A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
Disgusted with the policies of King Charles I, Oliver Cromwell plans to take his family to the New World. But on the eve of their departure, Cromwell is drawn into the tangled web of religion and politics that will result in the English Civil War. Written by
Marg Baskin <email@example.com>
Sir Thomas Fairfax is one of the Commissioners in the King's trial, and refuses to sign the death warrant. In fact he was not present at the trial (for reasons which are unclear - probably either because he disagreed with the trial, or simply because his military duties detained him) and was therefore not eligible to sign the warrant in the first place. See more »
Right, let's first get one thing straight: the acting is okay - Guiness, as always is very identifiable with (if that's a real phrase) and Harris portrays some of Cromwell's famously torn character.
Secondly, yes there is some idea conveyed of the turmoil of the period; the Levellers get a slight, if ridiculously truncated, mention.
However, anyone who knows the slightest snippet about the period must have left the TV screen or whatever nothing but annoyed by the gross licence taken with the events of the civil war. And it is not just the fact that I have studied the period in depth that makes such glaring inaccuracies as:>
Cromwell being named as one of the Five Members, he wasn't.
Cromwell even being present at Edgehill, let alone rescuing the day. Neither are true. At the same time the "arrangement" between the officers of the opposing side which was so crucial to the film never happened; and, at the end of the day the Royalists did not actually win the battle. It was a draw. Okay, I can live with some details being slightly wrong, but the outcome of the entire engagement...?
Why miss out the most bloody, viscious and, many would say, crucial battle of the war? At least at Marston Moor Cromwell was actually there.
Naseby, too, was grossly misrepresented: a) Cromwell did not command the parliamentary forces, Fairfax did; and b) in reality the Royalist force was just over half the size of that of parliament: hardly the stunning victory of a smaller force led by Cromwell as portrayed in the film.
The Civil War was in no way Catholic versus Protestant: both sides were Protestant and, to be technical, both were mostly heartily opposed to Charles' Laudianism (a kind of mixture of the two). However in 1970 some scholarship did maintain this so this mistake can perhaps be understood.
These are just some of the many nitpicking points that seem to preclude the idea that "Cromwell" provides "an excellent history lesson". However, "Appocalypse Now" and "The Thin Red Line" are both examples of historically inaccurate but still highly effective and powerful films. How come "Cromwell" fails on this count? Well, on the one hand neither of these, more recent, films even claim to portray real people -"Cromwell" does and therefore its stubborn disregard of the truth cannot be ignored. Then, on the other hand, if the film attempts to be more than just a reasonably nice looking swashbuckler (which it does) and to really look into the character of its protagonists then surely its case is harmed by these shocking errors. For example, how can the film attempt to portray Cromwell as a man made by his times (rather than the other way around) when it suggests that he was a significant player from the start. Before the outbreak of Civil War Cromwell had made just one vaguely significant speech in parliament. He was never contacted by Pym before the call of Parliament and there was no question of him ever leading the armies of Parliament until the retirement of Fairfax on the eve of the (curiously unmentioned) Second Civil War. Indeed he did not become official leader of the country until 1653. His rise to power was a great surprise to him and his countrymen.
Finally, why miss out Ireland completely from the equation when surely there is no more interesting aspect to the man's character than his opinions on religion?
Cromwell deserves a more accurate cinematic perspective, and surely half of the problem is that this film attempts to cram the ten most monumental years of British history into three hours.
Definately a "could do better".
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