When his pistol is stolen, police detective Murakami is humiliated, especially when the gun is later implicated in a crime. Working with his superior, Chief Detective Sato, Murakami works ... See full summary »
In a village subsisting on its herring fishery, a one-eyed criminal named Jakoman terrorizes the inhabitants. One of them, the son of the head of one of the fish companies by the name of Tetsu, decides to overthrow Jakoman and his cohorts.
Episodes from the lives of a group of Tokyo slum-dwellers: Rokkuchan, an intellectually disabled boy who brings meaning and routine to his life by driving an imaginary streetcar; children who support their parents by scrounging or by tedious and ill-paying endeavours; schemers who plot or dream of escaping the shackles of poverty. Written by
Jim Beaver <firstname.lastname@example.org>
The title is onomatopoeic, the sound of a streetcar clacking on the rails. It is metaphoric for all that the people who live in the dump cannot have. The misery of those people is illustrated by the passing streetcar which represents the relatively unobtainable rich life of the middle class. The pathos of the little boy and his beloved yet sadly insane father is most touching. This was Kurosawa's first film in colour and he uses beautifully shocking hues, colours seen only in dreams. The movie is surreal and surpassing in beauty. The compassion for humanity is the underling force, but as always, Kurosawa is focused on capturing the beauty of the film. It is a masterwork by a genius of cinema.
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