Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, ... See full summary »
Udo Kier is a witch hunter apprentice to Herbert Lom. He believes strongly in his mentor and the ways of the church but loses faith when he catches Lom strangling Reggie Nalder to death for... See full summary »
Reverend Alexander Algernon Ford returns to England to reopen the Old Souls Church near Carfax Abbey. But, Reverend Ford turns out to be a vampire disguising himself as a minister. With the help of three green faced ghouls and a hunchback assistant, named Spool, Reverned Ford begins to make some plans for the descendants of the Ford family. Reverend Ford gives the vampire bite to his granddaughter Anna Ford and he makes Anna drug her husband Graham Ford so the green faced ghouls can suck his blood. Reverend Ford's cousin, Susan, is taken captive used as a breeder for vampire babies, while his quiet wife, Candace, is used as a private blood bank. Trouble starts when Susan's boyfriend Paul tries to set her free which leads to more complicated matters for Reverend Ford. Written by
Rev. Alexander Algernon Ford:
And then there is the question of the police. You all know only too well how close we have come to being discovered by the police for what we are. You all know how difficult it is to move about London after 11.30pm. London is a police state after midnight. Anyone can be stopped and asked where they are going at any time of the morning. We can no longer exist under these limitations.
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An odd one in Milligan's filmography, this was one of the few "real" movies he attempted. By "real" I mean less concerned with stagy, screaming, off-Broadway plots (let's face it, Milligan at his best, at least by the standards of his own movies). This is an eccentric vampire film unlike any other. Very similar to "Guru, the Mad Monk", it is one of the few Milligan films to feature a dominant performance by a lead actor (Gavin Reed, one of the more professional actors Milligan worked with) with no scheming, bitchy females in sight. Not quite as slow as some of Milligan's other British-era films, it moves along at a nice clip, and the final vampire/cannibal feast manages, at moments, to be atmospheric (though the annoying use of inappropriate stock music is a distraction). The internet is interesting, I first saw a Milligan movie when I was 12, "The Rats are Coming, the Werewolves Are Here", and have been, well, interested in Milligan ever since. While I'm sure the recent Millgan biography has introduced more people to him, thanks to the internet I now know that, judging by some of the reactions to his films, there are at least 25 other people on Earth who appreciate Milligan as I do. Kind of neat.
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