When her husband dies en route to America, Martha Price and her daughter Hilary are left to carry out his dream: the introduction of Hereford cattle into the American West. They enlist Sam ... See full summary »
In Shenandoah, Virginia, widower farmer Charlie Anderson lives a peaceful life with his six sons - Jacob, James, Nathan, John, Henry and Boy, his daughter Jennie, and his daughter-in-law ... See full summary »
Lt. Col. Robert (Dutch) Holland was a third baseman for the St. Louis Cardinals, not a pitcher. While at spring training a B-36 flew over the field and Dutch was standing on third base. ... See full summary »
When the government agency fails to deliver even the meager supplies due by treaty to the proud Cheyenne tribe in their barren desert reserve, the starving Indians have taken more abuse ... See full summary »
The US Army is under pressure from the desperate relatives of white prisoners of the Comanches to secure their rescue. A cynical and corrupt marshal, Guthrie McCabe, is persuaded by an army... See full summary »
John is working as a cow poke for very little money with his friend Harley when he gets word his brother, DJ, has left him The Cheyenne Social Club. He and Harley ride for nearly a thousand miles to his inheritance only to find he is now the owner of a first class brothel. Written by
John Vogel <email@example.com>
In the last scene, when John receives a letter while working a cattle roundup, the letter is sealed when it's handed to him, but when he takes off his work glove to take the letter out of the envelope and read it, the flap is unsealed, as if it never had been sealed at all. See more »
Is "The Cheyenne Social Club" a comedy or action Western? Director Gene Kelly tries to combine the two with very uneven results. Cowboy James Stewart receives a letter telling him that he has inherited property from his late brother so he starts out for Cheyenne along with his buddy, Henry Fonda. It is only after he arrives that Stewart finds out the Cheyenne Social Club is not a boarding house or saloon as he supposed, but, well, something else. Director Kelly plays up the discomfort Stewart feels being the not so proud owner and his futile efforts to close the place down, but most of the jokes in that vein fall flat. That is not to say we can't find humor as, for example, Stewart changing his politics when he fancies himself as a businessman, or Fonda cracking nuts at inopportune moments. Fonda's speeches as the credits are rolling are hilarious. Stewart listens politely until he can't take any more and finally has to tell Fonda to shut up. The movie is at its best when these two old pros are interacting with one another.
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