The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »
Dr Jake Terrell, who has been training a pair of dolphins for many years, has had a breakthrough. He has taught his dolphins to speak and understand English, although they do have a limited... See full summary »
George C. Scott,
Trish Van Devere,
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
A highly-evolved planet, whose denizens feel no emotion and reproduce by cloning, plans to take over Earth from the inside by sending an operative, fashioned with a humming, mechanical ... See full summary »
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
Remzi is a thirteen year old boy, who was placed in an institution for mentally challenged children when he was four and since then he has moved from one institution to the other, time ... See full summary »
A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way cope with a crazy situation. Catch-22 is a parody of a "military mentality" and of a bureaucratic society in general. Written by
Jeffrey Struyk <Catch22@ix.netcom.com>
According to his book, "Kiss Me Like A Stranger", Gene Wilder was the original choice for Lt. Milo Minderbinder, but he turned the role down, citing creative differences, and instead accepted the dual role he plays in Start the Revolution Without Me (1970). See more »
In Major Danby's initial scene in the control tower, the Baby Ruth bar in his pocket is in a modern (1970) wrapper. The actual 1940s wrappers had a different design. See more »
I recall hearing Catch 22 author Joseph Heller state that he started writing the book by writing the ending first and then working on the beginning and so on, back and forth. I'm not sure if he was telling the truth, but the book is certainly based on his own experiences as a bomber pilot in WWII and the book/movie's nonlinear, stream of consciousness structure is an obvious demonstration of the randomness and madness of war. An earlier post said that this movie reveals that at heart wars occur because people are selfish and stupid, and I think that is correct. Even though this movie is funny it reminds us of this unpleasant fact, so we avoid the movie altogether.
Made back in the early 70s during that brief period when Hollywood actually made intelligent and artistic first-run movies, the film is an excellent piece, from its all star ensemble cast to its writing and pacing. The movie is also a sad reminder of how shallow and simplistic and adolescent movies are today. Even fine films like Saving Private Ryan have much less complexity and trust their audience less to contemplate the possibility of an amoral and senseless universe. The mythic characters, comic book pacing, and sacred three act narrative structure and tight endings--even sad ones--that tie up all the loose ends and make us feel good about ourselves and our country are the order of the day. And with this new administration look for more movies that pat ourselves on the back rather than question. ..
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