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Edmund and Dorothy Yates are freed after fifteen years in an asylum. Edmund covers up for his wife who is a murderer and a cannibal and Dorothy's daughter Debbie and stepdaughter Jackie, ... See full summary »
Reverend Alexander Algernon Ford returns to England to reopen the Old Souls Church near Carfax Abbey. But, Reverend Ford turns out to be a vampire disguising himself as a minister. With the help of three green faced ghouls and a hunchback assistant, named Spool, Reverned Ford begins to make some plans for the descendants of the Ford family. Reverend Ford gives the vampire bite to his granddaughter Anna Ford and he makes Anna drug her husband Graham Ford so the green faced ghouls can suck his blood. Reverend Ford's cousin, Susan, is taken captive used as a breeder for vampire babies, while his quiet wife, Candace, is used as a private blood bank. Trouble starts when Susan's boyfriend Paul tries to set her free which leads to more complicated matters for Reverend Ford. Written by
Rev. Alexander Algernon Ford:
And then there is the question of the police. You all know only too well how close we have come to being discovered by the police for what we are. You all know how difficult it is to move about London after 11.30pm. London is a police state after midnight. Anyone can be stopped and asked where they are going at any time of the morning. We can no longer exist under these limitations.
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To say THE BODY BENEATH is a *GOOD* film might be sugaring things a bit heavily, but it certainly stands as one of the more professional achievements put forward by schlock auteur Andy Milligan.
The evidence of more technically adept workmanship than in many of his other projects is multi-directional within this eerie little vampire opus, though the the gore is noticeably slight this time around. It's a fairly unembellished bloodsucker story with a few novel twists...a vampire-priest calls a meeting of all existing vampires at his Old England lair. During this meeting, he expresses his concern with the rapidly diminishing numbers of their blood-line, and motions that they move, collectively, to the United States.
THE BODY BENEATH looks like a project which Milligan took a bit more seriously than many of his other horror offerings. It's fairly coherent(an amazing achievement for him), and the pacing and exposition actually aren't miles away from the accepted norm. Is this merely a film which denotes the natural progress of it's maker? Is it a sincere attempt to bring something palatable to mainstream horror film fans? Is it a sellout? ...I dunno...all I can say is that it has all the quirky Milligan hallmarks, but it's far removed from the schlock quality of much of his other work.
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