7.2/10
17,793
124 user 45 critic

Catch-22 (1970)

R | | Comedy, Drama, War | 24 June 1970 (USA)
A man is trying desperately to be certified insane during World War II, so he can stop flying missions.

Director:

Writers:

(novel), (screenplay)
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Popularity
3,813 ( 830)

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Nominated for 1 BAFTA Film Award. Another 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Capt. Nately (as Arthur Garfunkel)
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Susanne Benton ...
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Storyline

A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way cope with a crazy situation. Catch-22 is a parody of a "military mentality" and of a bureaucratic society in general. Written by Jeffrey Struyk <Catch22@ix.netcom.com>

Plot Summary | Add Synopsis

Taglines:

The anti-war satire of epic proportions.

Genres:

Comedy | Drama | War

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

24 June 1970 (USA)  »

Also Known As:

Trampa-22  »

Filming Locations:

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Box Office

Budget:

$18,000,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

George C. Scott turned down the role of Col. Cathcart, saying he had effectively played the same part in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). See more »

Goofs

The Baby Ruth bar rises up inside Danby's pocket as the planes take off. See more »

Quotes

[first lines]
Lt. Col. Korn, XO: [speaking to Yossarian] All you have to do is be our pal.
Colonel Cathcart: Say nice things about us.
Lt. Col. Korn, XO: Tell the folks at home what a good job we're doing. Take our offer Yossarian.
Colonel Cathcart: Either that or a court-martial for desertion.
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Connections

Referenced in Article 99 (1992) See more »

Soundtracks

The Stars and Stripes Forever
(uncredited)
Written by John Philip Sousa
(played by military band in the final scene)
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

We Hate This, That's the Catch
19 June 2000 | by (Virginia Beach) – See all my reviews

This is great film-making. I have never experienced greater skill with sound editing. The acting is terrific, the writing crisp and intelligent. The conception deeply nested. Why has the viewing public discarded this film? Interesting question.

Usually the answer is that the film is a poor evocation of the book. It is, of course; films are fundamentally different beasts than books, so the closest one comes is to have congruence of story. But the story is the least important element of either fine books or movies. No intelligent viewer looks for sameness in an adaptation.

I think the reason is simple. We are happy to accept war as heroic. Deep down, that's what we believe; whether as an inescapable fact of evolution or of chauvanistic indoctrination. Against this backdrop, we apply the stuff of our apparent convictions: that war is funny (MASH, the escape movies) or grossly brutal and confusing (Platoon, the first part of Pvt Ryan-- which then reverts to the noble). We just cannot accept the view that war comes from stupidity and selfishness, because it convinces that we, all of us every one is at root stupid and selfish.

This movie is so good, it convinces of that fact, and that's why no one wants to watch it. So no one is convinced. That's the catch.


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