The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »
Dr Jake Terrell, who has been training a pair of dolphins for many years, has had a breakthrough. He has taught his dolphins to speak and understand English, although they do have a limited... See full summary »
George C. Scott,
Trish Van Devere,
A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way cope with a crazy situation. Catch-22 is a parody of a "military mentality" and of a bureaucratic society in general. Written by
Jeffrey Struyk <Catch22@ix.netcom.com>
The actor who played the wounded airman had to share his costume with several pounds of offal that made it look as if his intestines had been exposed by the injury. See more »
In the dream sequence where the nurse sheds her uniform and tosses it into the water, Yossarian swims up and grabs the uniform with his right hand, then sinks. As he's sinking the uniform is now in his left hand. These continuity "errors" show his unstable mental state. See more »
This is great film-making. I have never experienced greater skill with sound editing. The acting is terrific, the writing crisp and intelligent. The conception deeply nested. Why has the viewing public discarded this film? Interesting question.
Usually the answer is that the film is a poor evocation of the book. It is, of course; films are fundamentally different beasts than books, so the closest one comes is to have congruence of story. But the story is the least important element of either fine books or movies. No intelligent viewer looks for sameness in an adaptation.
I think the reason is simple. We are happy to accept war as heroic. Deep down, that's what we believe; whether as an inescapable fact of evolution or of chauvanistic indoctrination. Against this backdrop, we apply the stuff of our apparent convictions: that war is funny (MASH, the escape movies) or grossly brutal and confusing (Platoon, the first part of Pvt Ryan-- which then reverts to the noble). We just cannot accept the view that war comes from stupidity and selfishness, because it convinces that we, all of us every one is at root stupid and selfish.
This movie is so good, it convinces of that fact, and that's why no one wants to watch it. So no one is convinced. That's the catch.
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