A cynical tragicomedy focusing on the different ways of love in the times of the sexual revolution. Nicholas Mallet, an inconspicuous and shy bank employee, one day successfully invites ... See full summary »
Pierre Brumeu, a twenty-year-old young man, leads a drab life in Paris with his father, a man he does not understand very well, and his friends Michel and Sophie. Father and son live in the... See full summary »
Wonderful soundtrack but the movie is not up to scratch.
The precedent user was right:the score by Ennio Morricone -who remains one of the greatest of all- is tuneful ,splendid,perfect.It's when you deal with the movie that things go wrong..
First of all,Romy Schneider -an actress I like very much though- is miscast as an Italian woman.In her diary published in the late eighties the actress wrote:"the filming had only begun when I had to strip naked for a love scene (...)I was interested in playing a very different character(...)Bevilacqua,the scriptwriter had not the slightest idea of what a movie was .We were completely lost,all of us ,even Ugo Tognazzi." The main problem,IMHO,is that the film would like to be realistic -a depiction of the factories strikes in Italy- and it has also intellectual pretensions.Sometimes it makes me think of Pasolini's "teorema"(1968),Romy Schneider's "Califfa" replacing the Terence Stamp's angel.The scenes between Tognazzi and Schneider seem unreal.
It is a dated movie ,it captures the end of the sixties zeitgeist,all content and no form. But once again,the score is worth the price of admission.
13 of 16 people found this review helpful.
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