The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way cope with a crazy situation. Catch-22 is a parody of a "military mentality" and of a bureaucratic society in general. Written by
Jeffrey Struyk <Catch22@ix.netcom.com>
The actor who played the wounded airman had to share his costume with several pounds of offal that made it look as if his intestines had been exposed by the injury. See more »
When 1st Lt. Milo Minderbinder and Col. Cathcart walk along the landing strip, they pass a crashed B-25. The crashed airplane has no turret and no hole where the turret would have been (if it had been removed after the crash). See more »
An all-star cast is showcased in this WWII farce centered around a B25 bomber squadron in the Mediterranean.
Alan Arkin shines as Yossarian, a bombadier who realizes the hopelessness of ever completing the number of missions required to be rotated out of harm's way; his commanding officers (Balsam and Henry) are constantly upping the number once anyone gets close. Yossarian decides his best bet is to try for a medical disqualification for flight under the grounds that it's insane to fly these missions, and since he's flying them, he must be insane. But the flight surgeon (Jack Gilford) declares anyone who realizes the insanity of the situation must, by definition, be sane, and therefore must continue to fly.
Lots of interesting side plots, such as War Capitalist Milo Minderbinder's (Jon Voight) excursion into, among other ventures, Egyptian cotton and Natley's (Art Garfunkel) discussions of lasting societies with an old Italian.
Austin Pendleton is perfectly cast as the son-in-law of General Dreedle (Orson Welles), a hulking figure of a man whose personal B25 is equipped with whitewall tires. When the General orders a moaning (after glimpsing the thigh of the General's female assistant) Richard Benjamin to be "taken out and shot", Pendleton's character admonishes him, "Dad! I don't think you can do that!" then whispers why into 'Dad's' ear.
A thoroughly enjoyable movie that may take more than one viewing before all the subtle humor begins to sink in.
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