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Brewster is an owlish, intellectual boy who lives in a fallout shelter of the Houston Astrodome. He has a dream: to take flight within the confines of the stadium. Brewster tells those he trusts of his dream, but displays a unique way of treating others who do not fit within his plans. When the fateful day arrives, and he enters the dome with his fanciful construction of bird wings, Brewster is surrounded by the police. Will he be caught before he attempts to fly? Written by
Rick Gregory <firstname.lastname@example.org>
A billboard next to a railroad crossing (location unknown) during the hot pursuit scene has an advertisement for the former MacRobert Chevrolet dealership - there were 2 Houston locations (4905 North Shepherd in the Garden Oaks area and 10306 South Post Oak at West Bellfort - the South Post Oak location was renamed A.J. Foyt Chevrolet in 1973). Foyt sold the latter dealership in the late 1980s where it was renamed Texstar Chevrolet until the early 1990s when the site was razed - the former car dealer compound is now the location of a Kroger Signature grocery store (Meyer Park location) since 1995. The North Shepherd location was razed and redeveloped. See more »
In the scene where Brewster is supposed to have achieved independent flight while wearing birdlike apparatus, in a few places you can clearly see suspension cables attached to his bird costume. See more »
The opening credits are done twice, followed by the MGM lion opening his mouth to Auberjonois' voice saying, "I forgot the opening line". The opening credits are superimposed over Daphne Heap (Margaret Hamilton) rehearsing "The Star-Spangled Banner" with a marching band in the Astrodome. She stops the song and accuses the band of being on the wrong key. The band begins again, and the credits also start over, with the same titles repeated with the "better" version of the song. One of the opening credits reads: "Title song by Francis Scott Key" See more »
Released in December of 1970, after M.A.S.H. came out in January, this off-beat (for then even), unpretentious, little film flew in from nowhere. Get the soundtrack if you like the film! Black comedy about nothingness! Perfect 11 months AFTER M.A.S.H. (a better film). This was the part Bud Cort was born for, not Harold and Maude (another wonderful black comedy), Stacy Keach is unbelievably TOO real as Mr. Wright (at the age of 28), Sally Kellerman as Brewster's mentor is graceful and anguished, Jennifer Salt is the all-American girlfriend (just like she was in Midnight Cowboy), Michael Murphy was born to play Frank Shaft, Bert Remsen steals the show as the narc-agent, and it goes on and on as a SPOOF about a lot of American things that nobody used to lose their mind about (politically and otherwise).
This flick is an easy 8 out of 10, with gems that keep popping up, for fun. Don't write off seeing this one (even if you're anti-Altman). You'd be wasting your own time doing that. It's dark, it's fun, it's easy, and most people I've met since 1970 never even saw it! Check it out. I forgot to mention Shelley Duvall in her first film walks with the second half (Great eyes, Great Shirt, Great hair, Great car, Great attitude; mostly).
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