Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a... See full summary »
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
Brewster is an owlish, intellectual boy who lives in a fallout shelter of the Houston Astrodome. He has a dream: to take flight within the confines of the stadium. Brewster tells those he trusts of his dream, but displays a unique way of treating others who do not fit within his plans. When the fateful day arrives, and he enters the dome with his fanciful construction of bird wings, Brewster is surrounded by the police. Will he be caught before he attempts to fly? Written by
Rick Gregory <firstname.lastname@example.org>
A billboard next to a railroad crossing (location unknown) during the hot pursuit scene has an advertisement for the former MacRobert Chevrolet dealership in Houston, Texas. See more »
In the scene where Brewster is supposed to have achieved independent flight while wearing birdlike apparatus, in a few places you can clearly see suspension cables attached to his bird costume. See more »
Det. Capt. Crandall:
I know birdshit when I see it! Now I suggest we drop this birdshit shit and settle down to some old-fashioned policework!
See more »
The opening credits are done twice, followed by the MGM lion opening his mouth to Auberjonois' voice saying, "I forgot the opening line". The opening credits are superimposed over Daphne Heap (Margaret Hamilton) rehearsing "The Star-Spangled Banner" with a marching band in the Astrodome. She stops the song and accuses the band of being on the wrong key. The band begins again, and the credits also start over, with the same titles repeated with the "better" version of the song. One of the opening credits reads: "Title song by Francis Scott Key" See more »
Bud Cort plays Brewster McCloud. He's a very strange young man who lives in the Houston Astrodome and is building a huge set of wings so he can fly. The movie is about him and his VERY odd assortment of friends and family. And how about the killer running around Houston strangling people and leaving bird droppings on them?
As you can see this is a very strange film. It's unlike anything director Robert Altman has ever done. The film isn't perfect--it's too long, the weirdness wears you down at times, some of the humor is real sick and there are characters that are just disgusting (Stacy Keach) or too flat out weird, even for this movie (Jennifer Salt)! And what's with the circus ending (entertaining as it is)? Still I love this film.
The story rambles all over the place but I was able to keep track of it. Altman packs the movie with plenty of bird imagery and references. He also pays homage to other films also--most notably "The Wizard of Oz" (right up to having Margaret Hamilton in the cast and check out how Salt is dressed at times). This really doesn't pull together in any way but it IS fascinating to watch. Also the cast is great--with one exception--Michael Murphy. He's miscast and looks miserable. But everybody else is perfect. Particular standouts are Cort (very good in a difficult role), Shelley Duvall (who usually annoys me to no end) and Sally Kirkland (looking absolutely stunning). Also there's a very cute injoke--there's a quick shot of the poster for "MASH" in Duvall's apartment!
This film was overshadowed by Altman's "MASH" in 1970. Also, the studio hated it and threw it away. Now, however, it is rightfully considered one of the best films of its decade. I highly recommend this--but not for everybody. If you like a linear plot and easily defined characters, stay away.
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