Cotton Comes to Harlem (1970)
This year’s Holiday Gift Guide is sponsored by several amazing companies, including Mondo, Anchor Bay Entertainment, DC Entertainment, and Magnolia Home Entertainment, who have all donated an assortment of goodies to help get you into the spirit of the season. Daily Dead also recently teamed up with
Here are eight things Tarantino said about that year to Fremaux when they took the stage in front of some 2,000 cheering French fans.
– How his passion for 1970 started
It started because I read the book Mark Harris wrote “Pictures at a Revolution” that takes place in 1967. That’s the year that chronicles the real emergence of New Hollywood. The point that he makes in the book is that by the end of 1967 New Hollywood had won, only they didn’t know it yet.
Beware! The Blob (Kino Lorber, Blu-ray & DVD)
Newly Re-mastered in HD! The Blob returns... more outrageous than ever in this 1972 sequel to the popular sci-fi classic! Plenty of familiar faces, including Robert Walker Jr. (Ensign Pulver), Larry Hagman (Dallas), Sid Haig (Busting), Burgess Meredith (Rocky), Dick Van Patten (Eight is Enough), Godfrey Cambridge
In honor of Black History Month, hosts Sean Duregger and Brad Henderson begin a month long look into the Blaxploitation phenomenon of the 1970s. This week they lay the groundwork by discussing the explosion of Blaxploitation Cinema once Sweet Sweetback’s Baadasssss Song was unleashed by legend Melvin Van Peebles. Other films discussed are Cotton Comes To Harlem, Superfly and Shaft.
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For fans of movies of the 1960s and ’70s, his name ranks up there with the stars who made the major studio films of that era. Even though he didn’t actually “make” movies, his work most definitely did. Best known as the artist behind the “classic” James Bond posters, McGinnis worked for almost every publisher and major magazine for decades, putting his distinctive stamp on a huge, well, body of work, which is fully (and gloriously) represented in The Art of Robert E. McGinnis, a lush 176-page hardback now on sale from Titan Books. Since McGinnis is one of the most influential and iconic movie poster artists of the 20th Century, Cinema Retro was pleased to see him honored in this way.
The book starts with McGinnis’s journeyman beginnings in the 1950s Cincinnati and New York advertising scenes, where he toiled away on
Goldwyn Jr. received his final credit as a producer, together with son John and others, on Fox’s long-gestating remake of the Goldwyn Sr.-produced classic “The Secret Life of Walter Mitty,” starring and directed by Ben Stiller and released in December 2013.
The courtly and soft-spoken scion was known for shepherding independent and foreign films and got his start in documentary filmmaking, in contrast to his brash father, who made his way from a youth of poverty in Poland to a partner in MGM.
“I love it. If you don’t love this business,
Price: DVD $24.95, Blu-ray $29.95
Studio: Olive Films
Rod Steiger is The Pawnbroker.
Rod Steiger (On the Waterfront) earned a Best Actor Oscar nomination for his performance in the classic 1964 drama The Pawnbroker, directed by the great Sidney Lumet (12 Angry Men, Network).
Steiger plays Sol Nazerman, a survivor of a WWII Nazi death camp where his wife, parents and children were murdered. His soul robbed of hope, he takes refuge in misery and a bitter condemnation of humanity while managing a Harlem pawnshop subjected to an endless parade of prostitutes, pimps and thieves.
The film co-stars Geraldine Fitzgerald (Wuthering Heights), Brock Peters (To Kill a Mockingbird), Raymond St. Jacques (Cotton Comes to Harlem) and.Jamie Sanchez (The Wild Bunch).
Shot in gorgeous black-and-white by respected cinematographer Boris Kaufman (On the Waterfront) and featuring a memorably evocative trumpet score by Quincy Jones, The Pawnbroker is making its Blu-ray
The unsung supporting players in these films that backed Fred Williamson and Pam Grier and many other stars were people acting and making a living off of it.
“No, from country folk who elevated themselves to lower middle-class,” answers James Sallis when questioned if he comes from an artistic family. “Something went horribly wrong, though; my brother [John], a well-known philosopher, is about neck-and-neck with me, as for books published.” The native of Helena, Arkansas observes, “Most things in our lives happen by chance; we seldom end up where we aimed. I’m a writer because I discovered early on that it was the one thing I’m really good at. The music developed alongside that. I’m not a particularly good musician, just an enthusiastic one. I write much as I play, improvising, reaching for surprise, for new sounds within the old; but the music is, at least in part, a refuge from my life among words.” Sallis
Ossie Davis directs Gordon’s War, actor and director who made what I consider the finest blaxploitation film around (Cotton Comes To Harlem) and he does wonders with a tried and through plot consisting of a man on a mission of revenge against those who wronged the people of his neighborhood in the mode of good ol’ 70′s vigilante justice. Gordon Hudson (Paul Winfield) comes home from the Vietnam War where he finds out that his wife has died from a heroin overdose.
By the 1950s, as the studios entered their long post-war decline, downscale producers launched a new vein of exploitation moviemaking, churning out low-budget thrillers (mostly sci fi and horror) aimed squarely at the burgeoning youth audience. Again, the movies were cheap,
We all know by now that Hollywood loves to adapt novels (amongst other kinds of original sources), and during our conversation I realized that there might indeed be a pattern or two worth noting, when one looks at the “black novels” that have been given big screen treatment.
One common complaint I’ve heard about the For Colored Girls adaptation is that the material is a yet another woman-centered black pathology tale, and a lot of you aren’t interested in that kind of narrative anymore, and understandably so. I think a lot of us feel the same way.
Actor Lisle Wilson was featured as Phillip Woode, Margot Kidder’s ill-fated suitor in the 1973 psychological horror film Sisters, and was Dr. Loring in the 1977 sci-fi horror The Incredible Melting Man.
Wilson was born in Brooklyn, New York, on September 2, 1943. He began his film career in the early 1970s in such features as Cotton Comes to Harlem (1970) and Mississippi Summer (1971). He starred as Leonard Taylor in the ABC television sitcom That’s My Mama from 1974 to 1975. He also appeared in episodes of Alf and Tales from the Crypt, and the 1988 tele-film Disaster at Silo 7. He later taught vocal techniques at the Academy of Radio and Television Broadcasting in Huntington Beach, California.
Lisle Wilson died in Rancho Mirage, California, on March 14, 2010, at age 66.
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