| William Berger | ... | Prof. Gerry Farrell | |
| Ira von Fürstenberg | ... | Trudy Farrell (as Ira Furstenberg) | |
| Maurice Poli | ... | Nick Chaney | |
| Edwige Fenech | ... | Marie Chaney | |
| Howard Ross | ... | Jack Davidson | |
| Helena Ronee | ... | Peggy Davidson | |
| Teodoro Corrà | ... | George Stark | |
| Ely Galleani | ... | Isabel (as Justine Gall) | |
| Edith Meloni | ... | Jill Stark | |
| Mauro Bosco | ... | Charles |
Directed by | |||
| Mario Bava | |||
Writing credits | ||
| Mario di Nardo | (story and screenplay) | |
Produced by | |||
| Luigi Alessi | .... | producer | |
Original Music by | |||
| Piero Umiliani | |||
Cinematography by | |||
| Antonio Rinaldi | |||
| Mario Bava | (uncredited) | ||
Film Editing by | |||
| Mario Bava | |||
Production Design by | |||
| Giuseppe Aldrovandi | |||
| Giulia Mafai | (as Giuliana Mafai) | ||
Costume Design by | |||
| Giulia Mafai | (as Giuliana Mafai) | ||
Makeup Department | |||
| Orietta Melaranci | .... | makeup artist | |
Production Management | |||
| Luigi Alessi | .... | production manager | |
| Alfonso Cucci | .... | production manager | |
| Adolfo Martello | .... | production manager (as Rudolfo Martello) | |
Second Unit Director or Assistant Director | |||
| Mario Bianchi | .... | assistant director | |
Art Department | |||
| Giuseppe Aldrovandi | .... | set dresser | |
Sound Department | |||
| Leopoldo Rosi | .... | sound | |
Visual Effects by | |||
| Enrico Catalucci | .... | optical effects (as E. Catalucci) | |
Camera and Electrical Department | |||
| Gianlorenzo Battaglia | .... | assistant camera (as Lorenzo Battaglia) | |
| Armando Pietrangeli | .... | still photographer | |
| Emilio Varriano | .... | camera operator | |
Costume and Wardrobe Department | |||
| Roberto Ranucci | .... | assistant costumes designer | |
Editorial Department | |||
| Liliana Serra | .... | assistant editor | |
Other crew | |||
| Marisa Agostini | .... | script supervisor | |
| Franco Tupini | .... | production secretary | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb Italy section |
Eurocult fans know that director Mario Bava did not want to direct FIVE DOLLS FOR AN AUGUST MOON, but had to fulfil a contract or some other stupid reason. It is painfully obvious that Bava feels nothing for this film and despite a strong cast, a great soundtrack, and some fine scenes, FIVE DOLLS falls flat.
A group of rich swingers take a vacation on a secluded island in a nouveau riche, futuristic mansion. The men try to persuade a scientist to sell them an important formula, while the women experiment with lesbianism and have affairs with the house servant. The servant is killed and it goes on from there, a murder every few hours until only three are left and the sinister plot must be uncovered.
Original plot? Hardly. Any film buff will note the strong similarities to Agatha Christie's "Ten Little Indians" with a change of motive. The strongest presences are noted from Edwige Fenech (sex symbol extraordinaire) and Howard Ross (the main suspect in NEW YORK RIPPER), if only because I recognize them. All of the women are beautiful, but no actress sticks out in my mind that makes a great impression. The soundtrack is great, a fun mix of rock, jazz and classical. A few good sequences include the multiple bodies hanging in the meat freezer, Edwige doing a sultry dance in the opening number that results in a "sacrifice", Edwige lounging on a rotating bed, and a fight scene that results in many marbles tumbling and rolling down a spiral staircase (REALLY gorgeous scene!).
FIVE DOLLS is a film I would only recommend to hardcore Bava or Fenech fans. The casual horror fan would be bored by it and a newcomer to Bava would probably not be enticed to view anymore of his films. FIVE DOLLS takes a while to grow on people (I had to watch it three times before I began to like it), especially given the convoluted plotline and "HUH?" ending, but if you give it a chance, you might enjoy it. Just don't expect a memorable Bava giallo like TWITCH OF THE DEATH NERVE or BLOOD AND BLACK LACE. The print I saw was a PAL transfer from the Redemption label and looked pretty bad, but is letterboxed correctly. This is the common dupe that video companies sell.