| Shelley Winters | ... | 'Ma' Kate Barker | |
| Pat Hingle | ... | Sam Adams Pendlebury | |
| Don Stroud | ... | Herman Barker | |
| Diane Varsi | ... | Mona Gibson | |
| Bruce Dern | ... | Kevin Dirkman | |
| Clint Kimbrough | ... | Arthur Barker | |
| Robert De Niro | ... | Lloyd Barker | |
| Robert Walden | ... | Fred Barker | |
| Alex Nicol | ... | George Barker | |
| Pamela Dunlap | ... | Rembrandt | |
| Michael Fox | ... | Dr. Roth | |
| Scatman Crothers | ... | Moses (as 'Scatman' Crothers) | |
| Stacy Harris | ... | Agent McClellan | |
| Lisa Linsky | ... | Young Kate (as Lisa Jill) | |
| Steve Mitchell | ... | Sheriff | |
| Roy Idom | ... | Ferryboat Passenger | |
| rest of cast listed alphabetically: | |||
| Frank Snell | ... | Federal Agent (uncredited) | |
Directed by | |||
| Roger Corman | |||
Writing credits(in alphabetical order) | ||
| Don Peters | story | |
| Robert Thom | screenplay | |
| Robert Thom | story | |
Produced by | |||
| Samuel Z. Arkoff | .... | executive producer | |
| Roger Corman | .... | producer | |
| Norman T. Herman | .... | co-producer | |
| James H. Nicholson | .... | executive producer | |
Original Music by | |||
| Don Randi | |||
Cinematography by | |||
| John A. Alonzo | (director of photography) (as John Alonzo) | ||
Film Editing by | |||
| Eve Newman | |||
Makeup Department | |||
| Dave Grayson | .... | makeup artist (as David Grayson) | |
| Bette Iverson | .... | hair stylist (as Betty Iverson) | |
Production Management | |||
| Elliot Schick | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gary Grillo | .... | assistant director | |
| George Bowden | .... | second assistant director (uncredited) | |
Art Department | |||
| Michael Ross | .... | property master | |
Sound Department | |||
| Charles T. Knight | .... | sound mixer (as Charles Knight) | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
Stunts | |||
| Bud Walls | .... | stunt coordinator | |
Camera and Electrical Department | |||
| John Elsenbach | .... | camera operator | |
| Roy Hogstedt | .... | assistant camera | |
| Richard King Sr. | .... | key grip (as Richard King) | |
| Robert E. Thomas | .... | gaffer | |
Costume and Wardrobe Department | |||
| Thomas Costich | .... | wardrobe | |
Music Department | |||
| Bigfoot | .... | music performers "Bloody Mama" | |
| Guy Hemric | .... | composer: title song "Bloody Mama" | |
| Don Randi | .... | musical director | |
| Bob Silver | .... | composer: title song "Bloody Mama" | |
| Al Simms | .... | music supervisor | |
Transportation Department | |||
| Clifton Bush | .... | transportation captain | |
Other crew | |||
| William Bond Jr. | .... | our man in Arkansas | |
| Michel Levesque | .... | visual consultant (as Michael Levesque) | |
| Tom Moore | .... | script supervisor | |
| Earl Wingard | .... | unit publicist | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A gleefully trashy Corman cheapie, with Shelley Winters as the sex-crazed head of a family of criminals. Very bloody and perverse, yet strangely campy, and with good support from Bruce Dern, Robert DeNiro and Don Stroud, in a brilliantly sadistic role. Add to this Winters' fascinatingly overblown performance and you have a classic. Based on a true story, but you'd never guess.