Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of... See full summary »
A simple story about simple people. A 38 old divorced woman (Marie), who now has a lover (Serge) but decides to leave him, abort his baby, and then returns with her ex-husband (Georges). ... See full summary »
Reciprocal consolation. The background of two middle-aged people (Michel and Lydia) is gradually unfolded. Michel's wife is incurably ill. They had agreed that she would take her life on ... See full summary »
Somewhere in Middle America, 1907: Maria II, daughter of an Irish terrorist. After her father's death, she meets Maria I, the singer in a circus. She decides to stay with the circus, and on... See full summary »
In pre-World War II Sicily, just as the fascists come to power, two men fall in love with the same woman. The changes in their country's politics ultimately take all three on a journey across the ocean to New York.
Francesca Anderson, the rich wife of an older millionaire, can't cope with the death of her lover, who is the father of her only son, James. As her son is somehow part of her dead lover, ... See full summary »
Marina and her boyfriend have an argument while on a trip in France. While driving with the car among the cliffs, he starts speeding and the car falls into the sea. Marina can jump out of ... See full summary »
Wonderful soundtrack but the movie is not up to scratch.
The precedent user was right:the score by Ennio Morricone -who remains one of the greatest of all- is tuneful ,splendid,perfect.It's when you deal with the movie that things go wrong..
First of all,Romy Schneider -an actress I like very much though- is miscast as an Italian woman.In her diary published in the late eighties the actress wrote:"the filming had only begun when I had to strip naked for a love scene (...)I was interested in playing a very different character(...)Bevilacqua,the scriptwriter had not the slightest idea of what a movie was .We were completely lost,all of us ,even Ugo Tognazzi." The main problem,IMHO,is that the film would like to be realistic -a depiction of the factories strikes in Italy- and it has also intellectual pretensions.Sometimes it makes me think of Pasolini's "teorema"(1968),Romy Schneider's "Califfa" replacing the Terence Stamp's angel.The scenes between Tognazzi and Schneider seem unreal.
It is a dated movie ,it captures the end of the sixties zeitgeist,all content and no form. But once again,the score is worth the price of admission.
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