Jared Martin plays an aspiring film maker obsessed with the idea of Christ as a woman, and tries to film his vision with Sondra Locke as his subject. Supposedly based on a song by Leonard ... See full summary »
Gregory Lind is the junior priest at Our Lady of the Assumption, a Catholic parish in Albuquerque, New Mexico. Life at the parish is not perfect for Greg, as he is beginning to have ... See full summary »
Two American college friends, traveling in Europe near the Mediterranean, meet and fall for a charming English tourist. However, they agree not to test their friendship and just be friends with her. Soon, reality kicks in.
Marcus (Michael Brandon), a nice, rich, Jewish boy from New York, meets and falls in love with Jennifer (Tippy Walker), a girl from Oyster Bay, while they are both in Venice. He follows her... See full summary »
A newlywed couple check into an old hotel, and soon the wife finds herself having hallucinations and wandering the halls aimlessly. It seems a voodoo priestess has placed a curse on her in ... See full summary »
Director Noel Black described making this film as a series of compromises made in order to please 20th Century Fox. Black originally planned to cast a young, unknown Al Pacino as Tony Hall, but this was just one of the things he had to forsake. Black also disagreed with the ethical issues about filmmaking brought up in the script, wanted to change them but couldn't. See more »
My recollection is that when I first saw this film (maybe at a drive-in) it was rated X, had a scene of male frontal nudity (Forster) and was actually first shown in theaters (some theaters anyway) under the title of Run, Shadow, Run. Can anyone verify this? I too saw the PG version once on TV years ago but last night saw the TV-MA (R?) version on Fox Movie Channel. This version seemed to have some scenes cut though I cannot be sure. A friend also told me at the time (he later became a film editor for Variety) that there was a trailer for the film that was a vicious diatribe against the studio for restricting the directorial control of Black. I was quite taken with the version I saw then, in part because I thought Black, the director of Pretty Poison, was an outstanding new director. Unfortunately his films after Pretty Poison have never lived up to it on subsequent viewings.
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