| Photos (See all 21 | slideshow) |
| Elvis Presley | ... | Dr. John Carpenter | |
| Mary Tyler Moore | ... | Sister Michelle | |
| Barbara McNair | ... | Sister Irene | |
| Jane Elliot | ... | Sister Barbara | |
| Leora Dana | ... | Mother Joseph | |
| Edward Asner | ... | Lt. Moretti | |
| Robert Emhardt | ... | The Banker | |
| Regis Toomey | ... | Father Gibbons | |
| Doro Merande | ... | Rose | |
| Ruth McDevitt | ... | Lily | |
| Richard Carlson | ... | Bishop Finley | |
| Nefti Millet | ... | Julio Hernandez | |
| Laura Figueroa | ... | Desiree | |
| Lorena Kirk | ... | Amanda | |
| Virginia Vincent | ... | Miss Parker | |
| David Renard | ... | Colom | |
| Ji-Tu Cumbuka | ... | Hawk | |
| William Elliott | ... | Robbie (as Bill Elliott) | |
| Rodolfo Hoyos Jr. | ... | Mr. Hernandez (as Rodolfo Hoyos) | |
| rest of cast listed alphabetically: | |||
| Mario Aniov | ... | 1st Young Man (uncredited) | |
| Ray Ballard | ... | Ice Cream Clerk (uncredited) | |
| Jim Beach | ... | Father Witkowski (uncredited) | |
| Timothy Carey | ... | Ajax Market Manager (uncredited) | |
| Rita Conde | ... | Woman in Market (uncredited) | |
| Steve Conte | ... | Man in Scene 166 (uncredited) | |
| Frank Corsentino | ... | 2nd Man (uncredited) | |
| John Daheim | ... | 1st Underling (uncredited) | |
| Robert De Anda | ... | Teammate (uncredited) | |
| Tony De Costa | ... | Chino (uncredited) | |
| Paul Factor | ... | 3rd Man (uncredited) | |
| Linda Garay | ... | Expectant Mother (uncredited) | |
| Stella Garcia | ... | Maria (uncredited) | |
| Pepe Hern | ... | Man in Scene 93 (uncredited) | |
| Darlene Love | ... | Backup Singer (uncredited) | |
| A Martinez | ... | 2nd Young Man (uncredited) | |
| Troy Melton | ... | 2nd Underling (uncredited) | |
| Lilith Miles | ... | 1st Stiletto Deb (uncredited) | |
| Lenny Montana | ... | Grocer (uncredited) | |
| Araceli Rey | ... | Senora Gavilan (uncredited) | |
| Ruben Rodriguez | ... | Church Drummer (uncredited) | |
| Stanley Schneider | ... | Traffic Cop (uncredited) | |
| Harry Swoger | ... | Fat Man (uncredited) | |
| Alex Tinne | ... | Tony (uncredited) | |
| Alex Val | ... | Tomas (uncredited) | |
| Roberto Vargas | ... | Cuban Mainliner (uncredited) | |
| Len Wayland | ... | Police Sergeant (uncredited) | |
| Caitlin Wyles | ... | 2nd Stiletto Deb (uncredited) | |
Directed by | |||
| William A. Graham | (as William Graham) | ||
Writing credits | ||
| James Lee | (screenplay) & | |
| S.S. Schweitzer | (screenplay) and | |
| Eric Bercovici | (screenplay) | |
| John Joseph | (story) and | |
| Richard Morris | (story) | |
Produced by | |||
| Joe Connelly | .... | producer | |
| Irving Paley | .... | associate producer | |
Original Music by | |||
| Billy Goldenberg | (as William Goldenberg) | ||
Cinematography by | |||
| Russell Metty | (director of photography) | ||
Film Editing by | |||
| Douglas Stewart | |||
Casting by | |||
| Bob Edmiston | (uncredited) | ||
Art Direction by | |||
| Frank Arrigo | |||
| Alexander Golitzen | |||
Set Decoration by | |||
| Ruby R. Levitt | (as Ruby Levitt) | ||
| John McCarthy Jr. | (as John McCarthy) | ||
Costume Design by | |||
| Helen Colvig | |||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
| Clair Holgate | .... | hair stylist (uncredited) | |
| James Lee McCoy | .... | makeup artist (uncredited) | |
| Thomas Tuttle | .... | makeup artist (uncredited) | |
Production Management | |||
| Joseph E. Kenney | .... | unit production manager (as Joseph Kenny) | |
Second Unit Director or Assistant Director | |||
| Phil Bowles | .... | assistant director | |
| Richard C. Bennett | .... | second assistant director (uncredited) | |
| Walt Gilmore | .... | dga trainee (uncredited) | |
| Jack Terry | .... | second assistant director (uncredited) | |
Art Department | |||
| Joe Alves | .... | assistant art director | |
| William Nunley | .... | property master (uncredited) | |
| Bill Smallback | .... | property master (uncredited) | |
Sound Department | |||
| Lyle Cain | .... | sound | |
| Ronald Pierce | .... | sound | |
| Waldon O. Watson | .... | sound | |
| Perry Devore | .... | boom operator (uncredited) | |
| James V. Swartz | .... | sound recordist (uncredited) | |
Camera and Electrical Department | |||
| Wilbur Gossman | .... | camera operator (uncredited) | |
| Ollie Hansel | .... | grip (uncredited) | |
| Edward Hobson | .... | gaffer (uncredited) | |
| William John Ranaldi | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| May Booth | .... | wardrobe (uncredited) | |
| Austin Felious | .... | wardrobe (uncredited) | |
Music Department | |||
| Stanley Wilson | .... | music supervisor | |
| Cubby O'Brien | .... | musician: drums (uncredited) | |
Other crew | |||
| Diana N. Loomis | .... | script supervisor | |
| Walter Woodworth | .... | production coordinator | |
| Robert W. Zaslow | .... | supervisor: rage reduction scene (as Dr. Robert W. Zaslow) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Noteworthy because it was Elvis' last film, Change of Habit is a Sister Act for the sixties, as issues of the day are portrayed in this story about three nuns who move to the inner city.
Elvis Presley plays a hip and happening doctor. His New York City practise is over run with sex starved teen agers, abused children and stubborn parents, all seeking help from this hunk o' burning love. Mary Tyler Moore leads a trio of nuns who forsake their habits when they set up shop with the doctor to help out these people.
From the outset Mary suggests that they not wear their traditional garb, so instead we see three bodacious babes donning mini skirts and funky handbags, walking down Fifth Avenue.
The ladies have a difficult time coping with the myriad of problems that face them in their new digs. Their apartment is a wreck and the neighbors aren't taking to them very well. Even the Cardinal that they report to is disgusted with them.
Change of Habit makes a Disney-like attempt at tackling the issues of the day. Racism is a hot topic as one of the nuns comes under pressure for being black. The film takes place in a hispanic community and there is some discussion about literacy, teenage pregnancy and even drugs, but nothing that the kids couldn't watch.
Change of Habit is not a bad film; certainly its heart is in the right place. The problem is that it's dated. The subject matter is handled with care, (a bit patronizing to be honest) however the issues, while still relevant, look different today. The music was fun. At the time this film was made Elvis was just about to reach his fat stage and his music was becoming silly. 'Rubbernecking' kicks off the film and it's just fabulous!
The cast is good enough to make the trite story line work. This is Elvis eight years before the end, and Mary only a couple of years away from starring in one of the best television sitcoms ever made. Even though Moore makes it clear that she didn't sleep with Elvis, their is no denying that the chemistry between them is ... interesting.