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Cotton Comes to Harlem (1970)

R  |   |  Action, Comedy  |  27 May 1970 (USA)
6.5
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Ratings: 6.5/10 from 1,078 users  
Reviews: 27 user | 29 critic

Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »

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Title: Cotton Comes to Harlem (1970)

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Cast

Cast overview, first billed only:
Godfrey Cambridge ...
Raymond St. Jacques ...
...
Rev. Deke O'Malley
Judy Pace ...
Iris
...
Uncle Budd / Booker Washington Sims
Emily Yancy ...
Mabel
...
Capt. Bryce
Lou Jacobi ...
Goodman
...
Lt. Anderson
...
Calhoun
Mabel Robinson ...
Billie
Dick Sabol ...
Jarema
...
Lo Boy
Teddy Wilson ...
Barry (as Theodore Wilson)
Maxwell Glanville ...
Caspar
Edit

Storyline

Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips back to Africa to the poor on the installment plan. When his truck is hijacked and a bale of cotton stuffed with money is lost in the chase, Harlem is turned upside down by Gravedigger and Coffin Ed, the Reverend, and the hijackers. Much of the humor is urban black, which was unusual in 1970. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Taglines:

Introducing COFFIN ED and GRAVEDIGGER, two detectives only a mother could love.

Genres:

Action | Comedy

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

27 May 1970 (USA)  »

Also Known As:

Algodón en Harlem  »

Box Office

Budget:

$1,200,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(DeLuxe Color)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Goofs

During the car chase, the mirror on the driver's side of the police car gets shot off. Once the police car collides with the watermelon cart a few seconds later, the mirror reappears. See more »

Quotes

Gravedigger Jones: One more word, soul brother. You had it made. Black folks would have followed you anywhere. You could've been another Marcus Garvey or even another Malcolm X. But instead you ain't nothin' but a pimp with a chicken-shit backbone.
See more »

Connections

Referenced in The Cleveland Show: The Men in Me (2012) See more »

Soundtracks

Ain't Now, But it's Gona Be
Music by Galt MacDermot
Lyrics by Ossie Davis
Sung by Melba Moore
See more »

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User Reviews

 
Tote That Cotton, Lift That Bale, It's Worth A Fortune
2 March 2009 | by (Buffalo, New York) – See all my reviews

One of the better black exploitation pictures to come out of the Seventies was Cotton Comes To Harlem where Raymond St. Jacques and Godfrey Cambridge gave a black twist to the male buddy film that so many white actors had done over the years going all the way back to James Cagney and Pat O'Brien.

St. Jacques and Cambridge play a pair of police detectives assigned to a precinct north of Central Park where they've drawn duty being security for a rally headed by the Reverend Calvin Lockhart who's got a nascent Back to Africa movement going. He's collecting money at his rally and preaching up a storm when some masked bandits armed with automatic weapons take off with the proceeds. The money gets hidden in a bale of cotton and then the bale gets ripped off.

Our two detectives got a whole host of suspects, some white numbers gangsters from Pleasant Avenue, black militants, the good reverend himself who St. Jacques has a passionate dislike for and various and assorted other criminal types. Lockhart is one charismatic preacher and as he says himself, he could be another Marcus Garvey who immediately came to mind before Lockhart mentioned his name during the film.

John Anderson and Eugene Roche are St. Jacques and Cambridge's superiors in the police department, Anderson impatient with them and Roche inclined to give them plenty of room to maneuver. Judy Pace plays Lockhart's mistress and one seductive temptress if there ever was one. And we can't forget Redd Foxx in a delightful performance as an old rummy whose ship might just be coming in.

Cotton Comes To Harlem moves at a very fast pace with absolutely not a wasted frame of film. It holds up very well after almost 40 years even if those fashions and those Afros don't.


8 of 8 people found this review helpful.  Was this review helpful to you?

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