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The Conformist (1970)

Il conformista (original title)
R | | Drama | 22 October 1970 (USA)
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Writers:

(novel), (screenplay)

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Nominated for 1 Oscar. Another 10 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Marcello Clerici (as Jean Louis Trintignant)
...
Gastone Moschin ...
Manganiello
Enzo Tarascio ...
Professor Quadri
...
Il colonnello
José Quaglio ...
Italo
...
...
Lino
Yvonne Sanson ...
Madre di Giulia
Milly ...
Madre di Marcello
Giuseppe Addobbati ...
Padre di Marcello
Christian Aligny ...
Raoul (as Christian Alegny)
Carlo Gaddi ...
Hired Killer
Umberto Silvestri ...
Hired Killer
Furio Pellerani ...
Hired Killer
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Storyline

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Plot Keywords:

nudity | sexuality | fascist | italy | gun | See All (98) »

Taglines:

Bertolucci's Masterpiece about Sex and Politics [re-release]

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| | | |

Release Date:

22 October 1970 (USA)  »

Also Known As:

The Conformist  »

Box Office

Budget:

$750,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (first release) (international)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The hospital that Clerici's father is at is actually the Teatro Libera (Free Theater) at the Palazzo dei Congressi in EUR, a massive complex on the outskirts of Rome that was begun as a monument to the Fascist Government. This massive, modernist white marble complex and theater have appeared in several other films and television shows. See more »

Goofs

When Manganiello and Marcello are talking in the kitchen of the restaurant, the swinging lamp slows, then obviously someone knocks it on two occasions to keep it swinging. See more »

Quotes

[first lines]
Marcello: [to Manganiello on the phone] It's me, yes. Everything all right?
[pause]
Marcello: What do you mean, they're gone? You mean she's gone, too?
[pause]
Marcello: I'll be waiting in front of the hotel.
[hangs up]
See more »

Connections

Referenced in Rushmore (1998) See more »

Soundtracks

Valzer Del Conformista
Written and Performed by Georges Delerue Et Son Orchestre
See more »

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User Reviews

The best cooperation of artists of cinema
17 June 2001 | by (Amsterdam, Netherlands) – See all my reviews

This is one of few films in which every artist's performance peaks and falls into place: Trintignant (Z (1969), le Secret (1974)) at his best, Bertolucci's best picture so far, and Vittorio Storaro's best cinematography (besides Apocalypse Now). Their cooperation seems to pay off very well (Novecento (1976), Last Emperor (1987)) as they apparently enhance each other's work. With their brilliance they almost turn Marcello into a hero, while he is actually an anti-hero in this non-linear story. It's not only an entertaining personal tragedy, it's also a political thriller with very distinctive music. I couldn't imagine life without Il Conformista anymore (like Amarcord and some other masterpieces).

Always beautiful, never sentimental: poetic from minute to minute. The compositions, lighting and camera-movements made me breathless: I've never seen so much poetic power in one film. Watch for instance the camera's movement to behind the tree when Manganiello searches for Marcello in the small park @ 68 min. And for instance the hand-held scene near the end. Or the camera placements when Marcello comes approaches his mother's house. Actually the entire film is a big poem. See for yourself :-)

I was lucky enough to see this one in a theater just two months after seeing it first (dec 2000). If you have the chance, go see it on a big screen. If you like the looks of this you will probably like 'Una giornata particolare' (1977) and 'Amarcord' (1974) too.

Why o why can't we vote 11 :(


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