Marcus (Michael Brandon), a nice, rich, Jewish boy from New York, meets and falls in love with Jennifer (Tippy Walker), a girl from Oyster Bay, while they are both in Venice. He follows her... See full summary »
A young woman with a long rap sheet who steals cars for a living is befriended by a public defender who tries to steer her straight. But her goal is to steal and subsequently sell enough ... See full summary »
Mature, stable Jesse, his nutty and impulsive longtime best friend Pat, Jesse's caring fiancé Kathy, and Pat's fragile gal pal Jo Ella all decide to embark on a cross country road trip in a... See full summary »
A young girl lives with her mother and grandmother. One day her estranged father returns home with a female companion he introduces as his fiance. Soon the girl finds herself in the midst ... See full summary »
A prostitute is murdered on the streets of a tough, low-income neighborhood. A diabetic retired boxer who knew her is appalled by the lack of interest shown in the case by the police or ... See full summary »
Jim Bolton, a well-off businessman from Chicago hears that his daughter Doris is pregnant in New York. Since he did not even know she was seeing anyone he fears the worst. Unbeknownst to ... See full summary »
The wife and mistress of the abusive headmaster of a boy's school plot and carry out his murder. They dump his body in the murky swimming pool at the school and await for it to surface. ... See full summary »
Director Noel Black described making this film as a series of compromises made in order to please 20th Century Fox. Black originally planned to cast a young, unknown Al Pacino as Tony Hall, but this was just one of the things he had to forsake. Black also disagreed with the ethical issues about filmmaking brought up in the script, wanted to change them but couldn't. See more »
Student filmmaker pushes the boundaries for reality in film
Pretentious slop about a student filmmaker who is so hip that no one "gets" him. Robert Forster plays the student and his performance is limited to smug expressions and wooden stares. I don't blame him, though, since the script is so godawful. The gist of the plot is that Forster's character wants to push the boundaries of realism in films, and while making a new film manipulates his cast and crew to perform unknowingly to his master plan. Actually, it's not a bad idea and anticipates the JERRY SPRINGER SHOW to some degree, but as put together the film plays like a very, very bad student film. This was shown on FXM recently, apparently in an R-rated form. The film was released to theaters as a PG film.
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