| Alain Delon | ... | Corey | |
| Bourvil | ... | Le Commissaire Mattei (as André Bourvil) | |
| Gian Maria Volonté | ... | Vogel (as Gian-Maria Volonte) | |
| Yves Montand | ... | Jansen | |
| Paul Crauchet | ... | Le Receleur | |
| Paul Amiot | ... | L'inspecteur général de la police | |
| Pierre Collet | ... | Le Gardien de prison | |
| André Ekyan | ... | Rico | |
| Jean-Pierre Posier | ... | L'assistant de Mattei | |
| François Périer | ... | Santi (as François Perier) | |
| Yves Arcanel | ... | Le juge d'instruction | |
| René Berthier | ... | Le directeur de la P.J. | |
| Jean-Marc Boris | ... | Le fils Santi | |
| Jean Champion | ... | Le garde-barrière | |
| Yvan Chiffre | ... | Un policier | |
| Anna Douking | ... | L'ancienne amie de Corey (as Ana Douking) | |
| Robert Favart | ... | Le vendeur chez Mauboussin | |
| Roger Fradet | ... | Un policier | |
| Édouard Francomme | ... | Le gardien du billard (as Edouard Francomme) | |
| Jean Franval | ... | Le tenancier d'hotel | |
| Jacques Galland | ... | Le chef de train | |
| Jean-Pierre Janic | ... | Paul, l'homme de Rico | |
| Pierre Lecomte | ... | L'adjoint de l'I.G.S. | |
| Jacques Léonard | ... | Un policier | |
| Jacques Leroy | ... | Un policier | |
| Jean Pignol | ... | L'employé du greffe | |
| Robert Rondo | ... | Un policier | |
| rest of cast listed alphabetically: | |||
| Stéphanie Fugain | ... | La vendeuse de cigarettes (uncredited) | |
| Guy Henry | ... | Un garde (uncredited) | |
Directed by | |||
| Jean-Pierre Melville | |||
Writing credits | ||
| Jean-Pierre Melville | ||
Produced by | |||
| Robert Dorfmann | .... | producer | |
| Jacques Dorfmann | .... | line producer (uncredited) | |
Original Music by | |||
| Éric Demarsan | (as Eric De Marsan) | ||
Cinematography by | |||
| Henri Decaë | (as Henri Decae) | ||
Film Editing by | |||
| Marie-Sophie Dubus | |||
| Jean-Pierre Melville | (uncredited) | ||
Production Design by | |||
| Théobald Meurisse | (as Théo Meurisse) | ||
Set Decoration by | |||
| Pierre Charron | |||
Production Management | |||
| Alain Quefféléan | .... | production manager (as A. Queffeléan) | |
Second Unit Director or Assistant Director | |||
| Bernard Girardot | .... | assistant director | |
| Michel Léonard | .... | trainee assistant director | |
| Bernard Stora | .... | first assistant director (as B. Stora) | |
| Pierre Tati | .... | assistant director | |
Art Department | |||
| René Albouze | .... | property master | |
| Marc Desages | .... | first assistant decorator | |
Sound Department | |||
| Jacques Carrère | .... | sound engineer | |
| Guy Chichignoud | .... | sound recordist | |
| Jean Nény | .... | sound director (as Jean Neny) | |
| Victor Revelli | .... | boom operator | |
Camera and Electrical Department | |||
| Jean-Paul Cornu | .... | second assistant camera | |
| François Lauliac | .... | first assistant camera | |
| Charles-Henri Montel | .... | camera operator (as Charles-Henry Montel) | |
| André Perlstein | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Colette Baudot | .... | wardrobe | |
Editorial Department | |||
| Christine Grenet | .... | assistant editor (as C. Grenet) | |
| Claudine Kaufmann | .... | trainee assistant editor | |
| Elizabeth Sarradin | .... | assistant editor | |
Other crew | |||
| Gérard Crosnier | .... | general manager (as G. Crosnier) | |
| Rene Llonguet | .... | jewellery | |
| Jacqueline Parey | .... | script girl (as J. Parey) | |
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| Rififi | Le Deuxieme Souffle | Le Doulos | Le Samouraï | Touchez Pas au Grisbi |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
Jean-Pierre Melville is one of the most slept on directors of all time. A little too old to ride the crest of the French New Wave, Melville was respected by Godard, Truffaut and the rest but never caught the attention of the international film community like those who followed him did. Melville's crime tales are directed perfectly straight forward without the hipness that permeated the French New Wave . His protagonist of choice Alain Delon had the ability to portray either cop or crook and the audience would always side with him. "The Red Circle," is one of Melville's best collaborations with Delon--not as good as "Le Samourai" (1967) but superior to "Un Flic" (1971). Nowadays cats tend to say "they don't make movies like that anymore" but "they" weren't making films like Melville during his time--over thirty years ago. Don't sleep on Melville, he's the real deal. To put it simply, Melville was and still is the man.