Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let... See full summary »
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
On a cold winter's Sunday, the pastor of a small rural church (Tomas Ericsson) performs service for a tiny congregation; though he is suffering from a cold and a severe crisis of faith. ... See full summary »
Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. The police dispense the crowd and Umberto returns to his cheap furnished room which... See full summary »
Vittorio De Sica
Maria Pia Casilio,
Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. ... See full summary »
This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind. Written by
Dale O'Connor <email@example.com>
Bertolucci proposed the film adaptation of the novel to Paramount, without ever reading it himself. Within a month, he started the screenplay. See more »
When Manganiello is driving Marcello around, the windshield wipers are on in the close shots, but off on the long shots. See more »
Clerici, you had me convinced you were the typical new Italian.
No such type exists yet, but we're creating him.
No, through example.
Giving him castor oil? Throwing him into prison? By torturing them? Blackmailing?
Anna, please, dear, calm down. Clerici is a fascist. I'm an anti-fascist. We both knew. And we decided to have supper together all the same.
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One of the Most Visually Hypnotic Films I've Ever Seen
Bernardo Bertolucci's stunning early-1970s classic looks absolutely beautiful nearly forty years later. It tells the story of a fascist in 1930s Italy who is assigned to root out and assassinate anti-fascists. As the story develops, we learn that a childhood event played a large role in shaping this man's perception of himself, and that the life he is leading is largely a lie.
The story Bertolucci tells is odd and compelling, but what kept me glued to the television screen was the film's mesmerizing visual style. Bertolucci collaborated with cinematographer Vittorio Storaro, and it's not an exaggeration to say that they create some of the most beautiful images I've ever seen in a film. One might expect Bertolucci to adopt a sombre color palette for telling such a gloomy story, but that's not the case. On the contrary, he opts for lush colors, striking contrasts, and stylized lighting to create a slightly surrealistic environment that's one small step removed from reality as we know it.
A truly remarkable movie.
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