The corpses are piling up at St. Hilda's School for Girls, leaving top cop Michael Rennie with more than the usual suspects. Is the killer Mark Damon? Peeping Tom Luciano Pigozzi? Or ... See full summary »
France, 1719. Louis 14th died four years ago, Philippe d'Orleans is the regent. He is a liberal and a libertine. His right-hand man, Dubois, an atheistic and cupid priest, as libertine as ... See full summary »
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An imprisoned model recalls the debached times with her degenerate boss, her drug dealer, and a clean-cut young man whom wants her to quit her nude modeling profession to make a life for herself elsewhere.
Reverend Alexander Algernon Ford returns to England to reopen the Old Souls Church near Carfax Abbey. But, Reverend Ford turns out to be a vampire disguising himself as a minister. With the help of three green faced ghouls and a hunchback assistant, named Spool, Reverned Ford begins to make some plans for the descendants of the Ford family. Reverend Ford gives the vampire bite to his granddaughter Anna Ford and he makes Anna drug her husband Graham Ford so the green faced ghouls can suck his blood. Reverend Ford's cousin, Susan, is taken captive used as a breeder for vampire babies, while his quiet wife, Candace, is used as a private blood bank. Trouble starts when Susan's boyfriend Paul tries to set her free which leads to more complicated matters for Reverend Ford. Written by
To say THE BODY BENEATH is a *GOOD* film might be sugaring things a bit heavily, but it certainly stands as one of the more professional achievements put forward by schlock auteur Andy Milligan.
The evidence of more technically adept workmanship than in many of his other projects is multi-directional within this eerie little vampire opus, though the the gore is noticeably slight this time around. It's a fairly unembellished bloodsucker story with a few novel twists...a vampire-priest calls a meeting of all existing vampires at his Old England lair. During this meeting, he expresses his concern with the rapidly diminishing numbers of their blood-line, and motions that they move, collectively, to the United States.
THE BODY BENEATH looks like a project which Milligan took a bit more seriously than many of his other horror offerings. It's fairly coherent(an amazing achievement for him), and the pacing and exposition actually aren't miles away from the accepted norm. Is this merely a film which denotes the natural progress of it's maker? Is it a sincere attempt to bring something palatable to mainstream horror film fans? Is it a sellout? ...I dunno...all I can say is that it has all the quirky Milligan hallmarks, but it's far removed from the schlock quality of much of his other work.
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