Roddy has a camera implanted in his brain. He is then hired by a television producer to film a documentary of terminally ill Katherine, without her knowledge. His footage will then be run ... See full summary »
Harry Dean Stanton
Vienna, 1906. A passionate love story develops between Franz Lobheiner (Alain Delon) and the young Christine (Romy Schneider). Lobheiner is, however, currently seeing the married Baroness ... See full summary »
Francesca Anderson, the rich wife of an older millionaire, can't cope with the death of her lover, who is the father of her only son, James. As her son is somehow part of her dead lover, ... See full summary »
A simple story about simple people. A 38 old divorced woman (Marie), who now has a lover (Serge) but decides to leave him, abort his baby, and then returns with her ex-husband (Georges). ... See full summary »
Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of... See full summary »
Elizabeth and her daughter Cecile spend their holidays at a lakeside resort in the French mountains. Elizabeth falls in love with a strange Italian, Giovanni, while young Cecile is courted ... See full summary »
Richard Harris portrays Eitan, yesterday's football hero waiting for tomorrow. A man who has nothing left but guts. He consults the unheroic prospects of having to find a new profession and... See full summary »
Wonderful soundtrack but the movie is not up to scratch.
The precedent user was right:the score by Ennio Morricone -who remains one of the greatest of all- is tuneful ,splendid,perfect.It's when you deal with the movie that things go wrong..
First of all,Romy Schneider -an actress I like very much though- is miscast as an Italian woman.In her diary published in the late eighties the actress wrote:"the filming had only begun when I had to strip naked for a love scene (...)I was interested in playing a very different character(...)Bevilacqua,the scriptwriter had not the slightest idea of what a movie was .We were completely lost,all of us ,even Ugo Tognazzi." The main problem,IMHO,is that the film would like to be realistic -a depiction of the factories strikes in Italy- and it has also intellectual pretensions.Sometimes it makes me think of Pasolini's "teorema"(1968),Romy Schneider's "Califfa" replacing the Terence Stamp's angel.The scenes between Tognazzi and Schneider seem unreal.
It is a dated movie ,it captures the end of the sixties zeitgeist,all content and no form. But once again,the score is worth the price of admission.
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