Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class.
Brewster is an owlish, intellectual boy who lives in a fallout shelter of the Houston Astrodome. He has a dream: to take flight within the confines of the stadium. Brewster tells those he trusts of his dream, but displays a unique way of treating others who do not fit within his plans. When the fateful day arrives, and he enters the dome with his fanciful construction of bird wings, Brewster is surrounded by the police. Will he be caught before he attempts to fly? Written by
Rick Gregory <firstname.lastname@example.org>
Not the least of the changes made by Robert Altman to the original script was the spelling of the hero's surname - it was originally "McCleod". See more »
In Detective Shaft's final scene, it is obvious that one of actor Michael Murphy's blue contact lenses has fallen out, revealing one brown eye. See more »
Det. Capt. Crandall:
I know birdshit when I see it! Now I suggest we drop this birdshit shit and settle down to some old-fashioned policework!
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The opening credits are done twice, followed by the MGM lion opening his mouth to Auberjonois' voice saying, "I forgot the opening line". The opening credits are superimposed over Daphne Heap (Margaret Hamilton) rehearsing "The Star-Spangled Banner" with a marching band in the Astrodome. She stops the song and accuses the band of being on the wrong key. The band begins again, and the credits also start over, with the same titles repeated with the "better" version of the song. One of the opening credits reads: "Title song by Francis Scott Key" See more »
Released in December of 1970, after M.A.S.H. came out in January, this off-beat (for then even), unpretentious, little film flew in from nowhere. Get the soundtrack if you like the film! Black comedy about nothingness! Perfect 11 months AFTER M.A.S.H. (a better film). This was the part Bud Cort was born for, not Harold and Maude (another wonderful black comedy), Stacy Keach is unbelievably TOO real as Mr. Wright (at the age of 28), Sally Kellerman as Brewster's mentor is graceful and anguished, Jennifer Salt is the all-American girlfriend (just like she was in Midnight Cowboy), Michael Murphy was born to play Frank Shaft, Bert Remsen steals the show as the narc-agent, and it goes on and on as a SPOOF about a lot of American things that nobody used to lose their mind about (politically and otherwise).
This flick is an easy 8 out of 10, with gems that keep popping up, for fun. Don't write off seeing this one (even if you're anti-Altman). You'd be wasting your own time doing that. It's dark, it's fun, it's easy, and most people I've met since 1970 never even saw it! Check it out. I forgot to mention Shelley Duvall in her first film walks with the second half (Great eyes, Great Shirt, Great hair, Great car, Great attitude; mostly).
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