The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but ... See full summary »
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind. Written by
Dale O'Connor <email@example.com>
The film was in contention for the Golden Bear at the Venice Film Festival. However, a huge controversy over the inclusion of Michael Verhoeven's film O.K. (1970) resulted in the Festival being abandoned and no awards being given out. See more »
When Manganiello is driving Marcello around, the windshield wipers are on in the close shots, but off on the long shots. See more »
A normal man? For me, a normal man is one who turns his head to see a beautiful woman's bottom. The point is not just to turn your head. There are five or six reasons. And he is glad to find people who are like him, his equals. That's why he likes crowded beaches, football, the bar downtown...
At Piazza Venice.
He likes people similar to himself and does not trust those who are different. That's why a normal man is a true brother, a true citizen, a true patriot...
A true fascist.
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What is most amazing about The Conformist is it's cinematography and angles.
Director Bertolucci and Cinematographer Storraro have created a masterpiece of form by using light, camera angles, and character positioning.
The architecture dwarfs the characters as they try to make sense of their existence during Italy's fascist period (1930's). They are placed theatrically at times creating a balance of space.
The Conformist is the most stunning film visually I have ever seen. Every scene is immaculate, kind of surreal, almost to rich for the senses to take in one viewing.
The story is somewhat difficult on the first viewing but one can figure the basic plot line. It is a story about repression and oppression, about nationality, political beliefs during a paradigm shift. It is about acceptance and avoidance. It is about playing it safe in a time of tension.
The final scene suggests what the main character might have become had he chose the truth. It is left up to us to judge him and realize that it is sort of a catch 22; either way, he would have ended up in that dark place where a fascist country would mentally place same sex love.
See this film to see the potential of the beauty of film.
Conform or not to Conform? That is the Question.
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