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Countess Dracula (1971)

 -  Horror  -  11 October 1972 (USA)
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Ratings: 6.0/10 from 1,807 users  
Reviews: 52 user | 47 critic

In medieval Europe aging Countess Elisabeth rules harshly with the help of lover Captain Dobi. Finding that washing in the blood of young girls makes her young again she gets Dobi to start ... See full summary »



(screenplay), (story), 3 more credits »
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Title: Countess Dracula (1971)

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Cast overview, first billed only:
Nigel Green ...
Sandor Elès ...
Maurice Denham ...
Patience Collier ...
Peter Jeffrey ...
Leon Lissek ...
Jessie Evans ...
Rosa, Teri's Mother
Andrea Lawrence ...
Susan Brodrick ...
Ian Trigger ...
Nike Arrighi ...
Peter May ...
John Moore ...


In medieval Europe aging Countess Elisabeth rules harshly with the help of lover Captain Dobi. Finding that washing in the blood of young girls makes her young again she gets Dobi to start abducting likely candidates. The Countess - pretending to be her own daughter - starts dallying with a younger man, much to Dobi's annoyance. The disappearances cause mounting terror locally, and when she finds out that only the blood of a virgin does the job, Dobi is sent out again with a more difficult task. Written by Jeremy Perkins <>

Plot Summary | Plot Synopsis




PG | See all certifications »





Release Date:

11 October 1972 (USA)  »

Also Known As:

Countess Dracula  »

Company Credits

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Technical Specs


Sound Mix:



Aspect Ratio:

1.66 : 1
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Did You Know?


Countess Dracula was based on Hungarian Countess Erzsebet (our modern day "Elizabeth") Bathory who lived from 1560 to 1614. Countess Bathory was allegedly responsible for the deaths of approximately 600 virgin girls, all of which involved torture and gruesome methods of killing. Her atrocities are mostly speculation. She is credited for influencing our modern day concept of Dracula as an entity depending on human blood for youth and vitality. See more »


When the young boys in the forest discover the body of the girl, they run way and holler for help. In the next shot, the girl is breathing. See more »


Edited into Bride of Monster Mania (2000) See more »

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User Reviews

The price of vanity...
10 May 2006 | by (Beverley Hills, England) – See all my reviews

The story of Elizabeth Bathory is easily one of the most important for the horror genre, and there's no studio more qualified to tackle said story than the legendary Hammer studios...but unfortunately, the resulting film is not as great as it could have been. Hammer had their golden period from the late fifties until the end of the sixties, and I dare say that if this film was released during that period, it would have been one of their classics. By the seventies, the studio had began to take influence from the lurid Euro horror films that were gaining popularity, and this resulted in Hammer losing it's innocence; which if you ask me, was what made them great in the first place. However, Countess Dracula is still one of Hammer's most inspiring films and benefits from a typically ludicrous plot line. We follow the Countess who, by chance, discovers that the blood of virgins restores her youth. After becoming young again, she pretends to be her own daughter and begins courting the son of a soldier; much to the annoyance of her present lover. However, nothing lasts forever; and bathing in the blood of virgins is something the Countess must continue to do if she is to retain her vanity…

As mentioned, the way that the plot is handled isn't very good. The film plays out like a drama rather than a horror movie and there is barely any tension or suspense to found throughout the whole picture. It seems that director Peter Sasdy (who also made the very decent Taste the Blood of Dracula for Hammer) thought that the implications of the plot would be enough to carry it; and while this is true to an extent, the film does become a little too dreary at times. Another disappointing element of the film is that, despite the fact that it's about a woman who bathes in blood; we never actually get to see this taking place. I was really hoping to see the beautiful Ingrid Pitt relaxing in a bath of blood, but no! …I don't know, perhaps it would have been a little too graphic. The lead actress really does make the film her own, however and delivers a powerhouse performance that proves her worthy of the title of Hammer's best leading lady. The way that the film carries off the plot is really good, also, and we are allowed into the head of all three central figures. On the whole, I can't say that this is one of Hammer's best films, but despite its faults; I really enjoyed it.

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