The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »
Dr Jake Terrell, who has been training a pair of dolphins for many years, has had a breakthrough. He has taught his dolphins to speak and understand English, although they do have a limited... See full summary »
George C. Scott,
Trish Van Devere,
Double Feature Productions have produced a short thriller based in an urban landscape. A woman shrouded in desperation cuts a deal leaving her isolated from the world. The only person who ... See full summary »
A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way cope with a crazy situation. Catch-22 is a parody of a "military mentality" and of a bureaucratic society in general. Written by
Jeffrey Struyk <Catch22@ix.netcom.com>
When Richard Lester was asked to direct , he had just completed " A Funny Thing Happened on the Way to the Forum " in Spain on the crumbling Samuel Bronston backlot. He considered using his main lead Zero Mostel as Milo. See more »
When the chaplain is stopped by Milo on his way to talk with Cathcart his jacket is covered in light colored dirt spots. They are gone when he arrives at the top of the stairs and starts talking to Orr. See more »
This is great film-making. I have never experienced greater skill with sound editing. The acting is terrific, the writing crisp and intelligent. The conception deeply nested. Why has the viewing public discarded this film? Interesting question.
Usually the answer is that the film is a poor evocation of the book. It is, of course; films are fundamentally different beasts than books, so the closest one comes is to have congruence of story. But the story is the least important element of either fine books or movies. No intelligent viewer looks for sameness in an adaptation.
I think the reason is simple. We are happy to accept war as heroic. Deep down, that's what we believe; whether as an inescapable fact of evolution or of chauvanistic indoctrination. Against this backdrop, we apply the stuff of our apparent convictions: that war is funny (MASH, the escape movies) or grossly brutal and confusing (Platoon, the first part of Pvt Ryan-- which then reverts to the noble). We just cannot accept the view that war comes from stupidity and selfishness, because it convinces that we, all of us every one is at root stupid and selfish.
This movie is so good, it convinces of that fact, and that's why no one wants to watch it. So no one is convinced. That's the catch.
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