A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
This is an insane and fast-paced romantic comedy about a bizarre dinner date among Bruce (Goldblum) and Prudence (Hagerty), and their lunatic therapists, and Bruce's jealous, gun-wielding ... See full summary »
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Mille is a... See full summary »
The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
Brewster is an owlish, intellectual boy who lives in a fallout shelter of the Houston Astrodome. He has a dream: to take flight within the confines of the stadium. Brewster tells those he trusts of his dream, but displays a unique way of treating others who do not fit within his plans. When the fateful day arrives, and he enters the dome with his fanciful construction of bird wings, Brewster is surrounded by the police. Will he be caught before he attempts to fly? Written by
Rick Gregory <email@example.com>
First feature film to be filmed inside the Houston Astrodome. See more »
In the scene where Brewster and Suzanne are driving in the mango orange Road Runner, the windshield wipers are beating at a higher speed when the camera cuts to Brewster's shot than they are in Suzanne's shot. See more »
Det. Capt. Crandall:
I know birdshit when I see it! Now I suggest we drop this birdshit shit and settle down to some old-fashioned policework!
See more »
During the credits, all the actors turn up as Circus Performers and are introduced by the Ring Master - ending with Bud Cort, who lies dead in the center ring. See more »
This is one of the most interesting films I have ever seen! I own a copy on VHS and had the pleasure of seeing it 4 times at the Film Forum in New York City a couple of years ago.
After having seen Robert Altman's "M*A*S*H," his next film about the story of a young man who is building a winged contraption in the basement of the Houston Astrodome intrigued me. I had to see how the cast came together in their varied segments in this film and I wasn't too disappointed.
Robert Altman saw something in Bud Cort after seeing him in a NYC comedy revue, and then gave him a role in "M*A*S*H*, and was so impressed with him in the scenes he had in that film that he gave him is first leading film role. Altman couldn't have found a better actor to portray the lead in this film! I am a huge fan of Bud Cort's, and he kept me interested throughout in what was happening to the quiet and introverted Brewster, who dreams of flying away in a marvelously-made, flying machine. He lives a sheltered, and somewhat lonely life, other than the company of his lovesick friend Hope, who brings him food, and Louise, a strange woman who is like a mother-figure to him. Brewster doesn't say much in the film, but after a certain door is opened in his life, he becomes very talkative, and that talkativeness leads to a situation that jeopardizes his flight plans.
I thought the opening with Margaret Hamilton was funny, as well as the scenes Bud Cort had with Stacy Keach, made up as old man Abraham Wright, Brewster's former racist and mean-spirited employer.
I loved Sally Kellerman as Brewster's enigmatic and protective mother-figure, Louise, and Michael Murphy as the 'Bullit-esque' Frank Shaft, in Houston, via San Francisco, to help the police solve some suspicious bird-related murders.
The rest of the cast is fine, with the Altman touch of fine ensemble acting from the likes of John Schuck, G. Wood, and Corey Fischer. However, I found Shelly Duvall, who I've liked in other films, very annoying in this one, her film debut. She plays Suzanne, a girl who works at the Astrodome and becomes Brewster's love interest. I had rather seen Brewster become involved with Hope (Jennifer Salt), than the shallow and chirpy Suzanne. I find that most of her scenes, except for the one where she seduces Brewster, slow down the film.
Look for a delightfully strange comic turn by Rene Auberjonois, as the "Narrator" of the film.
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